Music

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

The rise of Stats.fm: Music as a signal of identity

It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.

Culture Suzi Sharp -

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese.

Culture Val Michael -

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.

Culture Amy Lawson -

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Interview: Rai Kah Mercury’s Nathan De Giorgi

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‘Years in the Making’ – Arkells

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If music be the food of love, prey on

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Review: ‘The Slow Rush’, Tame Impala

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Lose Yourself: A Sign of the Times

If you want to feel the sensation of your skin crawling, watching Eminem’s unexpected performance of ‘Lose Yourself’ at the Oscars should certainly do...

Review: Billie Eilish’s ‘No Time to Die’

After taking the international music scene by storm, eighteen year old Billie Eilish can now add writing and producing the new Bond theme song,...

An Ode to Trixie Mattel

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Tegan & Sara’s ‘Hey, I’m Just Like You’: a Queer Coming of Age

When Tegan and Sara Quin signed with Neil Young’s Vapor Records in 1999, they were a novelty on the male-dominated indie scene. The identical...

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Music

Is the dancefloor really dead?

The rise of Stats.fm: Music as a signal of identity

On Geese and the Cult of the Fake Fan

Who gets to speak? The rise of the male podcast epidemic

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