Review: The Pillowman
ATG's production is a triumphant display of dark humour and raw emotion - not for the faint-hearted
Preview: The Pillowman
Jeevan Ravindran relishes the brutal comedy of ATG's production of The Pillowman
Backstage dialogue with Sarah Wright
Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright
All wound up by a Clockwork Orange
It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...
The Cursed Child: ultimate fan fiction?
To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...
Review: Foxtrot at the Edinburgh Fringe
Peter Thickett is drawn into a complex reflection on the dehumanisation of missing women at the Fringe
Oxford Playhouse to reopen after refurbishment
Iconic Oxford theatre will reopen with production of Peter Pan sequel
Review: XX (kiss kiss)
Aidan Balfe is enthralled by the innovation of the algorithmic play about love
Review: The Weir
There is a certain type of absolute silence that only comes with good storytelling – it is the silence of held breath, of absolute...
Spotlight: Drama and identity
Alex Barasch notes a welcome development in Oxford’s theatre scene and beyond
Interview: Jessy Parker Humphreys
Alex Barasch talks to Jessy Parker Humphreys, one half of Not Your Nice Girl, about gender, drama and performance art in Plush
