Wednesday 29th April 2026

Culture

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it feels like an endless borrowing game, buying into nostalgia for bygone times outside of our...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Mashrou Leila’s Message of Pride Prevails Following Government Ban

How one Lebanese band became a symbol of hope for LGBTQ people across the world

Surviving on the Fringes

The experiences of a director at the Edinburgh Fringe.

Animals (2019) review

Sophie Hyde’s latest film Animals, adapted from Emma Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist, Glossier-buying millennial women that...

Music and Christianity: What’s it all about?

What is the role of music in Christian worship, and does it still matter in the 21st century?

Review: No Man’s Land – Frank Turner

Why the newest offering from Frank Turner was a pleasant surprise

Music on the Big Screen

Music’s place in cinema: why the soundtrack must be unforgettable

“Lil Thot”: How female empowerment and music intersect

One of the first lessons we are taught as children is that to gain respect, we must first earn it. Yet for women in...

Leonardo da Vinci: a Mind in Motion

Welcome to the British Library’s new exhibition, which will certainly put your mind in motion, as its title suggests, thanks to its atypical depiction of the genius we think we know.

Review: Madlib and Freddie Gibbs – Bandana

Madlib is perhaps hip-hop’s greatest enigma. In a career spanning almost three decades he has studied a variety of genres, masterfully integrating them into...

Review: Hustlers – ‘a refreshingly raw play’

Hoof and Horn productions impress with a candid look into prostitution and the AIDS crisis

Review: The Witch of Edmonton – Elizabeth Sawyer’s story ‘is brought to the fore’

Delivered in the form of a virtual ghost tour, Hoof and Horn Productions' take on The Witch of Edmonton offers an original retelling of Elizabeth Sawyer's story.

Review: Gatsby at Trinity – the ‘love for Trinity College and Fitzgerald’s novel is apparent’

Trinity College’s prequel to the Fitzgerald novel anticipates the debauchery of the Roaring Twenties in an exceedingly suitable location

Preview: The Oxford Revue and Friends – ‘plenty of laugh-of-out moments’

The Oxford Revue are headed to the Playhouse stage in 8th week, along with some special guests

Review: The Oxford Revue and Friends – ‘an unforgettable comedic experience’

A triple bill of comedy from Oxford, Cambridge, and Durham impresses at the Oxford Playhouse

Review: Amélie The Musical – ‘a story of relentless optimism’

A touring production of the 2015 Broadway show finally comes into its own at the New Theatre Oxford

Review: How to Use a Washing Machine – ‘script and score are full of witticisms that are genuinely amusing’

SLAM Theatre's original musical impresses in Oxford before it embarks on a national tour

The Rose Theatre Pop-Up: Shakespeare Goes Portable

The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.

Culture Under Attack

The Imperial War Museum. Think cannons, guns and fighter aircraft. Think Teenage Kicks being blasted out at full volume? Culture Under Attack brings together unlikely connections between art and conflict.

Last Supper in Pompeii

The enticing title doesn’t do justice, however, to the breadth of the collection: 400 objects from around the Roman world and beyond, covering centuries, showcasing the Romans’ relationship to food and drink.

Flagrant Exhibitionism: The Royal Academy’s Summer Exhibition

Running since 1769, the Summer Exhibition is the world’s largest open-submission art show. From film to photography and prints to paintings (and everything in between) the show brings together the world’s leading artists of all mediums, both household names and total unknowns.

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