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UrbanObserver
Sunday 23rd November 2025
Oxford's oldest independent student newspaper, est. 1920
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Oriel’s Rhodes exhibition is not enough
The exhibition's portrayal of Rhodes’ actions and the Rhodes Must Fall movement are trivialising and disrespectful.
Ceilings, wives, and love letters to the city: The Pre Raphaelites in Oxford
It was in 1857, not long after the construction of the Oxford Union, that its architect, Benjamin Woodward, was visited by his close friend...
The Oxford Art Calendar: Michaelmas 2025
Autumn in Oxford is not only golden leaves, dark academia, and beautiful architecture – Michaelmas is also a season of creativity. The start of...
The Museum of Oxford celebrates city life in ‘Our Oxford: 50 Years, 50 Stories’
The Museum of Oxford, situated in the Town Hall, is celebrating its 50th birthday. As part of the occasion, they opened late on the...
‘This Is What You Get’: Thirty years of mad ravings from two great artistic minds
★★★★★ This Is What You Get, the new exhibit at the Ashmolean Museum on Beaumont Street, showcases 30 years of artwork, music and early lyrics:...
Anselm Kiefer: Early Works Review
I still remember the first time I saw Anselm Kiefer’s work. I was in the Pompidou Centre, Paris, and I’d been stumbling around the...
Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley
Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”
Doubts on Banksy
What is so enticing – and infuriating – about this mystery man’s slapdash approach to political commentary?
‘Expolwed!’: The Oxford Union’s lazy use of AI
A betrayal of the Union’s supposed commitment to free speech, a failure of both imagination and principle.
Mitosis
A letterA single-cell, Stuttering, Reoccurring, Scrap on /The page /Fragmented/Born from pain …A zygote …Dividing… Turning inwards;Malformormed; Abortorted;Misbirthirthed-I would choose- An embryo that...
From the Chrysler to the Weston: 100 years of Art Deco
Florence Wolter explores the impact left by Art Deco on Oxford and European Culture. A century on, should we be looking forward, not back?
Should we judge a book by its cover?
Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at.
Celebrating two centuries of the National Gallery
Flo Wolter reflects on the impact and legacy of the iconic institution, now in its 200th year.
The art of rowing: In conversation with Emily Craig
After a formidable finish in the Lightweight Women’s double sculls at the 2024 Paris Olympics in August, Team GB’s Emily Craig and Imogen Grant...
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