An odd mix of Sophocles, Stoppard and Wilde

Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic

A day in the life of… an assistant director

Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama

Rewind: “Our greatest work may be found in our escape”

Carmen Martinez explores the dawdles and doodles of Dr Seuss' Oxford days

Becoming a metropolitan through life in slow motion

Maddison Sumner discusses her experience of moving from the town to the city

“An aspirational first performance”

Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company

“A little-known gem”

Thomas Player gives four stars to 'Dear Brutus', an underrated classic

Dispatches: faces and encounters in a letter from New York

Altair Brandon-Salmon reflects on finding the familiar and unexpected in a new city

Irresponsible escapists and the architecture of power

Thomas Thorne considers how escapism may be a powerful force for transgression

Tate Britain celebrates the playfulness and dynamism of David Hockney

Sabrina Ruia is captivated by a retrospective look at the artist's life

The guilt of gaming at Oxford

Charles Britton finds that university life has taken its toll on an all-consuming hobby

Review: ‘Free Fire’

Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow

Review: ‘T2 Trainspotting’

Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

Spotlight: DFO

Will Cowie on those three magic letters

“Love and humanity scattered amid the horror”

Emily Lawford enjoys a genuinely frightening production of Macbeth

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