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UrbanObserver
Friday 4th July 2025
Oxford's oldest independent student newspaper, est. 1920
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“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
Awkward singing and timely rain from Radiohead in Manchester
Thomas Athey finds last minute venue changes are easily overcome by Radiohead
Glastonbury and the Corbyn effect
Julia Alsop argues that Jeremy Corbyn is using the political nature of music to bolster his image as the ‘cool’ politician
Edinburgh Fringe: In the Pink preview
Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe
Oxford gifts nineteenth-century violin to Syrian refugee
A 14 year old refugee has been lent the historic violin from the Bate Collection for ten years
Music without borders : Misogyny and Bollywood
Jeevan Ravindran exposes the contradictions within Hindi cinema
“Emotive, vibrant, and politically charged”: Hamilton
Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack
Music without Borders: Welsh national music
Theo Davies-Lewis explores the importance of music to his homeland
“Guitar legends of the Sahara”
Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy
Taking up Tupac’s “thug poet” mantle
'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid
The humble notes that hold great meaning
Katherine Wood explores the past and present of Russian bard music
The comeback kids keep ‘lad rock’ alive
Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller
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