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UrbanObserver
Tuesday 21st October 2025
Oxford's oldest independent student newspaper, est. 1920
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“Don’t paint me like one of your French Girls, I’ll damn well paint myself”
Priya Khaira-Hanks is blown away by pretty pornography at Dreamers Awake, and explains how naked women can still be powerful
At the Royal Academy Summer Exhibition
Altair Brandon-Salmon ponders the significance of the Royal Academy's annual Summer Exhibition
Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape
Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition
Pastel pink speculums, embroidered condoms, and art for reproductive freedom
Anoushka Kavanagh explains why protest art is now more important than ever
Rhetoric and realism in ‘Raphael: The Drawings’
Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition
Evoking emotion and rejecting repression through art in the Middle East
Joseph Botman makes a case for the importance of the humanities in contemporary society
A tempestuous tribute to a perplexing artist
Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern
Da Vinci Code cracked by Oxford academic
Art history professor Martin Kemp claims to have uncovered the identity of the artist’s mother
Snapshot: Salvador Dali and the legacy of surrealism
Jasmin Yang-Spooner discusses Salvador Dali's development of the Paranoiac Critical Transformation Method and the legacy of surrealism
A voice for the evidence of the refugee crisis
Mia Neafcy and Sai Parepalli explore the links between art and awareness
The art of sex in fashion at the Met
Eleanor Birdsall-Smith reviews the diverse turn out at this year’s Met gala
Warhol and the importance of social exchange
Mia Neafcy explores the notion of consumerism in American capitalist society
Oxford students take on Tories over cuts to art funding
The group created an exhibition to pique youngsters’ interest in the arts
American art at the cutting edge of the 21st century
Altair Brandon-Salmon explores two samples of recent art and their resonances
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