Sunday 7th June 2026

Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Max and Ivan at the Fringe review: ‘Laugh-out-loud hilarious from start to finish’

Izzy Smith is impressed by the duo's masterful sketch comedy

‘It’ review – the most purely entertaining horror movie of the year

Jonnie Barrow reviews the latest silver screen horror sensation

“Once again, I find myself applauding the Oxford Revue”

Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'

A Thinly Veiled Story of A Damsel in Distress

Francesca Salisbury is surprised and frustrated to find To the Bone filled with unhelpful gender stereotypes

Revues reviewed: the best (and worst) student comedy at the Edinburgh Fringe

Benn Sheridan reviews student comedy from across the country

Three Strikes and you’re onto a very enjoyable TV show

Susannah Goldsbrough enjoys the latest Rowling screen adaptation of Strike: The Cuckoo's Calling

‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”

Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society

‘It’s even kind of morale boosting, in a Lana kind of way’

Nicola Dwornik praises Lana Del Rey's latest subtle reinvention

My naked truth

Jess Brown contemplates the merits and shortcomings of life drawing

Grayson Perry’s Polymorphous Popularity

Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition

‘A nuanced and complex musical creation’

Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks

The everyday art of living

Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life

Coming full circle: The importance of Queer British Art for young people

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

Oxford can’t afford to lose clubs like Cellar

The planned closure of Cellar is a warning sign of our city's creeping gentrification

The Russian Revolution was a kind of orgy

Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution

Houghton Festival 2017 Review

The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

The Morality of Mario Kart’s Blue Shell

Nancy Epton discusses the infuriating Blue Shell, the bane of Mario Kart gamers

‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”

Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe

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