Wednesday 29th April 2026

Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Nose

BT Studio

Review: God’s Own Country

God's Own Country Ross Raisin 4 stars out of 5

More chipmunk than Chimera

Angela Cockayne Chimera Mus. of Hist. of Science Until 1st June 1 star out of 5  

Review: The Rose Labyrinth

Sam Losey gets lost in Titiana Hardie's latest work.

Theatrical Thrills

Looking back to Edward II.

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