It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
This week, Amber Sidney- Woollett explores the work environment by restructuring dark space, whilst Georgia Heneage uses expressive brush strokes and texture to add...
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions