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Music

Men used to go to war – now they DJ

Why are so many people becoming DJs? This recent obsession has taken the world – and now Oxford – by storm. Love it or hate it, everyone is doing...

The rise of genre fluidity: Is this the death of genre as we know it?

My favourite genre of music: a question I’ve found becoming increasingly difficult to answer...

Cherwell Introduces: Menu3

Joining me this week, are four members of Menu3: Nicole 2nd year biochemist/lead singer,...

American Odyssey- The world building of Lana del Rey’s music

"The past decade of Lana del Rey’s music has ventured  from the deserts and neon-lights of Las Vegas to the streets of New York, Hollywood, and eventually rural California."

‘Spectacular throughout’: OUO at the Sheldonian- review

"The Sheldonian Theatre was treated on Saturday of 4th week to a display by some of the University’s best musical talent."

Marika Hackman and queer sexuality in music

Bolshy, brazen and unapologetically sexual – in Oxford, the first group of people to spring to mind from this description is likely to be...

From Kampala With Love

At its Southern extremities, the River Nile flows from Lake Victoria into the plains of Uganda as the Victoria Nile. The city of Jinja...

Review: Wire’s ‘Mind Hive’

Wire are a band that don’t like nostalgia, unlike most mainstream cultural figures. So much so, that they have been known to take...

The music of Little Women

For the characters in Greta Gerwig’s recent film adaptation of Little Women (2019), music is an essential part of their lives. Beth (the third...

Review: Frank Turner’s ‘Love, Ire & Song’

Frank Turner is an interesting character. Somehow famous enough to play Wembley and the Olympic opening ceremony, but not quite famous enough that...

Songs for the Sadgirl

Whether it’s due to a lack of sunlight that no SAD lamp can remedy, the post-December comedown, or the onslaught of Hilary term...

In conversation: Ross McNae, Twin Atlantic

In the heart of the Glaswegian alternative music scene circa 2006, Sam McTrusty, Ross McNae, Craig Kneale and Barry McKenna formed the rock outfit...

BRITs come in last place for gender equality

The 40th edition of the BRIT Awards is fast approaching, and with it, concerns over the lack of female nominees in mixed-gender categories are...

Review: Dustin Lynch’s Tullahoma

After an initial scan through the track-list for Tennessee-born country artist Dustin Lynch’s Tullahoma, you could be forgiven for presuming this is going...

Sung Sikyung: an ode to the Korean balladist

I often get asked whether I listen to K-pop. Although I answer “yes,'' I hate getting this question. In part this is because people...

Kate Tempest: the protest voice of a generation

“The whole thing’s becoming/Such a bumbling farce/Was that a pivotal historical moment/We just went stumbling past?” Not enough people have heard of Kate Tempest. These...

Star People: unearthing Miles Davis’ jazz-rock family tree

By the mid-60s, jazz was floundering. The preceding decade saw bebop – the most radical post-war interpretation of the breed – birth several pioneering...

Jazz Society launch record label

Oxford University Jazz Society have welcomed in the new year with the announcement of the launch of their new independent record label, JazzSoc Records. Describing...

Girls to the Front: a brief history of Women in Rock

It is encouraging news that, according to a 2018 study by the guitar manufacturer Fender, 50% of new guitarists in the US and UK...

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