Sunday 18th January 2026

Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Moving through our suffering: the arresting power of Marina Abramovic

Marina Abramovic’s art reminds us how vulnerable we are to exposure.

The End of an Era: Endgame

Arguably the biggest film franchise in the world draws to a conclusion that's been over a decade in the making

Ovid’s poetic legacy: a journey

From John Keats to Bob Dylan, Ovid's images of metamorphosis transform from generation to generation.

The Art of Our Times

Social movements and visual culture

Cage the Elephant: Social Cues

Since forming in 2006, Cage the Elephant have managed to dance from one end of the rock spectrum to the other with little hesitation,...

James Blake: Finding Himself In Someone Else

He has candidly burst from the shell of self-doubt, willing to share his emotions with us, the fans, and his love with his significant other.

The Duality of Movement in the New Taiwanese Cinema Movement

The entry of Hong Kong cinema to the Taiwanese market in the 1980s brought with it a move to protect homegrown directors and maintain a national...

Thinking Through The Flesh

A review of Lidia Yuknavitch's new memoir, The Chronology of Water.

The Consolation of ‘Constellations’

A review of Sinéad Gleeson's new memoir.

The Rise and Fall of Artistic Movements

The mutability of movements is an inevitability. It’s the constantly self-renewing process within art that ensures it can continue to fulfil its purpose of...

Interview: Cindy Gallop

Don’t Block Porn: Disrupt It

Is sadness ‘all Greek’ to you? – Greek tragedy in the modern day

Can Greek tragedies be staged for a modern audience?

Review: Heart of Darkness at York Theatre Royal

Can we retell Conrad’s disturbing critique of exploitation in colonial times without falling prey to racism which even the author couldn’t avoid?

Review: Good Dog – ‘reflects an experience that many can relate to’

Arinzé Kene’s Good Dog portrays the harsh reality of growing up in inner-city London as a young black man

Unstoppable and unassailable: Sean Scully is an artistic force of nature

Self-mythologising, commercially driven, and unabashedly 21st-century, Sean Scully drives his own narrative of artistic success with brazen solipsism.

‘If We Were Villains’: Caught in long shadow of ‘The Secret History’

Does M.L Rio's debut novel prioritise style over substance?

Lady Gaga is not a receptacle for your pain

It's been almost two years since the release of Chris Moukarbel's documentary about the pop icon super-star Lady Gaga, a.k.a. Stefani Germanotta. Gaga: Five...

Reflective Awakenings

  The Victorian period was one defined by immense social change - especially in regards to women’s position in society. Throughout the century, increasing debate...

The Magic of Madeline Miller’s ‘Circe’

An exploration of the way Madeline Miller finds beauty in sadness.

Review: Edward II – ‘fantastic at handling themes of homosexuality and power’

The tender exploration of sexuality in Bagnall's production makes Marlowe's sixteenth century play still relevant for a modern audience

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