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UrbanObserver
Thursday 28th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Do Zombies Dream of Undead Sheep?’ at the Fringe
★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are reanimated, unleashing a zombie outbreak....
Culture
Nicole Palka
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‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...
Culture
Nicole Palka
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Architectural and religious fusions in Andalusia and Oxford
Oxford is a city deeply entwined with religion. With the first of its colleges...
Art
Sofia O'Casey
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‘HOLE IN THE WALL L’HOPITAL’ at Fringe
★★★☆☆ Everything I write ends up being about grief – I suppose this review only...
Culture
Rebecca Harper
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Latest
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My naked truth
Jess Brown contemplates the merits and shortcomings of life drawing
Grayson Perry’s Polymorphous Popularity
Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition
‘A nuanced and complex musical creation’
Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks
‘Sex Education’ at the Fringe review: ‘unapologetic’ and ‘well-researched’
Po Odomil Ler learns a lot from 'Sex Education'
The everyday art of living
Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life
Coming full circle: The importance of Queer British Art for young people
Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition
Oxford can’t afford to lose clubs like Cellar
The planned closure of Cellar is a warning sign of our city's creeping gentrification
The Russian Revolution was a kind of orgy
Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’
Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice
The Morality of Mario Kart’s Blue Shell
Nancy Epton discusses the infuriating Blue Shell, the bane of Mario Kart gamers
‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”
Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe
Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”
Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce
‘The Optimists’ at the Fringe review – “A farce with the potential to shine”
Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe
‘Hotter’ at the Fringe – experimental and warm, but just short of hot
Ela Portnoy leaves this piece of feminist theatre with a smile on her face
The Death and Rebirth of MS Paint
Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint
Hannah Kessler: “Music is an incredibly therapeutic thing”
Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler
The Oxford Imps at the Fringe review: ‘High energy and entertaining’
Izzy Smith couldn't stop laughing at this silly but witty improvised comedy show
‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”
Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...
‘Queen Anne’ review – ‘a complex portrait of our political inheritance’
Ethan Croft is impressed by this tale of a reluctant yet innovative monarch
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