When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."
"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "
“Audiences deserted his lectures, Harvard students mocked his outfits, and his failures left him drunk and dejected."
Reviewing Michele Mendelssohn's 'Making Oscar Wilde'.
'Why was it that, in putting self- expression, politics and philosophical substance at the forefront of his artistic agenda, Lennon’s music ended up failing to express both himself and everyday concerns with the same force as his work from the sixties?'
A comparison of John Lennon's music from his solo career with his work in The Beatles.
With a terrific cast, a splendid setting, and a deft handling of the script, Magdalen Players' take on A Woman of No Importance proves to be a fourth week delight