Originality could be dead in pop music. The genre is so self-referential that it feels like an endless borrowing game, buying into nostalgia for bygone times outside of our...
For the past few years, the same small collection of streaming services has vied for the attention of UK viewers. But things are set to change rapidly in the coming months, as practically every big media company will pitch their own tent in an increasingly competitive media landscape.
But it’s independent British films that have the most to fear in the looming shadow of a no-deal Brexit. Most people working in the film industry voted against leaving altogether – why? Because the European Union massively supports creative industries in a way that our government alone either can’t or won't.
“I felt the narrowing of my life to a very fine point. A hard triangle of a life over and me sprawled at its peak, hopeless and lost.” - Russell Brand, describing a mental breakdown.
Even as our favourite American TV shows are owned and
trademarked by enormous conglomerates with massive influence over the
entertainment industry, prestige television has often been...
John, Paul, George and Ringo, chased
through the oft-mistook Marylebone station, boyishly attempting to evade a
hoard of adoring young fans. It is an iconic scene...
Pulses were sent racing in 1995 when Andrew Davies’ television adaptation of Pride and Prejudice saw Mr. Darcy, played by a fresh-faced Colin Firth, emerge sopping wet from a lake in a translucent white shirt that barely clung to his torso.
After working on a Channel 4 documentary on masculinity, William Atkinson reflects on the role of culture in the formation of male identity - and whether it has a role to play in recent atrocities in the US.
Although seemingly it is a truth
universally acknowledged, we need to reiterate that Fleabag was one of
the best sitcoms broadcast in years. From its three-dimensional...
It
may seem an overstatement, but I truly believe that Shane Meadows’ This is
England saga is one of the greatest contributions ever made to British
culture....
Synesthesia is a hugely rare cross-sensory condition - and yet features in some of our most famous canonical works. How can we ever understand the experience of a synesthete?
Their physical manifestations seem so much a part of the poetic experience that seeing them on a page, relying only on written descriptions for their original context, is almost a tease – a promise of the possibility of an even fuller experience.
Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.
Imagine the future. You walk into a room expecting an art gallery. Instead, you come face to face with a baron white cubicle. A woman stands in the corner, holding a pair of VR glasses. She hands them to you. Puzzled, you put them on.