Review: Gatsby at Trinity – the ‘love for Trinity College and Fitzgerald’s novel is apparent’
Trinity College’s prequel to the Fitzgerald novel anticipates the debauchery of the Roaring Twenties in an exceedingly suitable location
The journey from script to stage
What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.
Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’
RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements
Review: Amadeus – University College Players ‘have more than risen to the challenge’
With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus
Review: A Little Night Music – ‘a sophisticated and pleasant performance’
Despite some minor setbacks on the opening night, A Little Night Music delivers a confident performance, including some moments of hilarity
Review: A Woman of No Importance – ‘the best Wilde production I’ve ever seen’
With a terrific cast, a splendid setting, and a deft handling of the script, Magdalen Players' take on A Woman of No Importance proves to be a fourth week delight
Preview: A Woman of No Importance – ‘promises an informed, thorough and hilarious production’
Magdalen Players reimagine Oscar Wilde's melodramatic comedy in fourth week
Lysistrata Review – ‘some over-directing vitiates a few performances’
Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy
