Thursday 10th July 2025
Blog Page 1474

Drug involvement at St Peter’s bop brawl

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Police officers were called to a fight which broke out at a St Peter’s College bop on Saturday 12 October. Thames Valley Police confirmed that two men were arrested, one of whom was cautioned for possession of cannabis.

The two London men, aged 31 and 21, were believed to be friends of a bop attendee. They are due to appear at Oxford Magistrates’ Court later this month, charged with obstructing or resisting a police officer in the execution of their duties. Both have been released on bail.

Neither of the men in question are thought to be members of Oxford University.

Cherwell understands that St Peter’s porters managed to eject the two men from the bop itself, but had to call police in order to remove them from college premises.

One unnamed St Peter’s student told Cherwell that she saw thirteen policemen enter the bar on Saturday evening. She said, “There were a couple of guys having a fight – not Peterites, just randoms. But they brought all the police for crowd control if they needed it.”

She added, “It was pretty crazy for the first bop”.

George Galloway confronted with Israeli flag

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George Galloway’s speech on Monday night at the Oxford Union was interrupted by a student bearing an Israeli flag.

Following an impassioned, hour-long speech during which Galloway revered Churchill’s patriotism and criticised the legacy of Tony Blair and New Labour, which he said has left a “crumbling” state with “rotten” institutions, the floor was opened to questions from the public. 

The protesting student, who stood up following a number of questions by other members of the audience, approached the MP for Bradford West whilst he intoned a speech in Hebrew and gesticulated angrily at Mr Galloway.

The student bore an Israeli flag beneath a blue jumper, which appeared at first to be a suspicious object. Mr Galloway warned the student that he felt “threatened” and asked him to back off.

He then began speaking in English and criticised Mr Galloway for his behaviour during his last visit to Oxford, when he refused to engage in a debate with Brasenose PPE student Eylon Aslan-Levy, on the grounds that he did not wish to “debate with Israelis”. It had been previously reported that Galloway had intended to “annihilate” his opponent in the debate. A video of the debate went viral and was reported in national headlines. 

When Galloway told him that “you’re yourself a lot of harm”, the student, who is reported to be fellow Brasenose student Jonathan Hunter, told Mr Galloway that  “I think you did a lot of harm by not speaking to my friend Eylon and not having a constructive dialogue with him” before informing him he did not in fact have a question for him, “because I don’t debate with racists”, after which he walked out of the debating chamber. 

Galloway later commented that the last time he had seen an Israeli flag was at an EDL rally last week, saying that he found it “not surprising” that “fascists” should want to fly the Israeli flag. 

At the beginning of his speech on Monday night, Mr Galloway referred to a student who had confronted him on his previous visit to the Union regarding Freedom of speech in Venezuela as a “hapless young fellow”. A video of the question, followed by Galloway’s response, went viral online and was aired on Venezuelan TV. 

Later on during question time, Mr Galloway was again confronted about his refusal to debate Eylon Aslan-Levy last term when a student asked him if he considered himself to be “a racist”. To this he retorted that it was the “racist ideology” of Zionism which should be labelled as such, comparing it to Apartheid South Africa. 

In a tweet after the event, George Galloway published a picture of the protesting student with the caption “…and we’ve found the fool of the night!”.

George Galloway has been the fruit of much controversy in recent years. Having been expelled from the Labour Party in 2004 for his views on the Iraq war, he established his own party, Respect, winning a seat for Bradford West in the 2012 by-election. In his last visit to the Oxford Union last year, he was confronted by feminist protestors due to his comments that the charges brought against Julian Assange in Sweden do not amount to rape. 

(Cambridge) Blue Stockings

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★★★★★ Five Stars

If you had to choose between love and education, which would it be? This is the difficult question which the women at Girton College, Cambridge faced in 1896; the inevitable result of studying being spinsterhood. Jessica Swale’s new play Blue Stockings concentrates upon this very question and dramatizes the consequences of choosing education.

Blue Stockings tells us the story of four female Cambridge students fighting for equality in the late 19th century; for though Girton granted entrance to a few highly academic females, they would not, unlike their male colleagues, leave with a degree. The reason for this being that the majority of society disapproved of female education. The play vocalizes the fierce opposition through characters such as Dr Maudsley, who proclaims early on that those women who pursue an education ‘do so at the cost of their strength and health which entails life-long suffering, and even incapacitates them for the adequate performance of the natural functions of their sex’.

The play deals with the wider campaign for female emancipation whilst also capturing the struggles of the individual students. Tess, the most outspoken of the four girls, is beautifully characterized by Ellie Piercy. She boldly opposes Dr Maudsley’s view that hysteria is a result of women’s lack of moral judgement, much to the astonishment of the male students and from the outset she refuses to accept the view that a woman must choose between love and education. However, Tess’ fiery nature quickly dwindles when her relationship with a fellow student ends, as his family feel Girton is ‘too radical’. In one of the most emotionally charged scenes of the play, Tess cries ‘what is the point?’. This question is frequently repeated by the male students in an attempt to weaken the female cause; with a degree from Girton, no one will marry you, no one will employ you, you will be an outcast.

The Globe is a perfect setting for this inspiring play. The audience act as the public forum for the controversial issues on the stage; the play’s inclusive nature is particularly conveyed when they let out a loud cheer as the female shopkeeper shouts ‘get out’, after witnessing a scene of blatant male chauvinism.

The play was not only entertaining but also a true education, chronicling the historical struggle of women in Britain. For female students in Britain today, it is difficult to imagine that, until relatively recently, we had no right to graduate with a degree. However, with Swale’s dedication to Malala Yousafzai, the Pakistani teenager who was attacked by the Taliban for encouraging education for girls, she reminds us that though things may have improved for us, in other countries across the world these issues are just as prevalent as they were for the Girton women in the 19th century. 

Why I’ve decided to go Back to School

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I’m not going to lie, I had the best time of my life during my last two years of school at sixth form. My friendships got even stronger, I loved my lessons (maybe not Geography, odd that I then took that for my degree…) and had a great time as part of the Sixth Form Committee. But what I definitely lacked was more support as I chose where I wanted to apply for higher education. Being told by a certain Mr X, the Careers Adviser, not to apply to Oxford certainly didn’t put me off applying, but it could have done. I am so glad that I ignored his advice and am now working as part of my job at OUSU to support Target Schools and many of other great Access initiatives across the University.

So when about a month ago now Future First approached me and asked if I (OUSU really) wanted to partner with them for the Back to School Week I seized the opportunity (and with slightly more fervor in the knowledge that Cambridge had declined). The ‘Back to School’ campaign launched by social enterprise charity Future First, is aiming next week (the 12-19th October) to encourage more people to join their already 50,000 strong network of ex-pupils. Being part of this network means that you, whether you left school just this year or 10 years ago now, can return to your school, meet current pupils and talk to them about what you’ve done since you left school.

We can all be role models for school pupils, it doesn’t matter if they don’t want to go to Oxford or apply for higher education, it’s about inspiring students, raising aspirations and ensuring that pupils apply for what they want to do and aren’t put off by a lack of information or the wrong advice. Private schools are great at keeping up with old pupils and it’s time for us to make sure this happens in state schools too. And it doesn’t matter if you were privately educated or are an international student, you can sign up on their website too to keep in touch and get involved in local widening participation events in the Oxford area.

I’ve already been back to school a couple of times, once as a Royal Geographical Society Ambassador (how cool am I?) and a second time to chat to students who were thinking of making an application to Oxbridge and had loads of questions about which college/course/the social life etc. Now I want to be part of a bigger social movement. One that is growing fast and is making it’s way across national state schools. Future First and their campaign ‘Back to School’ week are meeting this challenge head on, ensuring that alumni networks are created and used effectively to support and inspire pupils.

I’ve been challenged as part of this partnership to get 1000 Oxford alumni, students and staff to sign up. But right now I’d like to challenge you.

If you want to get involved, and be a part of this social enterprise movement then sign up on their website by clicking here.

Lucie Dawkins’ cultural must-dos

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BOOK – Saki: The Complete Short Stories (H.H. Munro)

Writing around the turn of the last century, Hector Hugh Munro’s short stories became so famous for their irreverent and dark humour, they earned their author the pen name ‘Saki’. These have always been a favourite of mine, but recently I’ve been revisiting them, and they never fail to reduce me to tears of laughter. From fictitious bishops to insidious felines, and murdered peacocks to charming werewolves, Saki’s macabre prose is excruciatingly funny. None of the stories is more than a few pages long, so I always tend to have a copy in my bag for whenever  I need a dull five minutes filling.

FILM – The Life Aquatic with Steve Zissou

I love Wes Anderson’s quirky approach to filmmaking, with every shot packed with so many weird and wonderful details that you have to watch each film again and again before you catch all of it. The Life Aquatic, a fabulously bats story about a marine explorer going through a mid-life crisis with his crew of insecure and red-hatted mariners, I think is Anderson’s best. With an amazing cast, with Bill Murray, Cate Blanchett, Anjelica Huston, Owen Wilson and Michael Gambon, and a soundtrack of David Bowie sung in Portugese, everything about this film is wonderful.

MUSIC – Push The Sky Away (Nick Cave and the Bad Seeds)

Nick Cave really is the modern Renaissance man, whether he’s publishing novels, composing for the theatre, directing films, acting, or putting out great albums with any one of his bands. Drawing inspiration from Dante, gospel, jazz, garbage rock, and well, whatever takes his fancy really, Nick Cave, with the accompaniment of his Bad Seeds, always manages to create something totally unexpected and fab. Push The Sky Away is the band’s fifteenth album, and came out this year. They’re playing in the UK at the end of the month – tickets sold out months ago, but there’s a ballot going for eager beavers.

ART – Francis Bacon/Henry Moore: Flesh and Bone (The Ashmolean Museum)

Francis Bacon and particularly Henry Moore are two of my favourite artists, and the Ashmolean is currently hosting the work of both in one exhibition – bliss. Although working in different disciplines, the two artists drew on surprisingly similar influences, and the same themes can be traced in both their art. Flesh and bones were in fact key to Moore’s modelling process – he used to take bones and leftovers off his plate at the end of a meal and use them as a starting point for his maquettes. Getting to see how the two artists’ work developed separately but in parallel is very exciting.

Lucie Dawkins is directing the Ashmolean’s next Live Friday, ‘The Art of Theatre’, 25th October, 7-10.30pm. It’s a free evening of live theatre, music, workshops and tours, with bars in the crypt and on the roof, in association with OUDS.

Beauty Corner: The Natural Trio

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Vinegar, honey, garlic: open up any recipe book and it’s almost certain that at least one will appear on the ingredients list. Don’t worry, I won’t go all Masterchef on you – this is a Beauty column after all. Instead, I’ll give you an insight into how these three items that can easily be found in your kitchen cupboard can be your new secret to looking gorgeous.

With new creams appearing on the market each week – from face creams, to eye creams, to I-don’t-even-know-what creams – there is no shortage of products to choose from when creating your beauty regime. The ‘golden ritual’ of cleanse, tone and moisturise has now become standard daily practice. Is this really necessary? It certainly can be time consuming and expensive!  I found myself wondering where they days went when a block of soap would suffice. I had heard rumours that vinegar, honey and garlic used to be considered nature’s secret weapons when it came to beauty. Old wives tales? I decided to investigate. After a little research I was surprised by the variety of uses these substances have. Following some experimentation (much to my poor cardi’s dismay – it was left with a lingering smell of vinegar and garlic) I have listed my favourites below:

Honey for rough skin
Said to delay ageing, keeping your skin looking young and fresh. Rub a little onto chapped hands, lips and feet every night before bed.

Vinegar hair cleanser
After washing my hair as normal, I rinsed it in a solution made up of diluted cider vinegar. My hair looked incredibly shiny – John Frieda eat your heart out.

Complexion cream using honey
Add a tablespoon of honey to a beaten egg-yolk and some corn-oil. Mix to a smooth paste and apply to your face using cotton wool. Leave for about 15 minutes before washing off with warm water.

The juice of a garlic clove for skin infections 
With its antibacterial properties, Garlic can also be used for treating acne.

Lavender vinegar for bath oil 
Simply add 150ml water to dilute the lavender vinegar before use. 

Who would have thought these cooking ingredients could have so many uses in the bathroom? If you have them in the cupboard then why not give it a go? Not only is it cheaper, it’s 100% natural. So natural, the honey-turned-face cream is good enough to eat.

 

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Should we be scared of the University of London?

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There are certain assumptions built into British society. One of the most basic of them is that the country’s educational landscape is dominated by Oxford and Cambridge. The two are not only known as Britain’s oldest universities, but its best. University league tables continue to generally confirm this, with Oxford and Cambridge, often interchangeably, claiming the positions of first and second place in the UK. However, there does increasingly seem to be a widening field of competition between the top universities in the UK, which is especially reflected in world rankings.

Now, while not predicting a three way Boat Race any time soon. What appears to be happening is that the traditional two-way rivalry between Oxford and Cambridge is slowly becoming a three-way rivalry that includes some London-based universities, as the gap in quality narrows between them.

It is worth being specific about the London universities we are talking about here. They are University College London (UCL), Kings College London (KCL), the London School of Economics (LSE) and Imperial College London. The first three are all constituent colleges of the University of London, while Imperial left the body and became independent in July 2007.

The increasing challenge, presented by London universities, was reflected in the QS World University Rankings, published last month. The rankings placed both UCL and Imperial above Oxford. The question therefore arises could these London universities soon overtake Oxford and Cambridge? This seems unlikely at the moment. 

One study does not provide enough evidence to establish the existence of a trend. However, the recent Times Higher Education rankings reached some similar results. This is represents a break from the past, since previously Oxford and Cambridge could rely on their reputations, if not of overwhelming superiority then of substantial superiority, to attract the most talented students. Now, they must compete for them.

‘Oxbridge’ and the London universities come from two starkly different traditions. The amazing longevity of Oxford (founded in 1116) and Cambridge (founded in 1209) seems to hold much of the secret to their success. Both have a tradition of excellence, quite literally over hundreds of years. In fact almost no other educational institutions, in the world, have had as much time, as Oxford or Cambridge, to perfect teaching methods. Finally, the distinctive tutorial system (or ‘supervisions’ if you like) is often seen as the key to the educational success of both universities.

The London universities under discussion bear a very different profile. They are comparative upstarts, as they were all founded in the 19th century. They were established with a strong Victorian ethos different to that of Oxford and Cambridge. No doubt, the London universities also draw vitality from the city of London itself. London has an intimidating number of libraries, which makes it a natural powerhouse of learning. Furthermore, the diversity of London and its status as one of the global capitals of the world makes it a centre of debate, which naturally attracts an international body of both students and staff.

However, the whole concept of university league tables is rather subjective and worthy of some scepticism. The result depends on the criteria, which one believes makes a ‘great’ university. Even the weighting of different criteria can lead to radically different outcomes. In addition, there seems to be an inbuilt bias in favour of English-speaking countries in the world rankings, as there is a rather suspicious predominance of American universities on the lists. For example, the Swiss Federal Institute of Technology in Zurich, was the only non-British European university to be in the top 20 of the Times Higher Education rankings. 

What does seem true is there are smaller differences between the top universities, in the UK, and that Oxford and Cambridge are no longer just competing against each other nationally. Oxford and Cambridge have for a long time been competing with other universities on an international scale, this is now increasingly becoming the case on a national scale too. Past success is no longer the harbinger of future success. League tables act as a warning against complacency in an increasingly competitive environment. British universities are one of the things the country can be proud of and, if you can bear to use the phrase, is an area where Britain continues ‘to punch above its weight’. If there are more universities capable of providing an education closer to that, which Oxford and Cambridge do, then that is surely a good thing.

Is Oxford intimidating for freshers?

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YES:

First of all, University itself is filled with new challenges and experiences, new people and new rules. Even for second years who are helping, Fresher’s week is a mixture of nervous energy and excitement, and from experience, it’s also tumultuous. After being looked after for so long by our parents, stepping out into independence can be a big sigh of relief – followed quickly by panic.The realization that we are now “adults”, responsible for our own households and finances, our own meals and shopping and goodness knows what else, can be a bit of a cold shower. The jump from high school to college is relatively minor in comparison to the jump to University.

Upon arriving here we know relatively few people, if any, and we’re essentially living with strangers for a few days until we get to know them. While we rapidly make friends and learn who the people in our homes are, being by oneself for the first time can be intimidating. And that’s just attending university in general. The University of Oxford is amongst the best in the world – surveys and rankings regularly place Oxford in the top ten, if not the top five. In fact, Oxford was tied second place with Harvard on the Times Higher Education ranking this year, trailing closely behind the California Institute of Technology. Such a high-ranking university immediately illicits fear and apprehension in even the most fearsome of freshers.

While Fresher’s week may not seem too intimidating, the prospect of your first essay and first tutorial is nerve-wracking. To be in a room with someone who is a world-renowned expert in their field, to have your work criticized by someone who probably wrote the book on the subject, and to be expected to defend oneself, is pretty intimidating. I know that for my first tutorials, I was scared – I had never had to defend myself so vocally or quickly before. And the expected workload, the jump from reading perhaps a few chapters a week as homework to reading books for only one essay, is a massive challenge. Confronted with an enormous reading list on the first week, so endless it fills you with a dull, aching sort of dread, is enough to instill fear into the hearts of nervous freshers.

And not even a skype session with your friends from home – an exercise designed to momentarily transport yourself outside the Oxford bubble – reminds you sharply of how much work you have, and how little your friends are doing. Facebook photos of them partying while you are well into your third essay rubs salt into a fresher’s over-worked wounds.

Oxford, as a whole, is intimidating for everyone and embodies the most impossible paradox – It is the one place where probably everyone in the room is cleverer than you, and it is one of the few places where you are expected to be the cleverest person in the room. While most freshers probably enjoyed coming top in their class throughout school and Sixth Form, you quickly become accustomed to an environment where you no longer come out on top on every occasion. Oxford is a lesson in failure as much as success. While you grow used to it over time, and it becomes normal, the feeling of intimidation never really leaves you. But, if it makes you feel better, everybody will be feeling in the same, everybody has some adjustment issue.

Jack Davies 

NO: 

No. As only a handful of places in the UK where red chinos can be worn with impunity, I can categorically state that Oxford is not intimidating.

The university can try all it likes to force you to adhere to its draconian traditions but you still live in a world of Ginsters, Wrigley’s Extra and Alan Carr. While a “Provost” or a “Warden” or a “Gate Keeper” talks Latin at you before you can eat your dinner because it’s really important, remember that somewhere out there E4 is still showing repeats of The Big Bang Theory and E4+1 is still showing repeats of The Big Bang Theory.

If you didn’t feel gut-punched when you opened your parcel from Ede and Ravenscroft and felt the quality of your new gown, I’d wager that your Bridesheaded preconceptions were shattered at some point this week. Around Tuesday or Wednesday, you probably realised that what Waugh didn’t tell you was that when a drunk fresher vomits through your window, you’ll probably end up dragging them back to their college while they whine about how “me and Jonathon can actually make the long-distance thing work, actually” because they can “get with other people, but nothing more”. Eighteen year olds at Oxford are still eighteen year olds.

Mummy and Daddy might have abandoned you to “face the real world” but rest assured you won’t be facing it here. A team of scouts will clean your kitchen, hoover your room and empty your bin all so you can finish that Medieval commentary so salient to the future of mankind. The biggest inconvenience you’ll face is the social embarrassment when they come into your room wearing a protective masks because the beans on toast near your laptop is really starting to smell.

The university removes every obstacle from your life to ensure that you can (though you won’t) work every minute for the next three years. Your intellect will grow while your common sense rots away to the point when the most inconsequential problem seems insurmountable. The “Essay Crisis” is a great example. At three in the morning when you just don’t have time to finish that problem sheet for your 10am tute, you’ll definitely be able to heighten your productivity by bemoaning your plight on four different social media platforms, while Oxford’s homeless sit shivering on Cornmarket. “Losing my essay crisis V!!!!!!!! #Pro-at-crastination!#”

If you spent your summer watching Newsnight for fear of seeming stupid when sparring with some intellectual dynamo between the hors d’oeuvres and the fish course at Freshers’ formal, you needn’t have bothered. Your future Nobel Prize winners will probably be chewing face at Park End in second week and have blown their loan by fourth.

Will Railton 

Preview of Maria Stuarda

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In the one corner, Elizabeth I – the doyenne of British monarchs. In the other, Mary Stuart – Queen of Scots, the shadow that plagued Elizabeth most of all. At the centre of this opera – an imagined meeting between the two, which begins in frosty politeness before exploding into poker-wielding, name-calling soprano pyrotechnics. It is a great shame that the rest of the music is less inspiring, falling at the least provocation into four-square oom-pa-pa-pa ditties which fail at expressing anything much of note. The second act of this production, despite the presence of two – TWO – deaths succeeds in being incredibly boring, culminating in a twenty-minute paean to Mary’s status as a noble Catholic martyr which, despite being beautifully sung by Judith Howarth (in the title role) and WNO’s ever-fantastic chorus, succeeds in perplexing the audience member given that in the first act Mary seems to spend most of her time attempting to manipulate and/or seduce Leicester (sung by Bruce Sledge) before calling the queen a ‘bastard whore’.

Rudolf Frey’s direction is quite poor – even in Donizetti’s typically ecstatic love duets, the singers essentially stand at opposite ends of the stage doing Expressive Opera Hands before crossing and doing the same thing to the other half of the audience. WNO’s chorus are now well-practised in standing around looking political. For some reason Lord Cecil begins the second act draped over the edge of a ditch in Elizabeth’s apartment – her wonderfully unconvincing slap in the first act is also worthy of mention.
The costumes are mostly quite ugly, Elizabeth’s in particular. Starting the action she sports a singularly hideous binbag-dress before getting kitted up in the sartorial love-child of a hearth brush and an IKEA chandelier. Mary, of course, starts in a kilt, is given the black shiny plastic treatment, and in the final scene removes her coat to reveal a copper breastplate replete with Stephen-Fry-Blackadder-II-style shiny nipples.

All in all, it’s a wonder that any of the cast can muster the conviction and energy to even try. Thankfully they do, and the result does not disappoint. Howarth excels, with a shining tone and a phenomenal top register. Adina Netescu, as Elizabeth, is a little harsh at times but is otherwise very much on top of Donizetti’s score. The male leads sing beautifully and generally characterise well – Alastair Miles as Talbot fits and plays the ‘stiff courtier’ with an appreciable naturalness. Sledge is occasionally a little too puritan for the ‘ardent lover’, but then, what can you do when the music isn’t very good and all the scene changes take seven minutes?

The orchestra, as usual, sound fantastic, and Graeme Jenkins’ conducting manages to keep the stage and the pit in the same place, most of the time.