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Tag: poetry

‘The Rime of the Ancient Mariner’: Big Read

‘The guests are met, the feast is set’ and the Ancient Mariner Big Read has begun. On 18th April, the project released its first instalment:...

Bringing together Oxford’s zines

In light of the current coronavirus situation, we at Cherwell are interested in bringing together student zines to publicise Oxford's writing community. Many students in...

A Nation Under Siege

Darius Parvizi-Wayne spent three weeks in lockdown at the end of his five month stay in Italy. Here he recalls the empty streets with a mixture of verse and visuals.

‘and all manner of things shall be well’

Jack Glynne-Jones explores how T.S. Eliot provides solace in periods of stress

Review: ‘A Portable Paradise’

In a recent interview with the Guardian, the British-Trinidadian Roger Robinson conjectured that his poetry ‘came out of storytelling at the dinner table’. The...

Review: Chengyu: Chinoiserie

In Leung’s tales of adolescence, of desire and longing, loss and language, it is clear that love is the “one most/ tender, /tongueless theme”. Words “become flesh” as poems are imbued with the earnest passion of lived history.

One man’s trash

The mere mention of ‘high’ and ‘low’ art can make us feel uneasy. Such distinctions are often branded as pretentious and as the work of the elitist in their desperate attempts to preserve tradition and exclude diversity within the literary canon.

Review: Stranger, Baby

Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.

Why Read Poetry?

It’s easy to be intimidated by poetry. Often it withholds as much as it gives, leaves obscure as much as it reveals. So why read poetry?

Reclaiming the Moment

A review of Lavinia Greenlaw's 'The Built Moment' (Faber and Faber, 2019)

Alice Oswald tipped to become next Oxford Professor of Poetry

Although a woman has previously been elected, Oswald would be the first to actually take the position if elected.

Poetry in motion: the nature of lyrics

Should lyrics be given the same respect as poetry?

Armitage’s Gawain: translating in wylde wayeȝ

"Translation is not without flaws – it cannot help but alter authorial voice, although the degree to which this takes place is certainly not consistent."

‘I have only ever tried to show you beauty’: Florence Welch’s ‘Useless Magic’

Kate Haselden considers how the publication of Florence Welch's first book proves her affinity for beauty, and talent as an artist, extends beyond music into poetry

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