Wednesday 29th April 2026

Culture

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it feels like an endless borrowing game, buying into nostalgia for bygone times outside of our...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Love Island: the breaking point for exploitative television?

"Love Island doesn’t just expose its contestants to the vitriol of the public, it actively encourages it."

A Literary History of the F**kboy

The narrative of resistance and domination in relationships has been the recourse of storytellers since pre-Christian times, with the same lurid, visceral quality evident in Greek myth as in the modern trend of disturbingly violent porn. Yet these primal, animalistic tropes of female subjugation now exist in a ‘civilised’ society, whose vernacular is one of #TimesUp, sex positivity and high-street feminism.

‘The Lost Properties of Love’ by Sophie Ratcliffe

'treads a fine line between a deeply personal memoir [...] and an academic exploration'

If Ever I Stray

Genre devotion in Frank Turner's music - do musicians owe us consistency?

‘Was it written by aliens, or is it about vampires?’: A Q&A with Daniel Wakelin

"Often important texts appear in humble form, and humble forms often tell us more about the humble people who made and used them." Daniel Wakelin talks to Cherwell about medieval manuscripts.

The journey from script to stage

What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.

Love, Lust and Angst

With ruthless contempt for form, clarity, elegance, wholeness, and realism, he paints with intuitive strength of talent the most subtle visions of the soul.” So Arne...

Review: A View from the Bridge – ‘dramatic, gripping and surprisingly funny’

This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).

Preview: The Witch of Edmonton – ‘promises a sufficiently sinister experience’

Hoof and Horn Productions' take on The Witch of Edmonton heads to the BT Studio in Seventh Week

Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"

Boards, Beats and Bros: Mid90s Review

"Following the traditional narrative arc of the coming-of-age tale, the film follows Stevie as he rides out the highs and lows of adolescence, and learns important life lessons along the way."

Sensuality In Strauss’ ‘Salome’

"Salome’s kiss is undoubtedly an extreme example, a sensual climax of an obscene kind, but musically important nonetheless, and a moment that illuminates its preceding pages of music."

Frequencies and what they do to you

A primer to the niche field of "sound art"

Philosophy in the Bookshop – Nigel Warburton in Conversation with Naomi Wolf

Naomi Wolf talks of book blunder and her ties to Oxford.

An Artificial Low

Reviewing Ottessa Moshfegh's 'My Year of Rest and Relaxation' (Jonathan Cape, 2018)

Menial Heroics

Reviewing Sayaka Murata's 'Convenience Store Woman' (Granta, 2019)

Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements

Review: Ordinary Days – ‘brings the score to life in quite an extraordinary way’

A rom-com premise gives way to a brilliant musical at the BT, with endearing and relatable performances

Review: My Mother Runs in Zig-Zags – ‘incredibly refreshing and ambitious’

An all-BAME cast and crew production, My Mother Runs in Zig-Zags powerfully explores civil war, intergenerational trauma and the diasporic experience

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