"Why stage Romeo and Juliet a year into a global pandemic? Godwin’s primary response to the pandemic appears to be the focus on touch in the production: it reminds us of the power of human contact, and the depth of feeling that can only be experienced in person." Katie Kirkpatrick reviews the new National Theatre production of Shakespeare's classic tragedy, Romeo and Juliet.
A bold and haunting production that places the deadly feud in HM Prison Verona
A close cast and crew underline the generational aspects of Shakespeare's tale of conflict, all in a female offenders unit