Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Books Elizabeth Bourn -

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Culture Emma Heagney -

Latest

The Epilogue of a Lifetime

Julian Barnes’ third of three essays 'The Loss of Depth’ is an epilogue in form and in subject-matter, trapping the pulse of his wife’s memory in his intimate and moving portrait of grief.

Review: Redacted Arachnid – ‘has the audience close to tears with laughter’

The Owlets’ adaption of a Broadway legend provides great character performances and hilarious Beyoncé-inspired dance routines

Video games: Design/Play/Disrupt

From the mid-2000s to now, video games have slowly revolutionised the ways in which we communicate within society. Our lives are enmeshed by them....

Othering Ourselves

Hazy memories and complicit passivity allow Ishiguro’s characters to construct a protective outsider status

Nature as a gallery

Atop a Dumfriesshire hill in Scotland sits a large egg-like construction of stone. Three of the same can be found in a vast line across the...

The surface is all you get from me: Identity and otherness in art

There is a certain intrigue when it comes to the ‘outcast creative’. Put simply: people like the abject outsider. It is, on the whole, far more...

Review: Many Moons – “thoroughly compelling”

Stellar performances and staging create a wonderfully emotive piece, but its bitter narrative makes it a hard pill to swallow

Student film: ‘notoriously difficult to penetrate’

Oxford’s student filmmakers give their takes on writing workshops, directorial debuts, and getting inside one of the arts’ most difficult industries.

Would you risk your life on God? Reflections on Professor John Lennox’s ‘Can Science Explain Everything?’

Prompted by Professor John Lennox's new book, Jack Sagar grapples with questions about science, God, and the faith that binds us all together.

Placing society’s margins under the microscope

The psychological and physical decay resulting from drug addiction is tactfully explored in Darren Aronofsky’s masterpiece.

Tidying Up with Marie Kondo: transformation tv done right

Netflix’s latest hit sparks more than just joy.

Review: Velvet Buzzsaw – “rebellion of art against the pretentious world”

Netflix’s latest thriller stars Jake Gyllenhall and Rene Russo in a tense satire on the contemporary art world

Review: Kinky Boots – ‘a poignant message amongst the glitter and glamour’

This touring production of Cyndi Lauper's celebratory musical seems a fitting show for LGBT History Month

Listening to Music on Repeat

Why shuffle is simply no longer an option

Math Roberts discusses his new song cycle ‘What Comes After’

How did 'What Comes After' come about, is it a new piece or have you had it in the pipeline for a while? The idea...

91st Academy Awards: Predictions

It’s a fascinating mixture of nominees, especially considering the variety of outcomes in precursor awards ceremonies (such as the Golden Globes and BAFTAs), but guessing what should or will win in each category is as subjective as it’s ever been – and even more difficult than ever. Jonnie Barrow offers his predictions for this year's Oscars.

Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Why you should spring clean your bookshelf this Trinity

Does ‘Euphoria’ no longer speak to our generation?

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