Sunday 22nd June 2025
Blog Page 85

Has the term democracy lost its meaning?

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We are living through the biggest election year in history, an exercise in democracy which testifies to its victory as a political system. More than half of the world’s population is expected to go to the polls at some point in 2024, but does that mean all these people live in democracies? Surely not. You may remember: during a fateful week in the middle of March, earlier this year, the Russian people went to the polls. Putin (shockingly) won, but that does not make Russia a democracy. So what does turn a country into a democracy?

When we talk about democracies, we actually talk about both an ideal and the form of government that strives to achieve that ideal. However, a quick historical recap reminds us how much the democratic ideal has changed. Centuries ago, colonialist countries relying on the exploitation of enslaved people, such as the United States, Great Britain, and France, were all considered ideal democracies. As recently as decades ago, countries in which the majority of the population (be it women or working men) did not have the vote were still considered democratic. And even after the majority of adults obtained the right to vote, colonialism, segregation, and political persecution remained common. Surprise! These countries were also considered democratic. Looking back, we refer to them as democracies, but we would never consider these political systems democratic in the third decade of the twenty-first century.

This could indicate that we think of democracy as a relative term compared to other countries in the same historical context. The early United States was arguably the most democratic country in the world at the time, even though it relied on a class of enslaved workers and only a tiny part of its population had the right to vote. Nowadays, we still rank democracies and discuss them relative to one another. Scandinavian countries are often looked up to because they are seen as most democratic. But how can we know that we will not look back at the Scandinavian countries as flawed democracies in fifty years’ time? What’s striking about this is that, as we have seen, democracy is an ideal and a set of institutions. So why should we consider it relatively – should countries not be either a democracy or not?

Indexes tell us in 2023 there are over 70 democracies around the world. However, in many cases of these 70 democracies, both public opinion and political theory pose substantial challenges to the categorisation as a democracy. These cases include Hungary, Singapore, Israel and the United States, states which you may consider democratic to different extents, if at all. 

Let’s examine the case of the United States. Looking back, would you consider a country where only some men have the right to vote, where people of a certain race are enslaved, and where indigenous people are killed and their communities destroyed systematically a democracy? Would you consider a country with a segregation regime that separates people according to their race in all areas of life a democracy? Would you consider a country that goes to war and kills indiscriminately (lying to its people about it, of course) a democracy? I would be surprised if you did. All of these policies go straightforwardly against democratic ideals as we understand them today and have understood them for a long time.

If this is not enough, we can look at the United States in recent years. In January 2021, the then President, Donald Trump, incited an insurrection in the Capitol leading to a mob of hundreds raiding the building and threatening representatives. The reason: preventing the democratic transfer of power. Accordingly, polling from the end of 2021 reveals that the majority of people in 16 Western and American-allied countries, as well as the American people, think the United States is no longer or has never been a democratic model.

Now, as he runs for office again, more and more details are revealed about what a second Trump presidency might look like. A recent Time Magazine interview with Trump and his closest aids reveals that in a second term he “would let red states monitor women’s pregnancies and prosecute those who violate abortion bans.” He “would be willing to fire a U.S. Attorney who doesn’t carry out his order to prosecute someone, breaking with a tradition of independent law enforcement that dates from America’s founding”. All that while “weighing pardons for every one of his supporters accused of attacking the U.S. Capitol on Jan. 6, 2021”. And yet, the United States is the leader of the Western camp, which prides itself on its democracy and protection of human rights. We should all consider the hypocrisy of this, and whether the United States and other countries live up (or ever have lived up) to the standards which they claim to promote.

It appears to me that the word democracy has lost its meaning. How can it describe so many different regimes in the past and present, and how could all of them fall under the same category? “Democracy” covers all that is deemed good, so any regime that wants to increase its legitimacy will bend logical definitions to prove itself. Even in the year that supposedly proves democracy’s victory, it is not at all clear what and who democracies are.

‘Killing’ the story: Lucy Letby, the media, and the courts

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Lucy Letby. If you’re from the UK, you’ve likely heard that name many times over the last few years. Her arrest, trial, and sentencing were all widely published in tabloids, Twitter, and even the BBC. While there hasn’t been any comprehensive polling on what percentage of people in the UK believe that Letby is guilty, my impression is that many do. However, for those of us who aren’t from the UK, this case has remained somewhat unknown. While the Guardian has published over 100 stories about the case, the New York Times has only published 4. This is not unusual, since sensationalised cases in one country may not make much impact elsewhere. The trial provides a good opportunity to examine the media’s relationship with the courts and the damage it can cause to the judicial process. What makes the Letby case particularly interesting is the recent New Yorker article, which has challenged no only the basis of the case, but its representation in the media.

Lucy Letby was a neonatal nurse at the Countess of Chester Hospital from 2012 to 2016. Colleagues noticed a sharp increase in fatalities in the unit during 2015 and a pattern began to emerge indicating that Letby was present for many of the deaths of babies in the unit. After further investigation and multiple arrests and interrogations, Letby was charged with the murder and attempted murder of 18 babies in 2020. Her trial lasted almost a year, and after 22 days of deliberation, the jury returned a somewhat split decision, that was for the most part guilty. Recently, her claim for appeal was denied, and prosecutors are currently retrying her for one of the deaths in which the jury couldn’t reach a verdict. 

On its face, this seems like the whole picture of the case, but I’ve left one part out: the role of the media. As mentioned previously, This case has been covered extensively in the UK press. From Letby’s first arrest to every day of the trial, news outlets have covered every detail of the evidence against Letby, and the general public has reacted in kind. Even early on, the public consciousness of the UK seemed to decide that Letby was guilty. 

This is not an uncommon outcome for widely publicised cases. In our modern landscape of 24-hour news, social media sites allow everyone to publish every thought and form group opinions easier than ever. I personally don’t agree with this sensationalization of the court process, as I believe the justice system is not well designed to accommodate media outrage. Prosecutors who argue their case for a row of cameras rather than a row of jury members will necessarily erode the stringent rules and procedures meant to ensure the effective functioning of our justice system. Despite this, I acknowledge that the current media environment is not likely to go away anytime soon – good trials make good television. 

However, if we are going to have publicised trials – if news outlets are allowed to publish every detail of the court proceedings, arrest, and sentencing – then criticism of that process must be allowed as well. The New Yorker article I mentioned earlier is one such piece. The article suggests that the verdict against Letby may have been a miscarriage of justice. However, if you had searched for that article in the UK a few days ago, you’d have found nothing. The article was going to be blocked by a court order before being voluntarily removed for UK audiences by the publisher. In the UK, the media is not allowed to publish articles that could bias a jury in a criminal case, and the ongoing retrial of Letby counts as one such case. This isn’t an issue on its own. The problem is that the same gag order against the New Yorker did nothing to prevent articles like a recent piece in the BBC, which in its opening line stated that “child serial killer Lucy Letby” had been denied permission to appeal. For reference, the New York Times, in a similar piece, said, “The guilty verdict makes Ms. Letby the most prolific serial killer of children in modern British history.” The difference is subtle, but the implications are vast: it seems that much of the UK media phrases her guilt as an unassailable fact, now bolstered by her conviction and failed appeal. On the other hand, US media bases her guilt on the court’s verdict. This phrasing leaves the possibility open that her guilt is not guaranteed if the verdict was improper. There is no justification for why UK courts allow the BBC to discuss the case in this way while the New Yorker is not allowed to criticise the case in any way.

Media sensationalization of trials will always favour the prosecution. Just look at the roster of true crime podcasts to understand how much people enjoy hearing about the evil that their fellow citizens can commit. As a law student and someone who competed for years in mock trial competitions, this issue quickly becomes apparent because defence cases are usually complicated and not easily put into sound bites that can be widely circulated. Prosecutions, on the other hand, can be divided cleanly into means, motive, and opportunity. This system will frequently lead to headlines about horrible allegations that gain more traction, more clicks, leading to more people believing the prosecution unequivocally and ignoring the points of the defence.

This article is not an attempt to challenge the veracity of Letby’s verdict or to say that it was incorrect. The courts have made their decision, and despite powerful criticism from the New Yorker, that verdict has withstood an appeal. It should be considered legally sound, barring any exonerating evidence that could come to light. It is up to every person to decide for themselves whether the verdict in the case was just. However, there is no excuse, in a system that prides itself on open justice and free access to the courts, for blocking the publication of articles critical of the courts and their decisions.

How much do we really value free speech?

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The investigation into Cambridge fellow Nathan Cofnas, a self-described ‘race realist’, has been deeply divisive. It illustrates deep and difficult questions about what freedom of speech and tolerance mean in a liberal society based on equality and mutual respect. The debate is particularly intense when it comes to academia. On the one hand, the right denounces ‘cancel culture’ and ‘no-platforming’, whilst on the other, academics are criticised – and even fired – for teaching critical race theory and supporting Palestine. The UK has experienced significant declines in the Academic Freedom Index, with the US and Netherlands the only other Western countries to face a comparable decline.

On 5th April, Emmanuel College, Cambridge cut ties with Cofnas, suggesting that things he had written in his blog could be considered a rejection of its Equality, Diversity, and Inclusion (EDI) policies, whilst the University triggered an investigation that could lead to his dismissal. Cofnas had written in a blog post that “in a meritocracy … the number of black professors would approach 0%” and cited Harvard statistics to argue that in a colourblind system, black people would “make up 0.7% of Harvard students”.  

Emmanuel’s decision has led to much backlash, most notably in the form of an open letter to The Times signed by some people very familiar to any Oxford philosopher, including Peter Singer, Roger Crisp, Amia Srinivasan, and Steven Pinker. The letter notes that Cambridge first defended Cofnas’s freedom of speech, and attacks the reversal in policy, arguing: “Members of the college or university who disagree with Dr Cofnas’s views could issue statements repudiating those views and explaining why they believe them to be mistaken.” They of course don’t endorse his views, however.

Whilst Cofnas’s views are, I would hope, abhorrent to all readers, the point is not to suggest agreement with his work. It is that the principle of investigation, and potential firing, as a result of protest and moral disagreement, is a dangerous one. Professor Srinivasan, in an article in the London Review of Books, which expands on her reasons for signing, affirms her complete rejection of his racism, and emphasises the key distinction between research and teaching. Srinivasan rightly suggests that students should not have to be taught by someone who makes them feel justifiably uncomfortable. 

She cites multiple recent instances of academics having been disinvited from speaking or even suspended as a result of supporting Palestine or teaching courses in systemic racism and gender theory. In these instances, academic institutions have exercised their power based on feelings of offence or disagreement. The danger is clear: if academic freedom is rescinded, then there is no way to challenge hegemonic viewpoints and debate vital issues. Part of what academic freedom means is “vocational liberties”, which allow for the freedom to research and teach on all matters of professional interest. 

The other key element is that whilst the protection is expansive, content-based speech discrimination is permissible, even foundational. There are disciplinary standards and a level of rigour required of all researchers, which means there is an “inequality of ideas”. If an academic is clearly producing work which fails to conform to the minimum methodological standards, then it is unworthy of discussion, as it fails to contribute to the search for truth and understanding which is the whole point of academia. For this reason, it is not a violation of freedom for a climate change denier whose work is based on false empirical claims to be denied the right to speak at a conference. It would, however, be a violation if an economist, whose work is agreed to be rigorous and sound, is fired as a result of disagreeing with progressive welfare systems, due to student protests, say.

The point is that academic inquiry is a shared project of humankind, aimed at understanding life, the universe, beauty, and all things in between. If the work is of a sufficiently high quality, then moral disagreement is not enough to reject it. Standards of morality have been, historically, incredibly variable: one needs only think about Galileo being found guilty of heresy and made to live under house arrest for teaching heliocentrism. 

Perhaps the example feels outdated, though: we are hardly living during the time of the Inquisition anymore. It seems obvious that the dogma of mediaeval Catholicism is far removed from modern policies of tolerance and human rights. But Peter Singer, in his rebuttal to Cofnas’s investigation, suggests that: “at Emmanuel College, freedom of expression does not include the freedom to challenge its DEI policies, and that challenging them may be grounds for dismissal.” Of course, though, these policies represent beliefs which are practically axiomatic amongst most people in this country, and are values which many think of as fundamental to who they are. Equal rights and basic equality are the result of centuries of struggle, pain, and suffering. Speech which undermines this struggle is understandably seen as outrageous. 

But there is a major risk of any widespread and popular belief becoming institutionalised, transforming from something which has majority support to an unquestionable monolith. Free speech is almost always a stellar example of hypocrisy: everyone wants free speech, until someone says something they don’t like. Yes, there are many things, like values and rights, which we feel, passionately, to be just objectively true. But in fact, especially in the domain of philosophy, nothing is obvious, and nothing unquestionable. Emotions and passions are not the right way to deal with academic inquiry. It is methodology and rigour which are important, not one’s emotional or moral opposition.

That is to say, you can vehemently disagree with someone, but in dealing with academic research, the basis for these critiques should be ‘this is why you are wrong’, rather than ‘I don’t like what you are saying’. This is far from saying that Cofnas is remotely right: works he cites such as The Bell Curve have been roundly attacked as simply wrong. Cofnas holds a philosophical position, and it should be attacked as such. The danger when we allow universities to arbitrarily decide that some research area is ‘immoral’ or ‘illegitimate’ is that we are left speechless when they designate something we truly believe in to be outside the scope of research. Freedom comes with costs, of course, but the danger of doing otherwise is greater.

Malala Yousafzai unveils scholarship for Palestinian graduates at Oxford University

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Malala Yousafzai has unveiled a new graduate scholarship for Palestinian students at the University of Oxford. In her speech announcing the scholarship, she said: “We must all do everything we can to support as many Palestinian students as possible.” 

Her scholarship for Palestinian graduates will be part of Oxford’s ‘Refugee Academic Futures’ program, which offers financial support “to pursue graduate study at Oxford to students who are refugees or other people with lived experience of displacement.”

Yousafzai’s new scholarship aims to “provide Palestinian students the opportunity to study at Oxford”  by ensuring “they can overcome financial obstacles that hinder their educational aspirations.” Additionally, the program will assist in “guiding Palestinian students on their university applications for the UK and US.” Yousafzai revealed the first person to secure this scholarship will join Lady Margaret Hall in the next academic year. 

Yousafzai is a world-renowned human rights activist and the 2014 Nobel Peace Prize laureate. She studied PPE at Lady Margaret Hall between 2017 and 2020, graduating with honours. 

Since the War in the Gaza Strip, Yousafzai has spoken out about “Israel’s targeting of educational institutions.” She has already committed $300,000 in emergency support for Palestinian-led organisations and humanitarian efforts. 

Yousafzai said: “Together, we are not just funding a scholarship, we are sending an important signal of solidarity with Palestinian people which will resonate far beyond the walls of Oxford.” She added that the scholarship “is about supporting young Palestinian voices which will resonate across the board.”

Yousafzai revealed her scholarship at a dinner hosted by the Oxford Pakistan Program (OPP), an organisation which seeks to “create new opportunities for Pakistani scholars and support Pakistan-related activities at the University of Oxford.”

A spokesperson from Lady Margaret Hall told Cherwell: “Since its foundation, LMH has been committed to opening up educational and career opportunities to talented scholars regardless of background. We are very grateful for the support of our alumna Malala Yousafzai and we look forward to working with Malala Fund, which intends to provide one-time seed funding to support this initiative.”

Oxford admissions report reveals falling intake of state school students despite rise in applications

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Oxford’s latest admissions report reveals that over 20% of British students admitted come from disadvantaged backgrounds, however, the proportion of students coming from state schools has fallen for the past three years. 

While the number of applicants from state schools has increased over the past five years, the proportion of these students, who are admitted into Oxford University, has been falling since 2019. In 2023, this proportion of state-educated students was 67.6%, a decrease from the high of 68.6% in 2020. This figure is not equal across the colleges and Pembroke College has the lowest proportion of students from state schools at 57% while Mansfield College has the highest figure of 94%. 

The overall intake continues to under-represent students from state schools. Comparison between the number of state school students who are admitted into Oxford and the proportion of state school students achieving AAA or better at A-level, reveals a 12% discrepancy. Indeed, while the number of offers to state school students has increased, the amount actually admitted has fallen. 

A spokesperson from Oxford University told Cherwell: “Oxford embraces students from all school types and is committed to attracting students with the highest academic potential, from a diverse range of backgrounds. The proportion of UK undergraduates from state schools has risen considerably in recent years, from 60.5% in 2018 to 67.6% in 2023. This figure can be affected by a number of factors, including the number of applicants who successfully meet the conditions of their offer.”

Students from socio-economic disadvantaged backgrounds and areas with low progression to higher education have also decreased from a peak in 2021. The University told Cherwell: “Oxford remains committed to ensuring that our undergraduate student body reflects the diversity of the UK and that we continue to attract students with the highest academic potential, from all backgrounds.” 

The spokesperson added: “The past few years have been challenging, with students, particularly those from socioeconomically disadvantaged groups, continuing to feel the impact of Covid-19 and the cost of living crisis” and drew attention to the new Access and Participation Plan, set to be published later this year, that “will provide a renewed focus in attracting and supporting students who are under-represented at Oxford.” 

The proportion of students eligible for free school meals has increased to 7.6% in 2023 from 5.3% in 2021. Vice-Chancellor Irene Tracey has credited the Crankstart programme for increasing the figures. She stated: “Oxford offers one of the most generous support packages available to undergraduate UK students to ensure finance is not a barrier to study here, providing over £9.5 million of financial support to those from lower-income households. Around 1 in 4 of our UK undergraduates currently receives an annual, non-repayable bursary of up to £5,800.”

Figures on ethnicity in the admissions report also shows that the percentage of UK-domiciled Black and Ethnic Minority (BME) students has increased by nearly 7% from 2019, rising to 28.8% of students admitted in 2023. From 2021 to  2023, over 50% of medicine students admitted identified as BME. 

Oxford University identifies Bangladeshi and Pakistani students as being underrepresented at highly selective universities, and has seen a rise from 2.1% of students admitted coming from these backgrounds to 3%. This compares to the 5% of students achieving AAA or better at A-level, who come from Bangladeshi or Pakistani backgrounds. 

Applications from EU-domiciled students have fallen significantly in the past five years, dropping from 12% in 2019 to 6.8% in 2023. The majority of international students come from China, Singapore and the United States. Students from London and the South East make up nearly half of British students admitted, with the lowest proportions coming from Scotland, Northern Ireland and the North East. The report states: “UK-domiciled students are substantially more likely to receive an offer.” They make up 63% of applicants but nearly 80% of the students admitted. 

Irene Tracey has said: “We remain committed to ensuring that we attract and admit students with the highest academic potential from all backgrounds, and that our student body reflects the diversity of the UK and embraces students attending all types of schools.”

Queen’s garden play review: ‘If you are a fan of the film you would have loved this theatrical rendition’

Honestly, I was more than happy to be spending my hungover Saturday relishing in the summer heat whilst watching Queen’s garden play last weekend regardless of how good the play would actually be. Being a fan of the film but not having watched it for ages, I was intrigued to see those big numbers put to the Oxford stage. But I am happy to report that it is safe to say, they delivered above and beyond my meagre expectations.

The in-the-round staging choice with one main stage and several smaller supplementary ones around the garden was a smart one, and it made it all the more dynamic and involving as an audience member. The play was a flurry of activity for all three hours, yet worked succinctly all the while; likely down to thoughtful direction which it must thus be commended for. And I’m sure both I and the cast and crew were thanking God for the bout of good weather we were having that made the experience all the more enjoyable as an audience member (I do not think the play would have had as great of an effect if it were confined to a black box or constructed under a marquee…).  

The use of comedy in the production was brilliant, a favourite moment being the performance of Agony by the two princes in the middle of the first half. It was camp and dramatic and altogether hilarious. The princes were expertly cast and worked well together, heightening one another’s comedy, whilst still singing expertly. And these small moments of comedy were what really drew the piece together for me. With the many characters and overlapping plotlines it can be easy to overlook certain aspects of the narrative, but this production had stars in every role that did not take away, but only added to, one another’s immense theatricality. 

There were also incorporated elements of dancing and movement which added another layer to the piece. Particularly prevalent when the baker and his wife tap danced together. This was an unexpected joy for me (having a love for the style after having done tap dancing all through my childhood) as it is such an underutilised form of dance in this type of musical theatre. Additionally, it emphasised the bond between the couple, making me root for their love filled quest through the forest all the more. 

There were some amazing singers in this production, many of which each had their shining moment of stardom. However, it was Cinderlella’s melodic tones that struck me most. She not only sang beautifully alone, but harmonised with other actors effortlessly. I’m no music student, but I would safely say she has some serious skill. 

The costume was well done, with all characters having very distinctive clothing which helped to distinguish everyone, especially in the busier scenes where all the characters were on stage at once. The playful girlish red-riding-hood outfit was probably my favourite. A mini skirt, brown wicker basket, cropped red cloak and long red hair ribbons accurately exemplifying the little girl we picture from the storybooks. 

You can see the hours of rehearsals that have been put into this production even just in the way the cast work so well together. The moments of physical theatre, such as the momentous climbing of the beanstalk, demonstrated this effort from the actors and made the piece feel all the more cohesive. And the level of singing skill was the best I’ve seen in a student production for a while. If you are a fan of the film you would have loved this theatrical rendition. I commend both cast and crew for giving me the perfect way to spend my hungover Saturday. 

Controversial Campsfield immigration centre to reopen

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The Home Office has awarded a £70 million contract to a construction company to reopen an immigrant detention centre at Campsfield in Kidlington, near Oxford. Building Southern, the company involved, announced their agreement with the Home Office on Friday. Since being proposed by the government in 2022, the reopening of the site has faced opposition from local groups including students at Oxford University.

The immigration centre previously on the Campsfield site was closed in 2018 after 25 years, as it faced issues including riots, escapes and complaints about living conditions, 41% of detainees said they felt “unsafe”. Most people were detained there for less than two months, but the longest stay was of almost a year and a half. 

Planning applications were submitted to the Council in January for a new processing site, which could house up to 400 male immigrants plus 400 staff. The plan was withdrawn in March after council opposition. 

The Keep Campsfield Closed campaign was started by local residents in 2022 to oppose the reopening of the detainment centre. In June 2023, Oxford students held a protest outside the Radcliffe Camera to register their opposition to the centre’s reopening, and over 140 students and staff signed a letter in support of the Keep Campsfield Closed movement. 

MP for Oxford West and Abingdon Layla Moran argued that “locking people up for months on end – without giving them any idea how long they’ll be detained – is inhumane and unnecessary.”

Oxford City Council’s statement, from former Council Leader Susan Brown, also opposed the project: “[It] further demonises refugees and negatively impacts communities across our city. It creates an atmosphere of fear, mistrust, and further divides people and communities.” The newly elected City Council has yet to comment on the development contract.

The then Parliamentary Under-Secretary of State for Justice and Tackling Illegal Migration, Tom Pursglove, said that reopening the centre was a key part of Home Office’s plan to tackle high immigration levels and “will help ensure there is sufficient detention capacity to safely accommodate individuals ahead of removal.”

He argued: “Those who have abused the immigration system, including foreign national criminals who have devastated the lives of their victims, should be in no doubt of our determination to remove them.”

Blindness review: ‘Unique first-person experience’

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Blindness is performed entirely via sound, forgoing expectations of a traditional stage set and impressing the audience with its skillful immersion. The play is based upon the book of the same title by José Saramago, and presents a world in which contagious blindness becomes a health crisis. The unnamed country’s government attempts to contain the disease through military-run quarantine camps under torrid conditions, and relationships between quarantine inmates becomes seeded with mistrust and desperation. 

The experience of Blindness begins even before one enters the theatre. Tucked away in the Jowett buildings of Balliol College, a primarily residential compound, the gate entrance and the black box studio hidden behind it, are difficult to find for an outsider. The studio is dimly illuminated; upon entry the audience is met with a cast member dressed in hospital scrubs, who assures them that “everything will be alright.” Confusion sets in immediately— what could be there to worry about in a student theatre production? As our eyes adjust, however, the audience realises that this is not a stage experience they have prepared for. An array of chairs fills the room, leaving little space for a performance to take place; each chair equipped with a set of headphones and blindfolds. As the “medical staff” circulate, taking notes on their clipboards, that familiar feeling of nervousness when sitting in a hospital room— unnecessarily worried about a life-changing diagnosis— heightens the trepidation in the scenes that are about to unfold.

The play begins with the beginnings of the spread, set in an ophthalmologist’s residence. The doctor has recently seen patients that have quickly developed blindness, and has been afflicted himself overnight. The doctor’s wife still maintains her vision, but lies to the government authorities about her health in order to stay with her husband in the quarantine facility. The entirety of the performance is conducted through headphones, feeding 3D recorded audio into the audience’s ears and allowing voices— whispered or shouted— to “move” around our heads. Quickly, one realises that they are the blinded doctor guided around by their seeing wife— and we have no choice but to observe the play’s world around them through an overwhelming soundscape, unable to actively participate. 

This unique first-person experience also places the audience member in a position that provokes a meta-questioning of one’s own motives. Why remain silent? Why is the doctor’s wife seemingly the only person immune to this epidemic of blindness? What does the doctor know? At the same time, the audience member becomes slowly acclimatised to the experience of being blind, immersed as victims themselves in the play’s dystopian setting. One begins to recognize characters through their voices and their actions via other sounds; the creaking of panels giving feedback to the experience of cautiously walking down a flight of stairs, for example. In order to achieve this experience, superb voice acting— with attention to speech patterns, tone, and language— as well as perceptive choice and layering of sound effects and music are essential. The show particularly excelled in layering nature’s sounds during a crisis (such as fire crackling), the panicked voices of the characters, and undertones of reverberatory rumbling sounds to build suspense. Not having the sense of sight heightens the feeling of disorientation (where is the fire coming from? How close is it?). Violence surrounds one at every turn of the head.

Although similar productions that emerged from the Covid-19 pandemic have relied on spaced out seating for social distancing (a subtle contextual reminder of a contagion very fitting for the piece’s pandemic setting), I wondered if the seating arrangements could be adjusted, in accordance to the numbers expected, allowing audience members to sit closer together. Separated from other audience members by many seats, one felt as though sitting closer to others throughout the production would heighten the anxiety-inducing experience of being able to sense, but not see, an unknown people’s presence. This is particularly fitting for a production that portrays strangers piled together in the quarantine facility, struggling to trust one another. A more surreal experience could be achieved by not only removing the sense of sight, but adding other sensory experiences such as touch and temperature. This possibility is, however, contingent on venue limitations. Attending the performance alone or with friends could also change the feeling of loneliness or the need for connection, impacting how we experience the piece.

In the performance’s aftermath, exiting the dark room and navigating the maze of Jowett buildings and gates to emerge into the sunset-lit street hits one with a feeling of dislocated serenity. Compared to the tension within the play’s confines of grim quarantine, the world seems too bright, too quiet, too sleepy. Blindness artfully immerses the audience’s bodies and minds into a mode of anxious survival. It may not be for the faint-hearted, but serves to remind one of the privilege of good health within the bubble of a peaceful Oxford.

Here’s the problem with dating a man far more privileged than you

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There is already a power imbalance in heterosexual relationships. The society and institutions in which our relationships with men are built favour men, their dominance, and their power. This attitude translates to the relationship itself and in my experience, can doom a relationship to failure. I, a grammar-school educated, immigrant woman from some level of financial privilege, dated a very wealthy, Eton-educated, straight white male from the South of England. Our relationship lasted for most of my time at Oxford, and at the time I thought I had met the man I was going to spend the rest of my life with. Spoiler: this was not the case.  

I know people say that everyone comes into a relationship with their own share of emotional baggage, but this wasn’t true for us. Although I had some personal issues, it was nothing you wouldn’t expect from a young woman of ethnic descent with a somewhat tense relationship with her parents. He, however, lived an idyllic life. At no point in our long term relationship was I led to believe he experienced any kind of trauma, familial problems, insecurity, self-doubt, or loss. He is the most privileged person I have ever met, not just because of his social and financial status, but because of the lack of emotional burden he carried with him every day. 

I originally thought that this was great. Someone who could support me whenever I needed it, but also someone who had no restraints on the love he could give me. I realised six months in that there was a fundamental disconnect. Regardless of how minor my emotional inconvenience was, there was no way he could relate to me. I doubt his lack of emotional baggage would have been as significant an issue if he was a woman. Although I cannot deny I have a great degree of privilege, as an immigrant woman of colour, there has always been a cap on the level of privilege I may have. I have experienced discrimination as a result of my identity. For my ex-boyfriend, this was not the case. He was and never has been an individual vulnerable to discrimination, nor has he been questioned on his skills, abilities, or dreams. Although never ill-intentioned, I do believe he enjoyed a relationship in which he was by all means socially superior. The simple reason for this: he had always felt this way, in every aspect of his life. He liked the idea of a multidimensional, emotionally intelligent woman. He could not reconcile that with the inevitable emotional difficulties and trauma a woman like that faces.

Whilst we had a wonderful time together – in which I felt truly loved and safe, I never felt understood. There was always a fear that I would be too much, inadequate to his family – or most terrifyingly, his teacher in emotional resilience. A lot of these fears came from his general inability to understand and therefore accept all aspects of my identity. He never had to consider how the world was for people who were not exactly like him. I find this to be the case with many men in his position – the world serves them so well that they never have to or want to consider the difficulties faced by others. It leads to a degree of emotional ineptness. I have memories of gentle parenting my ex-boyfriend into recognising that his behaviour was harmful. It was only when I told him to really imagine if I had acted in that way, that he would go from defensive to apologetic. I recognise that this never should have been my role. In his post-breakup message, my ex-boyfriend claimed that having to care about someone else and their concerns was too much of a burden on him. I cannot remember a time when I did not care deeply about my friends and family What he failed to recognise was the emotional burden that came with me, a woman of less privilege, being in a relationship with him. 

His immense privilege brought with it incredible opportunity, an admirable attitude towards the future, yet an unbridled sense of self-worth, and a distinct lack of emotional resilience, which became clear during our breakup. His justification for it was that the future scared him. If I had the same level of emotional resilience, I never would have entered into the relationship in the first place. This, and his handling of the breakup, were the clearest signs that there was an irreconcilable emotional incompatibility. 

I am thankful he broke up with me. Not because I didn’t love him, but because I would have spent the rest of my life as his teacher and, contrary to his understanding, his only pillar of deep emotional support. I am glad that he did not accept this life for me. I am glad that I am free to one day find someone as understanding and caring as I am and to have not resigned myself to a life less than I truly deserved – a life of teaching and never being understood. This is not to discredit his great aspects. I loved my ex-boyfriend because he was kind, intelligent, funny, and made me feel loved in a way no one else had. But the hastiness with which he disregarded any care he had for me made it clear that we are most definitely not cut from the same cloth. His life made him who he is, and my life made me who I am. I loved him more than I thought I loved myself. He loved me as much and as long as it was convenient for him. Regardless, I am proud of my ability to love and care as deeply as I do, even if I sometimes give it to people who cannot reciprocate it.

Oxford graduates earn more than other universities

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Newly released figures show that University of Oxford graduates earn more than those from other universities. Department for Education figures reveal that Oxford graduates are the highest earners in the South-East, and among the highest nationally. 

Oxford graduates earn on average £46,000 five years after graduating, data from the 2021 to 2022 tax year reveals – significantly higher than the South-East average of £29,600 a year.  

Oxford Law graduates had the highest pay of any course, earning on average £64,600 five years after graduating. On the other hand, the course with the lowest paid graduates is Creative Arts, with £26,300 a year. For comparison, the highest and lowest earning Brookes graduates were paid £45,300 and £19,700 a year on average. 

According to the Oxford University Careers Service told Cherwell, a recent survey by the Careers Service of recruiters at Oxford reported that on all eight measures of employability, Oxford applicants are seen as “better” or “much better” than the average UK applicant. Around 93% of leavers had a “positive outcome”, meaning they are in further study or high-skilled/self-employment – putting Oxford fourth of all universities in the country. 

The data also shows there is a 12% gap between male and female Oxford graduates’ salaries five years after graduating, with male Oxford graduates earning £49,300 and female graduates earning £43,500, on average. As per the Organisation of Economic Cooperation and Development (OECD), the UK gender pay gap was 14.5% in 2022, putting it 12th highest among OECD countries. 

Oxford University Careers Service told Cherwell: “There are gaps in pay: on average, men earn more than women, and BAME earn more than white students; however, this can be an effect of the industry sectors that men and BAME work in, compared with women and white students. The gaps reduce when the effect of the industry sector is included. What the careers Service and university can do… is to encourage all students to explore all sectors.”

Additionally, according to an analysis by the Telegraph, in certain subjects an Oxford or Cambridge degree can boost graduates’ annual salary substantially. The subjects with the ‘Oxbridge premium’ salaries include Computing, Law, Mathematical Sciences, and Economics. According to the Telegraph’s analysis, Oxford graduates earn more than double their peers from other universities in some of these subjects. 

Still, the Tab found that in some subjects non-Russell Group university graduates’ can earn as much as Oxbridge graduates. For instance, medicine graduates from The University of Dundee earn £46,000 five years after graduating, while Oxford graduates earn slightly less at £41,200.