‘The Most Important Thing to Do is to Keep Creating’: In Conversation With The Cast And Crew of ‘Songs From The Old World’
It is no secret that Covid-19 has put a strain on the UK's live theatre, especially given recent restrictions legally limiting public indoor gatherings...
‘Measure in Love’ – Preview
In the last few months, many aspects of our lives have had to change and adapt to fit into what we call ‘the new...
Review: Unplanned-ersnatch – ‘the kind of plot twists only improv could beget’
An evening of improvisation and audience participation set to the tone of laughter
Surviving on the Fringes
The experiences of a director at the Edinburgh Fringe.
The journey from script to stage
What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.
Review: My Mother Runs in Zig-Zags – ‘incredibly refreshing and ambitious’
An all-BAME cast and crew production, My Mother Runs in Zig-Zags powerfully explores civil war, intergenerational trauma and the diasporic experience
Review: The First Last – ‘an unmitigated triumph’
Student playwright Matt Kenyon's hilarious comedy about unplanned fatherhood is on at the BT Studio until Saturday
Preview: A View from the Bridge – a fresh take on the Miller classic
Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.
Review: Amadeus – University College Players ‘have more than risen to the challenge’
With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus
Review: Four Men in Their Respective Cells – ‘a whistle-stop psychological drama’
Though hitting the right notes thematically, Four Men in Their Respective Cells lacks polish and a conclusive ending
LOVE/SICK – ‘Your trip to Tesco’s will never seem the same again’
Matter of Act’s ambitious new production in an “alternate suburban reality” details the joys of falling in and out of love.
Every Brilliant Thing – ‘strikes a staggering balance between serious and joyful’
For a play about suicide, Every Brilliant Thing is an unexpectedly life-affirming and hilarious production
Q&A – a play that ‘takes a turn into the chaotic and absurd’
Witty, absurd, and ultimately hilarious, Q&A is an entertaining one-act play, even if at times the dialogue lacks spontaneity
Love/Sick: An anthology of romantic adrenaline and hysteria
A production that tackles what is the most enigmatic of all human experiences: love.
