Pablo Neruda’s subtle patterns show us how to feel
The brilliant simplicity of the Chilean poet is his greatest strength
Angel Hill review – ‘It may be simple, but it isn’t empty’
Michael Longley’s Forward Prize short-listed collection is elegant and timeless, writes Barney Pite
The opening of a closed cultural world
One combative poem has a lot to reveal about the place of artists under Soviet rule, Charlie Baker writes
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
Life Divided: Oxlove
Maxim Parr-Reid and James Lamming debate the vices and virtues of Oxford’s most amatory Facebook page
“A woman sitting alone, doing nothing”
Tilly Nevin reviews Mary Ruefle’s stunning and startling new collection 'My Private Property'
Oxford poet wins prestigious award
The director of Oxford Business College is to receive an award for his poetry, written in Hindi
SLAM: Poetry that isn’t afraid to make an impact
William Hosie investigates how the art of slam challenges our assumptions about poetry
Cecil Day-Lewis: Auden’s overlooked classmate
Theo Davies-Lewis reveals the poet's fruitful and inspiring, though perhaps not academically successful, time in Oxford
Profile: Wendy Cope
Poet Wendy Cope on teaching, parodies, and writing what we are all thinking
Walking the pilgrim’s way
Looking back at his exhibition 'We will meet', Alvin Ong tells Sophie Jordan of his walks along the thin line between memory and fiction
Home is where the art is: Helen Pinkney
Bill Freeman investigates his artist godmother’s inspirations and her relation to the process of creation
W.H. Auden’s return to Christ Church
In the sixth instalment of Through the Looking Glass, Daniel Curtis follows in the footsteps of W.H. Auden
America’s poet laureate: Bob Dylan
Phylis Stein on the sublime lyrics that make Dylan a Nobel Prize winner
