Sunday, September 19, 2021
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    Tag: theatre

    Review: “Black Lives Playlist: Track 2” by Sam Spencer

    'Spencer’s script never tries to be overly clever or conceptual, instead relying on its innately heartfelt character development and engaging humour.'
    Blurred photo of a woman dancing

    Live in the Opera House: A Review of 21st-Century Choreography

    "I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke." Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.
    Two drawings of pastel coloured faces on a pastel blue background

    Review: “The Arnolfini Portrait” by Tamsyn Chandler

    "The Arnolfini Portrait was an intricate, sophisticated project with a controlled yet bold execution. Every element of sound was carefully considered, and I took great satisfaction in being guided along Jean’s journey through the various mediums of sound." Beth Ranasinghe reviews the audio production of "The Arnolfini Portrait" by The Industry Magazine Podcast.
    Black and yellow image with a woman's face with the eyes blocked up by a stripe of yellow paint

    Review: These Quicker Elements by George Rushton

    "The lack of interaction prescribed by the online format forbids conversation between Lana and her audience, a blockage that’s mirrored by the cited words’ failure to offer clarity on Lana’s lost life events". Eleanor Zhang reviews the online production of These Quicker Elements.

    Review: “Orestes”//Oxford Greek Play @ the Oxford Playhouse

    "The intense and nuanced performances, the queasy mix of fear and fury palpable with a small glimmer of hope, made Oxford’s Orestes a very capturing play." Marietta Kosma reviews The Oxford Greek Play's production of Euripides' tragedy "Orestes".

    Preview: “These Quicker Elements” by George Rushton

    "These Quicker Elements is a remarkably polished piece of student drama. The acting is captivating throughout, managing to make a very simple set-up consistently captivating, and the script strategically reveals little gems of narrative information throughout its twists and turns while also speaking to bigger questions of memory, self-perception, and relationship dynamics." Ahead of its performance on Friday, 7th May, Katie Kirkpatrick previews "These Quicker Elements" by George Rushton.

    Black Lives Playlist: Track One Preview

    "Adapting to online technology was a necessity but I also felt that recent events provided a long-due kick in the backside to get narratives about Black experiences into the Oxford drama scene. Sure, we have ‘inclusive casting’, but this inclusivity isn’t currently extending into the voices being produced as far as it should." James Newbery interviews Sam Spencer about his upcoming project.

    ‘That’s So Fetch’: Teen Movie Musicals

    "Musicals centred around teenagers are destined to become ‘cult’ shows: their audience is intrinsically niche, and, due to their youth, unlikely to be able to sustain commercially and critically successful runs, leading these shows to fan-centric cult status." Katie Kirkpatrick analyses how teen films are journeying from Hollywood to Broadway and the West End.

    Checkmate or blunder? Adapting “The Queen’s Gambit” for the musical stage

    "To adapt such a complex series into a musical would be to severely undermine the weight of each of these topics and in turn, the production would do no justice to the character of Beth Harmon and the communities she represents." Beth Ranasinghe considers the obstacles in the path of adapting the hit Netflix show for the musical stage.

    The Role of a Lifetime? It’s Never Too Late

    While actors profit from an ability to be malleable, it is often the case that they are stuck playing the roles they are ‘right...