Thursday 11th September 2025

Culture

Animal History: Reviewed

If an older adult has ever raised their eyebrow at your vegetarianism, then I might just have the book for you. They might be interested in knowing that even...

Hertford Archaeology Open Day: Medieval Oxford laid bare

You may have spent the last year wondering what has been going on amongst...

The Blue Trail: review

★★★★☆ The Blue Trail (O Último Azul), this year’s winner of the Berlin International Film...

Review: Sketches from a Curious Mind

In 1962, Edward Anthony wrote: “Writing a book of poetry is like dropping a...

Music and the Comeback Kids

Molly Innes discusses the art of the comeback, the “reunion” cash cow, and throwback culture

OUDS New Writing Festival 2019 – A Roundup

A summary by their writers of the plays which are part of this year's OUDS New Writing Festival.

Preview: Skin a Cat – an interview with playwright Isley Lynn

"The final scene I saw – a relentless, breezy epiphany, beautifully handled in all its profanity by Tupper – emphasises this point more than any: it’s about 'creating your own metric for your own happiness'."

The rise of lo-fi

What makes imperfections so attractive?

Review: Waiting for Gary – ‘surpasses the Beckettian classic’

High praise given to Waiting for Gary for its emotional truth underlying the humour

Urban Decay

Exploring the metropolis in 1890s Decadent literature and its origins in Baudelaire and Huysman

Reality check: the power of relatable crises

"Conflicts in literature don’t work when they fail to resonate". Regardless of genre, books are most impactful when their crises are rooted in everyday human experience.

Preview: Made in Dagenham

A cheerful rendition of 'Payday' and some impressive character analysis make for a stunningly professional fifth week production.

The Crisis of Creon

'Peripeteia', reversal of fortune, for Sophocles' Creon in 'Antigone' is a wincingly fatal consequence of his tragic decision.

Review: The Oxford Revue Newcomers’ Show ‘Scrapped’ – ‘ridiculous, witty, and hilarious’

"No description, no plot summary can do justice to this highly eclectic and wonderfully unpredictable piece of theatre"

Review: Pirandello’s Henry IV – ‘earnest production let down by a dull script’

A Tom Stoppard translation of an Italian play is convincing and confusing in equal measure

Review: How to Make Friends and then Kill Them – ‘brilliantly toes the line between laughing and crying’

Coningsby Productions' three-woman production impresses with its relentless movement and convincing performances

Skin a Cat Review – ‘rethinks simplistic sexual narratives’

Britomart Productions' honest exploration of female sexuality is on at the BT Studio until Saturday.

How To Make Friends and then Kill Them Preview – ‘promises to be entertaining and unsettling’

A preview of Coningsby Productions' play at the Pilch this week.

Numbers Review – commendable but difficult to feel nuance

The play was particularly successful in its exploration of masculinity

Review: Shostakovich 7 with the Oxford University Orchestra

Peter Stark conducts a moving performance of Shostakovich 7 with the Oxford University Orchestra

Interview: renowned opera singer Iestyn Davies

Cambridge, choirs, colleges and everything else

Classical music’s illusions

Lauren Hill discusses the captivating, and yet illusory effects of performing music at a point where music education is under threat

Preview – Pirandello’s Henry IV – “a challenging role wonderfully enacted”

Omelette Productions presents an unconventional take on a Tom Stoppard translation

Review: Eugene Onegin at St John’s College Auditorium

The People's Opera's production of Eugene Onegin is a great achievement against the odds

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