‘Hair’ at The Vaults review – as raunchy and relevant as ever
Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance
The Oxford Revue: The Best of the Fringe review – it left me in stitches
Chloe Taylor finds much to praise in the Oxford Revue's latest performance
Five minutes with Philippa Lawford, director of Tightrope Productions
We chat to Philippa Lawford, the director of Tightrope Productions, about her experiences with drama at Oxford, her involvement in the Edinburgh Festival Fringe, and her inspirations in the world of theatre.
‘Caesar’ at the Keble O’Reilly – preview
Miranda K. Gleaves previews 'Caesar', a hot new reinterpretation of a classic Shakespeare play from Cosmic Arts
Fringe Round-up: Six of the Best Stand-Up Shows
Izzy Smith rounds-up the best stand-up shows from the Edinburgh Festival Fringe 2017
La Bohème review – ‘Shabby and chic but not lacking in charm’
Amid the fakery of Shoreditch, Jack Hunter finds a rare thing: an age-old opera that celebrates the joy of being young
Paul Foot – eccentric comedy from a Merton mathematician
Miranda K. Gleaves talks to ex-Mertonian Paul Foot, ahead of his new tour, which comes to Oxford on September 30th
Dido, Queen of Carthage at the RSC review – ‘Daring, poignant and powerful’
The RSC's new production of the lesser-performed 'Dido, Queen of Carthage' is a phenomenal achievement, writes Katie Sayer
The Comedy About a Bank Robbery’s Steffan Lloyd-Evans interview – “most of the time I like to make people laugh”
It’s fairly early in the morning when I sit down to interview Steffan Lloyd-Evans, the star of Mischief Theatre’s The Comedy About a Bank...
The Comedy About a Bank Robbery review – ‘half the audience are in quantifiable hysterics’
Katie Sayer finds 'The Comedy About a Bank Robbery' to be a perfectly cathartic comic concoction
Coriolanus at the RSC review – ‘brutally minimalist but utterly compelling’
RSC's ultra-modern production of 'Coriolanus' balances humour with minimalist staging for a fresh new interpretation of one of Shakespeare's lesser performed plays, writes Miranda Gleaves
Baby Blues review – ‘gripping, entertaining and tragic’
'Baby Blues' at the Camden Etcetera Theatre is shocking portrayal of the realities of postnatal depression, writes Isabella Rooney
“Once again, I find myself applauding the Oxford Revue”
Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'
‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”
Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society
