Review: The Dancing Men

"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".

Review: Simulacrum

Written and directed by Helena Aeberli and Riana Modi, Simulacrum is the first play on the Oxford drama scene specifically designed for online production,...

Intimations of Closeness: what might a distanced theatre look like?

It would be a dramatic understatement to say that Covid-19 has been disruptive for the United Kingdom’s creative industry – but live drama is...

‘The Most Important Thing to Do is to Keep Creating’: In Conversation With The Cast And Crew of ‘Songs From The Old World’

It is no secret that Covid-19 has put a strain on the UK's live theatre, especially given recent restrictions legally limiting public indoor gatherings...

‘Measure in Love’ – Preview

In the last few months, many aspects of our lives have had to change and adapt to fit into what we call ‘the new...

Review: Unplanned-ersnatch – ‘the kind of plot twists only improv could beget’

An evening of improvisation and audience participation set to the tone of laughter

Surviving on the Fringes

The experiences of a director at the Edinburgh Fringe.

The journey from script to stage

What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.

Review: My Mother Runs in Zig-Zags – ‘incredibly refreshing and ambitious’

An all-BAME cast and crew production, My Mother Runs in Zig-Zags powerfully explores civil war, intergenerational trauma and the diasporic experience

Review: The First Last – ‘an unmitigated triumph’

Student playwright Matt Kenyon's hilarious comedy about unplanned fatherhood is on at the BT Studio until Saturday

Preview: A View from the Bridge – a fresh take on the Miller classic

Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.

Review: Amadeus – University College Players ‘have more than risen to the challenge’

With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus

Review: Four Men in Their Respective Cells – ‘a whistle-stop psychological drama’

Though hitting the right notes thematically, Four Men in Their Respective Cells lacks polish and a conclusive ending

LOVE/SICK – ‘Your trip to Tesco’s will never seem the same again’

Matter of Act’s ambitious new production in an “alternate suburban reality” details the joys of falling in and out of love.

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