Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing by Melissa Chetata-Brooks, undoubtedly embraces...
Kiki Smith is a wanderer. This is the word she uses to describe herself, for she has no desire to seek control over the direction of her work within its creative journey. Yet despite this lack of agenda, it is clear that her art is imbued with socio-political significance.
Katie Knight reviews upcoming Oxford grad company Poltergeist Theatre's new show 'Art Heist', where three art thieves try to steal the same painting on the same night!
I doubt you could find many people today who would not
recognize those iconic opening notes of, statistically, the most hated song
ever recorded – even...
At one point America's most successful symphonist, lauded for his ode to forgotten black soldiers, few today have heard of W. G. Still.
According to The Cambridge History of American Music, “No composer plummeted from authentic prominence to an eclipse more total than endured by William Grant Still.”
"This performance breathed a fresh, modern dynamic to an otherwise static play".
Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.
A new-born baby is lying naked on the ground in the crisp September air. Some stride nonchalantly past her, while others stop and instinctively stroke her smooth body, as though trying to shield her from the elements.