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UrbanObserver
Friday 1st May 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
In sickness, health, and wrongdoing: ‘The Drama’ in review
CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is...
Film
Siena Tracey
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It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined
It has been 93 years since the first performance of Bertolt Brecht’s The Good...
Theatre
Amy Lawson
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Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’
Originality could be dead in pop music. The genre is so self-referential that it...
Music
Val Michael
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Why you should spring clean your bookshelf this Trinity
In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...
Books
Elizabeth Bourn
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Fairytales can show us the horrors of Hitler’s Germany
The stories of Günter Grass bring Germany’s repressed trauma into the light
A gendered rewatching of The Silence of the Lambs
25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever
The late Mr Salinger deserves his enduring reputation
The Catcher in the Rye encapsulates central tenets of our modern world, writes Barney Pite
A beastly tale of life and death
Josephine Southon reflects on the animals and beasts in Grimms' fairy tales
Those Who Follow review – “an appreciation of some too often ignored parts of this city we all call home”
Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow
Confessions of a Drama Queen: The Final Showdown
Our drama queen's term ends, not with a bang but a restraining order.
Passion over party in Pasternak’s Russia
Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics
Science fiction that shaped the Revolution
Daniel Antonio Villar looks at the impact of Red Star, by Alexander Bognadov
Philip Pullman’s La Belle Sauvage: His Darkest One Yet
Raffaella Sero reviews Philip Pullman's latest novel
Hollywood’s glamourising of Beauty and the Beast buries its troubling implications
21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.
Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”
John Livesey is blown away by a preview of the sold-out 'Lovesong'
Review: ‘Yellow’ – “sensitive and complex”
Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch
Five Minutes With… Hugh Tappin
In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
Lucy Rose enraptures and comforts her audience in Oxford
Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church
No soggy bottoms, as Channel Four puts the icing on the cake
The move may have halved its viewing figures, but hasn't diminished any of its charm
The insincerity of the female nude
Women should not be afraid to reclaim their naked bodies, writes Priya Vempali
Memorable sax solos and individual flair at the Varsity jazz-off
If this show was about demonstrating the very best they can do, then Oxford delivered
Mountains review – ‘uncomfortable and immersive’
Michael O'Connor is impressed by this unorthodox performance.
Rock’s best storyteller
"Darnielle's new novel confirms the status that Rolling Stone granted him; Rock's best storyteller", writes Barney Pite.
House of Fear and the reinvention of fairytale
Libby Cherry writes about the feminist undertones to Leonora Carrington's The Hearing Trumpet
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