Culture

Alice Robinson explores the phenomena of multiple endings

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance

Avery Curran discusses curating Text/ure, Trump, and artistic cataclysm in the US There’s an argument, and it’s a convincing one, that all art is political and, in the interim period between the election and the inauguration it felt truer than ever. There was an atmosphere of displacement and shifting ground. Between daily revelations about suspicious calls to Russia and plans to defund sanctuary cities (of which New York is one), no one seemed to know where they stood.

Anoushka Kavanagh explains why protest art is now more important than ever

Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects

Kenji Newton runs through his top picks of the 2017 festival

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition

Jeevan Ravindran exposes the contradictions within Hindi cinema

Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy

Charles Britton is besotted with the potheads in 'Garden'

Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'

Natasha Burton previews 'Rewritten' at the Michael Pilch Studio

Joseph Botman makes a case for the importance of the humanities in contemporary society

Katherine Wood discusses the twentieth century’s greatest war photographer

Joseph Botman makes a case for the irrelevance of individuals in history

Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'

Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom

Calum Bradshaw terrifies himself in the name of student journalism