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UrbanObserver
Tuesday 21st October 2025
Oxford's oldest independent student newspaper, est. 1920
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A perfectly preserved corner of London speaks to modern Britain
Susie Finlay discovers the delights of still-life drama
A little creativity can change a lot about the way we protest
Anoushka Kavanagh reports on the art-activist collective creating playful new forms of direct action
‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s
Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s
Political cartoons must now be held to a new standard in the age of Trump
Viveka Herzum challenges the role political cartoons play in our current climate
Basquiat brought to life at the Barbican
Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith
The queen of artistic appropriation is crowned at the Tate Modern
Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work
My naked truth
Jess Brown contemplates the merits and shortcomings of life drawing
Grayson Perry’s Polymorphous Popularity
Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition
The everyday art of living
Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life
Coming full circle: The importance of Queer British Art for young people
Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
The Death and Rebirth of MS Paint
Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
At the Royal Academy: Matisse in the Studio
Altair Brandon-Salmon explores the Royal Academy's latest exhibition, Matisse in the Studio
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