“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...
At a first glance, Reinvention ‘The Treasures of Recycled Sculpture’ was a breath of fresh air from the chaos of fast-fashion, pollution and upheaval. It demonstrated the possibilities of recycling and sustainability in the production of works of art.
The tour began at the Carfax tower with tales of the town-gown divide in the early days of Oxford University. A third year undergraduate led the group of students and tourists around the town centre.
The mere mention of ‘high’ and ‘low’ art can make us feel uneasy. Such distinctions are often branded as pretentious and as the work of the elitist in their desperate attempts to preserve tradition and exclude diversity within the literary canon.
The first wall of this Weston Library exhibition focuses on Oxford, offering the visitor visions of Oxfords which could have been and those which remain in the past.
Vogueing is having a moment. Again. The last time saw Madonna’s 1990 hit “Vogue” soar to the top of the charts in America and was supposed to herald a period of greater exposure for the New York ballroom community. It didn’t.
Thirty years ago, the Berlin Wall came down. Any art fan should celebrate that. Not just because it represented a profound triumph for free expression against the forces of authoritarianism and censorship, but because the thing was a bloody eyesore. The grey concrete was awful enough, but then the Berliners went and covered it in sodding graffiti.
Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...
To call the summer of 2018 memorable would probably be
an understatement: there was the heatwave, the subsequent hours spent in beer
gardens, and, perhaps most...
Clare:
On the 30th October, Philip Glass and the Philip Glass Ensemble performed Music with Changing Parts. Due to illness, Glass himself was unable to...