Music

Beyond litter and emissions: The environmental costs of loud sound at music festivals

The music festivals of the summer have packed up and moved on. Stages and sound systems have been dismantled, litter cleared, and land reseeded.
Culture Leandro Landolina -

Why ‘No Bad Memories’ is my album of the year

I didn't expect how perfectly my personal happiness would fit an album so preoccupied with the sounds of old advertisements and obsolete electronics, filled with the relentless optimism of a world that believed the future could only get better. 
Culture Willow Jopp -

CUSP’s Dan Stock on the memories behind ‘English Country’

On Friday, CUSP, a Milton Keynes-based indie rock band, released their debut album, English...
Culture Evelyn Shepphird -

The rise of the pop girlie: Marketing mediocrity or feminism in action?  

“GIRLS INVENTED PUNK ROCK, NOT ENGLAND”: so reads the iconic green T-shirt of Sonic Youth legend Kim Gordon. The slogan stands in defiance of an unfortunate truth in the music industry: femininity and credibility often exist in contention with one another.
Culture Aoife Williams -
Latest

Notes on Improvisation

Improvisation is a strange topic to think about. On the surface, it seems to be fairly simple: know the chord progression to follow, choose...

Album Review: Lady Gaga’s ‘Chromatica’

Promoting her latest album on Twitter, Lady Gaga told fans: “listen from beginning to end, no need to shuffle, this is my true story.” Indeed, Chromatica...

how i’m feeling now: Hyper-Pop Masterpiece for the Lockdown Generation

Charli XCX’s lockdown productivity is putting us all to shame. On the 6th of April she announced to fans via a public Zoom meeting that...

Review: The 1975’s ‘Notes on a Conditional Form’

Notes on a Conditional Form, the fourth studio album by The 1975, has created its own chaotic history even before its release. The band’s latest record...

Historical Opera: A Primer

The ancient Greeks were so moved by music that in their mythological conception, the father of songs, Orpheus, could move even the rocks. In less fanciful...

Songs of a Pride Cancelled

Pride 2020, which was supposed to be a celebration of our place in the world looking forward to liberation for even more LGBT+ people...

Streaming and the seismic shift in music release formats

Like many of us quietly fascinated with Matty Healy’s prolific output, I recently put in a shift to listen through The 1975’s sprawling new album Notes...

Live Album Review: Vulfpeck at Madison Square Garden

Madison Square Garden, NY, late 2019. A packed house. We see a stage, empty save for Woody Goss...

‘Don’t Walk Away in Silence’: Ian Curtis Remembered

Monday 18th May marked forty years since Ian Curtis, the lead singer of Joy Division, took his own life by hanging himself in his...

The New Music Celebrity

The glossy pages of the likes of NME and Rolling Stone were pored over by music aficionados in the past, hoping for a snippet of the intent of...

“Ladies, ladies, ladies, ladies” – the women at the forefront of lockdown releases

My initial self-isolation playlist contained what I thought I would want to listen to during this indoor period - wistful folk-rock and simmering ambient, the types...

“It’s Not a Phase, Mom!” – In Defence of Teenage Clichés

“I’m not like other girls,” comes the mocking cry from my little sister across the kitchen table – a phrase I’m pretty sure I’ve never actually...

Album Review: Hayley Williams’ ‘Petals for Armor’

In ‘Misery Business’, Paramore’s 2007 breakthrough hit, Hayley Williams claimed that “second chances, they don’t ever matter / people never change”. She’s been proving...

A Love Letter to Eurovision

I first discovered Eurovision in 2015. Idly flicking through the TV channels one fateful night, I stumbled onto the largest, glitteriest, and most confusing music competition on...

Review: Laura Marling’s ‘Song For Our Daughter’

Laura Marling’s seventh album, Song For Our Daughter, was scheduled for release later this year. But, like many other artists and entertainers, the likes of Dua Lipa...

Modern Classical: Locked Down, Looking Back

Ludovico Einaudi is in lockdown. With time to think - to take a walk in the fresh Mediterranean breeze - perhaps the Italian pianist could...

Review: Fiona Apple’s ‘Fetch The Bolt Cutters’

“All my particles disband and disperse/And I’ll be back in the pulse.” Music, to Fiona Apple, seems like a Schrodinger’s Cat kind of paradox; it relies...

Review: Jerskin Fendrix’s ‘Winterreise’

Weird things are happening in the world of pop music. Charli XCX and Carly Rae Jepsen have bounced back from ‘Boom Clap’ and ‘Call Me Maybe’...

Album Review: Rina Sawayama’s ‘SAWAYAMA’

Sofia Henderson celebrates a dynamic but thoughtful debut

A City Without Music?

Mila Ottevanger explores Oxford's place in music history...
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