An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
Fresh ideas abound in new Netflix original ‘The OA’
Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series
A day in the life of… an assistant director
Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama
“An aspirational first performance”
Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company
“A little-known gem”
Thomas Player gives four stars to 'Dear Brutus', an underrated classic
‘Clique’: the dark side of your summer internship
Alice Robinson finds BBC3's new drama a compelling stylised watch
‘Ghost in the Shell’: A mind-numbing bore
Jonnie Barrow takes on the forgettable remake of an anime classic
“A captivating, quasi-religious experience”
Clara Dijkstra reviews the new London Grammar single, 'Truth is a Beautiful Thing'
Tate Britain celebrates the playfulness and dynamism of David Hockney
Sabrina Ruia is captivated by a retrospective look at the artist's life
‘Logan’: his heart is bigger than his bite
Charles Britton is impressed with Hugh Jackman’s last hurrah as the most famous X-Man
Can we trust the new episode of ‘Rick and Morty’?
Jack Allsopp examines the hit sci-fi cartoon's latest instalment, and asks what new developments mean for the future of the show [MAJOR SPOILERS]
Review: ‘Free Fire’
Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow
Faces, forgotten and faded
Jonathan Egid visits Christ Church Picture Gallery’s disappointingly small Forgotten Faces exhibition
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth