It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
What it comes down to is the fact that post-punk lacks the plasticity of genres like rock or hip-hop, which freely pool together music that would otherwise be separated by decades. It is, by its very name, less a style than a moment in time
'This third instalment in Smith’s quartet is perhaps the best yet; a novel for our times that asks all the right questions of the current climate, but also of itself. '
In April 1912, aged 21, Egon Schiele found himself imprisoned for 24 days, having been accused of seducing and abducting underage girls and exhibiting...