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UrbanObserver
Thursday 3rd July 2025
Oxford's oldest independent student newspaper, est. 1920
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Despicable Me 3 and Cars 3: this summer’s prime animated franchises
Jonnie Barrow reviews the newest instalments of two popular animated trilogies
Adaptating our perception of film adaptations
Jack Allsopp questions whether film adaptations can ever match or even supersede their literary predecessor
“Don’t paint me like one of your French Girls, I’ll damn well paint myself”
Priya Khaira-Hanks is blown away by pretty pornography at Dreamers Awake, and explains how naked women can still be powerful
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”
Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
‘Baby Driver’ dazzles and thrills
Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart
‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure
Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character
Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape
Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition
Studio 60 on the Sunset Strip – a neglected Sorkin revisited
Becky Cook asks why Aaron Sorkin's Studio 60 on the Sunset Strip was cancelled, after one season on air
The science books that every non-scientist should read
Rosalie Wells lists the best science and medicine books to read this summer
“At times refreshingly witty and sharp, and then lets itself down…”
Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine
Dispatches: Friends, Ulysses, and the value of a story’s ending
Ellie Duncan considers how endings reflect a need for stories
A sense of closure amongst dreaming spires
Sarah Brown reflects on three years at Oxford University as the end draws near
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