Jack The Ripper is arguably the most famous killer of the Victorian era. There is a fanatical fascination with his case. He is a true crime podcaster’s dream: no...
So Far, So Good is a student-written, student-performed play that is shaking up the conventions of Oxford’s student theatre. From its ambitious staging (think...
Hajefa Khanam’s take on Agatha Christie’s classic murder mystery And Then There Were None for this year’s OUDS BAME showcase was entertaining, suspenseful and...
When I entered the Burton Taylor Studio to the sound of a mildly haunting cover of Tracy Chapman’s ‘Fast Car’, the whispered-yet-screechy vocals verging...
Labyrinth Production’s upcoming production of Patrick Marber’s Closer is a novel step up in the kinds of physical and emotional intensity that the Oxford...
I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The...
‘Humphrey: ‘If the right people don’t have power, do you know what happens? The wrong people get it. Politicians. Councillors. Ordinary voters.’Bernard: ‘But aren’t...
The play as propaganda has a long history. From the regime-affirming productions of Hieron, tyrant King of Syracuse, to Lucy Prebble’s play The Effect,...
Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the bard might have been strongly influenced by a woman, as...
Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...
Building on a strong recent tradition of plays performed in Sanskrit (with surtitles!) we are delighted to present this beautiful drama from ancient India,...