Thursday 4th June 2026

Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Lily Allen’s No Shame Refusing Remorse

A review of Lily Allen's latest album

The Intricacies of Married Life

Exploring the themes of illict love, friendship and bereavement in Tessa Hadley’s 'Late in the Day'.

The Entangled Affair between Britain and the Catholic Church

Modern media has reinvented Catholicism as access to an intoxicating blend of nostalgia and taboo

Incorrect Impressions

Questioning the Impressionist movement and its origin

Moving through our suffering: the arresting power of Marina Abramovic

Marina Abramovic’s art reminds us how vulnerable we are to exposure.

The End of an Era: Endgame

Arguably the biggest film franchise in the world draws to a conclusion that's been over a decade in the making

Ovid’s poetic legacy: a journey

From John Keats to Bob Dylan, Ovid's images of metamorphosis transform from generation to generation.

The Art of Our Times

Social movements and visual culture

Cage the Elephant: Social Cues

Since forming in 2006, Cage the Elephant have managed to dance from one end of the rock spectrum to the other with little hesitation,...

James Blake: Finding Himself In Someone Else

He has candidly burst from the shell of self-doubt, willing to share his emotions with us, the fans, and his love with his significant other.

The Duality of Movement in the New Taiwanese Cinema Movement

The entry of Hong Kong cinema to the Taiwanese market in the 1980s brought with it a move to protect homegrown directors and maintain a national...

Thinking Through The Flesh

A review of Lidia Yuknavitch's new memoir, The Chronology of Water.

The Consolation of ‘Constellations’

A review of Sinéad Gleeson's new memoir.

The Rise and Fall of Artistic Movements

The mutability of movements is an inevitability. It’s the constantly self-renewing process within art that ensures it can continue to fulfil its purpose of...

Interview: Cindy Gallop

Don’t Block Porn: Disrupt It

Is sadness ‘all Greek’ to you? – Greek tragedy in the modern day

Can Greek tragedies be staged for a modern audience?

Review: Heart of Darkness at York Theatre Royal

Can we retell Conrad’s disturbing critique of exploitation in colonial times without falling prey to racism which even the author couldn’t avoid?

Review: Good Dog – ‘reflects an experience that many can relate to’

Arinzé Kene’s Good Dog portrays the harsh reality of growing up in inner-city London as a young black man

Unstoppable and unassailable: Sean Scully is an artistic force of nature

Self-mythologising, commercially driven, and unabashedly 21st-century, Sean Scully drives his own narrative of artistic success with brazen solipsism.

‘If We Were Villains’: Caught in long shadow of ‘The Secret History’

Does M.L Rio's debut novel prioritise style over substance?

Follow us