Review: Silence
Surya Bowyer is impressed by Scorsese's latest cinematic venture, a long and taxing, yet beautifully moving work
How to pass collections via the medium of film
Whether you study English or Engineering, Tesni Jones suggests a film for you to combine revising with relaxing
Westgate Oxford confirms five rooftop garden restaurants
The new rooftop garden will include international restaurants, bars, and cafes
Hollywood: Beyond the Pale?
David Lawton feels it’s time to reject Hollywood’s regime of systematic oppression once and for all
Cinema’s Resurrection?
Ellie Siora on how innovative screenings must challenge ‘passive’ binge-watch culture, after attending an all-night Wes Anderson marathon
Review: Mustang – confronts the sexualisation of innocence
Alice Townson finds Mustang daringly political and playfully provocative
Review: Love and Friendship – both modernised and faithful
Stillman’s adaptation successfully captures Austin and puts others to shame, writes Zach Leather
I, Daniel Blake: a working class triumph
Jem Bartholomew hopes Ken Loach’s Palme d’Or win can revolutionise our national welfare debate
Review: Everybody Wants Some!! – antiquated male stereotypes
Zach Leather considers Linklater’s latest nostalgia-soaked '80s escapade, finding it dominated by one-dimensional men in fear of emasculations
Review: OBA Film Festival showcase
James Riding casts an eye over the most ambitious films in Oxford student filmmaking at the OBA’s annual screening
The Age of Photoshop?
Daniel Curtis laments the decline of the quality film poster, but sees many reasons to be optimistic for the future
Linking Linklater’s Latest
Jake Kennedy identifies time as the common thread in Richard Linklater’s work
Representing The Impossible
Cinema will never be able to represent the horrors of the Holocaust, but Son of Saul offers a sensitive try, writes Jem Bartholomew
Review: the OBA Easter Projects
Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal