Hanna Review – ‘strikingly honest’
Meg Harris is touched by a mother's monologue at the North Wall Centre
The Scythians British Museum review – ‘a vivid and intriguing exhibition’
A vivid depiction of an ancient culture excites at the British Museum
Revolt. She Said. Revolt Again. preview – ‘bracingly honest’
Adam Radford gets a privileged glance at this incendiary piece of feminist theatre
Kabakov Tate Review- ‘an exercise in alternative perspectives’
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
The Jungle review- ‘an incredible, heart-wrenching story’
Lucy Miles is left awe-struck and moved by the story of a Refugee camp in the Young Vic's new play, The Jungle
Restaurant Review: Cinnamon Kitchen
Aine Kennedy takes a break from the student lifestyle to explore luxury dining at Cinnamon Kitchen
The late Mr Salinger deserves his enduring reputation
The Catcher in the Rye encapsulates central tenets of our modern world, writes Barney Pite
Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”
John Livesey is blown away by a preview of the sold-out 'Lovesong'
Review: ‘Yellow’ – “sensitive and complex”
Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch
Five Minutes With… Hugh Tappin
In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
‘Volpone’ review – “Overdone accents but an otherwise fantastic production”
Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire
‘Volpone’ preview – “a very potent type of dramatic humour”
John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week
‘God of Carnage’ preview – “a disgusting and disquieting play”
Jorge Lopez Llorente previews God of Carnage at the BT Studio
‘Retelling Tales’ preview – “I heard stories that got inside my body.”
Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’