Friday, May 30, 2025

Tag: culture

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Lets talk about: cultural appropriation

Cultures are not merely fashionable accessories

The shameful truth about Churchill

Despite Winston Churchill's major role in one of the greatest famines in the history of mankind he is still unduly lauded by the British people

The culture of Homecoming, from a student’s eyes

Depictions of homecoming remind us of what makes returning home such a confusing experience

Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”

John Livesey is blown away by a preview of the sold-out 'Lovesong'

Review: ‘Yellow’ – “sensitive and complex”

Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch

Five Minutes With… Hugh Tappin

In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions

Lucy Rose enraptures and comforts her audience in Oxford

Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church

‘Volpone’ review – “Overdone accents but an otherwise fantastic production”

Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire

‘Volpone’ preview – “a very potent type of dramatic humour”

John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week

‘God of Carnage’ preview – “a disgusting and disquieting play”

Jorge Lopez Llorente previews God of Carnage at the BT Studio

‘Retelling Tales’ preview – “I heard stories that got inside my body.”

Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’

In conversation with Layo-Christina Akinlude

Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'

‘A Familiar Friend’ review: “a masterful intensity”

Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio

Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

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