It’s time to get angry about the explosive impact of fragile masculinity
On the 11th of January, Alex Davies-Jones made a speech in the House of Commons about the "crisis" unfurling in secondary schools across the...
Decadence, eroticism and indecent beauty: Aubrey Beardsley at Tate Britain
Aubrey Beardsley was an intensely talented, risqué artist who stunned
his late-Victorian audience. Loved by many for his depiction of the underside
of London life, Beardsley...
William Blake
William Blake was never the
artist he wanted to be, nor the one we want him to be. As with all the great
Romantics, both our...
Edward Burne-Jones at the Tate: A reminder of greatness
Burne-Jones' exhibition at the Tate is one to not miss.
1932: The year Picasso had something to prove
The Tate’s latest retrospective shows that the artist’s peak came at a personal low
Kabakov Tate Review- ‘an exercise in alternative perspectives’
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
Modigliani Tate review – ‘a delight to walk through’
Tate Modern's Modigliani show is tame, but beautiful
The queen of artistic appropriation is crowned at the Tate Modern
Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work
Coming full circle: The importance of Queer British Art for young people
Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition
A tempestuous tribute to a perplexing artist
Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern
Who’s in the artistic power seat?
Ella Hill discusses Tristram Hunt’s appointment at the V&A and the continuation of gender inequality in the UK’s major museums
The full blankness of space
Emmanuelle Soffe discusses the misconceptions of modern art galleries and the White Cube effect