Saturday 16th August 2025

Culture

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup everyday' on his New Year's...

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Songs for the Sadgirl

Whether it’s due to a lack of sunlight that no SAD lamp can remedy, the post-December comedown, or the onslaught of Hilary term...

The Enduring Legacy of Pippi Longstocking

This year marks the 75th anniversary of Pippi Longstocking’s arrival at Villa Villekulla. In her first appearance Astrid Lindgren’s eponymous heroine fascinates her neighbours,...

Cinema Self-Care: A Therapeutic Guide to Nora Ephron Films

Even when I am most in need of time to myself, I still crave company. Nora Ephron’s characters, from jolly, larger than life Julia...

Review: JoJo Rabbit

Based on Christine Leunens’ Caging Skies, Jojo Rabbit is a very different kind of war film to Sam Mendes’ 1917, advertised just moments before....

Review: The Rise of Skywalker

Space Operatic Dullness by Mattie Donovan, “The Critic” When this new trilogy of Star Wars films began back in 2015, there was a charming sense of...

ROYALTY IN FILM

“Uneasy is the head that wears a crown”, wrote Shakespeare, who seemed compulsively committed to documenting the simultaneous lure and burden of monarchy more...

The Death of Jesus

The world of J. M. Coetzee’s Jesus novels – a trilogy which has accounted for most of the author’s output in the last decade – is not easy...

Review: ‘Howards End is on the Landing’

Oxford time does not have the rhythms of ordinary time. There are very few moments for extended, contemplative, peaceful reading, of the sort which...

In conversation: Ross McNae, Twin Atlantic

In the heart of the Glaswegian alternative music scene circa 2006, Sam McTrusty, Ross McNae, Craig Kneale and Barry McKenna formed the rock outfit...

The Death of Theatre Monarchy

It’s January 2020 and a new controversy has arrived to add to the Britain’s collection. Popular discussion of the Duke and Duchess of Sussex’s exit from...

Review: Little Women

“Women, they have minds, and they have souls, as well as just hearts. And they’ve got ambition, and they’ve got talent, as well as...

Local libraries: do we still need them?

What is a library? Most of us would describe them as a place to study (or at least pretend to), or somewhere to find...

Dora Maar and the Everyday Strange

The women of the Surrealist movement have suffered a curious case of the feminine shadow, what could be termed Muse Syndrome. Often, their biographical and artistic legacies have been dogged by their associations to prominent male surrealists; the result, an awkward and myopic epitaph.

Review: ‘A Portable Paradise’

In a recent interview with the Guardian, the British-Trinidadian Roger Robinson conjectured that his poetry ‘came out of storytelling at the dinner table’. The...

BRITs come in last place for gender equality

The 40th edition of the BRIT Awards is fast approaching, and with it, concerns over the lack of female nominees in mixed-gender categories are...

Review: Don Giovanni

Premiered in 1787 in Prague and in the Habsburg court in Vienna, Mozart’s Don Giovanni offered a biting social comedy. Breathing new life into...

A Tale of Two Department Stores

It is both the best and worst of times for the complex relationship between retail, ethical/sustainable clothing production, and technology. A staggering number of...

Review: Dustin Lynch’s Tullahoma

After an initial scan through the track-list for Tennessee-born country artist Dustin Lynch’s Tullahoma, you could be forgiven for presuming this is going...

The Ghost of Sanders Past: Jil Sander A/W 2020 in Review

Since the initial departure of its peerless founder and namesake in 2000, Jil Sander has spent much of the last two decades wrangling with its sense...

Sung Sikyung: an ode to the Korean balladist

I often get asked whether I listen to K-pop. Although I answer “yes,'' I hate getting this question. In part this is because people...

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