Tuesday 26th August 2025

Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

Single of the Week: Calvin Harris’ ‘Slide’

Natalia Bus basks in the DJ producer's sunny new collaboration

Coldplay: ‘Something Just Like Piss’

Will Cowie carefully pulls apart the new Coldplay single

Home is where the art is: Yu Hong

Queenie Li explores Chinese feminist Yu Hong’s artwork

Facing walls

Art by Mark de Courcy Ling following Cherwell's portrait photography competition

Spotlight: Yellow Days

Natalia Bus takes a look at new music

Edwin Hubble: Oxford lawyer (almost)

Richard Birch discusses the University days of the Oxford lawyer turned revolutionary physicist

“Young, classy and capable of mischief”

Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro

A word from the stalls

Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina

Single of the week: Lana Del Rey’s ‘Love’

Natalia Bus chooses the baroque singer-songwriter's latest effort as her single of the week

The female artist: speaking truth to power

Tilly Nevin asks why the art world often seems to overlook an entire gender

“An enormous array of talent on display”

Jonnie Barrow enjoys a bumpy ride through a musical twist on a classic

‘We’re going to do it better than Braveheart’

If your schooling was anything like Tom Fisher's, who is playing Ross in this new production of Macbeth, you studied the Scottish play in...

Between the World and Ta-Nehisi Coates

Altair Brandon-Salmon on an autobiographical look at American racism

Underground and boxed inside

Will Cowie on Boxed In’s concert at Village Underground

OxFolk reviews: ‘March Glas’ by Elfen

Ben Ray is entranced by Elfen's debut release, giving a small insight into the joys of the Welsh folk music scene

89th Academy Awards: Predictions

Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars

Reinvention: a love affair with language

Tilly Nevin reviews approaches to the interplay of language and creativity

The birth of modernism: a journey in innovation

Surya Bowyer celebrates the originality, scope, and joie de vivre of the Ashmolean’s latest special exhibition 'Degas to Picasso: Creating Modernism in France'

A dose of sarcasm, playfulness, and politics

Priya Khaira-Hanks is delighted by Kate Nash's down-to-earth rock 'n' roll at the O2 Academy

Preview: ‘Tender Napalm’

Emily Lawford is stifled and mesmerised by this production of Tender Napalm

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