The women of the Surrealist movement have suffered a curious case of the feminine shadow, what could be termed Muse Syndrome. Often, their biographical and artistic legacies have been dogged by their associations to prominent male surrealists; the result, an awkward and myopic epitaph.
Olya Makarova reviews Jenny Holzer's exhibition at the Tate Modern.
The Tate’s latest retrospective shows that the artist’s peak came at a personal low
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions