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UrbanObserver
Friday 4th July 2025
Oxford's oldest independent student newspaper, est. 1920
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music
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Is it possible to release too much music?
Maxim Mower discusses the current trend of constant releases in Hip-Hop
In conversation with Matt Maltese
Ollie Braddy discusses 'brexit pop' and the London music scene with singer-songwriter Matt Maltese
Foals to make return to Cellar
The band will be performing in celebration of the venue's successful fight against closure
Lucy Rose enraptures and comforts her audience in Oxford
Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church
Rock’s best storyteller
"Darnielle's new novel confirms the status that Rolling Stone granted him; Rock's best storyteller", writes Barney Pite.
‘Hair’ at The Vaults review – as raunchy and relevant as ever
Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance
The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance
Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces
La Bohème review – ‘Shabby and chic but not lacking in charm’
Amid the fakery of Shoreditch, Jack Hunter finds a rare thing: an age-old opera that celebrates the joy of being young
“Once again, I find myself applauding the Oxford Revue”
Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'
‘It’s even kind of morale boosting, in a Lana kind of way’
Nicola Dwornik praises Lana Del Rey's latest subtle reinvention
‘A nuanced and complex musical creation’
Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
Hannah Kessler: “Music is an incredibly therapeutic thing”
Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
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