Every Brilliant Thing – ‘strikes a staggering balance between serious and joyful’

For a play about suicide, Every Brilliant Thing is an unexpectedly life-affirming and hilarious production

Q&A – a play that ‘takes a turn into the chaotic and absurd’

Witty, absurd, and ultimately hilarious, Q&A is an entertaining one-act play, even if at times the dialogue lacks spontaneity

Love/Sick: An anthology of romantic adrenaline and hysteria

A production that tackles what is the most enigmatic of all human experiences: love.

Review: What Comes After – ‘one of the most effortlessly flowing performances’

Wonderful set design, music, and performance make for a beautiful new song cycle by Máth Roberts

Review: Pirandello’s Henry IV – ‘earnest production let down by a dull script’

A Tom Stoppard translation of an Italian play is convincing and confusing in equal measure

Review: How to Make Friends and then Kill Them – ‘brilliantly toes the line between laughing and crying’

Coningsby Productions' three-woman production impresses with its relentless movement and convincing performances

Review: House of Improv presents: I’m an Improviser Get Me Out of Here! – ‘relentlessly silly’

House of Improv presents an improvised hour of moon shoes, jacuzzis, and reckless fun

An Unexpected Visitor Review – ‘performed in a unique space but falls short’

The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.

OCTOPUS – Review

Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?

Ishtar preview -‘Nothing if not entrancing’

An excellently engaging gloss of an intriguing archaic myth

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

Revolt. She Said. Revolt Again. preview – ‘bracingly honest’

Adam Radford gets a privileged glance at this incendiary piece of feminist theatre

“More gentle slap than sucker punch”

Katheryn Thompson finds Made in Dagenham lacking in political grit

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

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