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Nigerian English words added to Oxford English Dictionary

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The most recent linguistic update of the Oxford English Dictionary has expanded their record to include a number of Nigerian English words.

According to the OED: “The majority of these new additions are either borrowings from Nigerian languages, or unique Nigerian coinages that have only begun to be used in English in the second half of the twentieth century, mostly in the 1970s and 1980s.”

Some of the words and usages added include: ‘to put to bed, in put, v.’, ‘chop-chop, n./2’, ‘buka, n.’.

The OED commented on their decision, saying: “By taking ownership of English and using it as their own medium of expression, Nigerians have made, and are continuing to make, a unique and distinctive contribution to English as a global language. We highlight their contributions in this month’s update of the Oxford English Dictionary, as a number of Nigerian English words make it into the dictionary for the first time.”

Speaking exclusively to Cherwell, a spokesperson for the OED said: “The OED has added Nigerian English words as part of a wider effort to broaden our coverage of World Englishes in the dictionary. We believe that including words from all world varieties of English enables the OED to tell a more complete story of the language. The sheer number and variety of these words reflect not only the global reach of English, but also the unique culture, history, and identity of the various communities all over the world that use English in everyday communication.”

“The OED acknowledges that with the current status of English as a world language, no longer is British English to be regarded as the dominant form of English – it is only one of the many individual varieties of the language that share a common lexical core but develop their own unique lexicons. Each World English is a living, changing variety, whose distinct vocabulary encompasses all sorts of lexical innovations, from borrowings from local languages to new abbreviations, blends, and compounds. They give a flavour of what its speakers have contributed to the development of the English word store.”

“In recent years, the OED has published particularly large batches of new entries for English varieties spoken in Hong Kong, India, Malaysia, the Philippines, Singapore, South Africa, and now, Nigeria. For each project, our inhouse research has been enhanced by expertise from linguists in each region. We will continue to work on these varieties, as well as on other Englishes in West Africa, East Africa, and the Caribbean. We are also working on a targeted survey for our core academic audience, in order to better understand the specific requirements of our users with regard to our World English coverage.”

Physics Department hosts Stargazing Night

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On 25th January, the University Physics Department held a special stargazing night at the Denys Wilkinson Building on Keble Road. Running from 2 PM to 9 PM, it was a chance for over 1,000 people of all ages to see both inside the Physics Department, and out at the stars. 

Running annually since 2012, the event acts as an open day for the Physics Department and provides opportunities for families to learn about space and the night sky. Activities included a series of child-friendly talks, arts and crafts stalls and a new virtual reality experience designed to bring users closer to the Universe. 

Lectures ran throughout the day. The topics embraced were suitably eclectic, ranging from “Dark Matter and His Dark Materials”, via “How do we know the Milky Way galaxy is a spiral?” to “Giant Galaxy Burps”. Talks were given by University lectures and researchers, including Dr Becky Smethurst, who also runs the YouTube channel Dr. Becky designed to bring astrophysics to a wider audience. 

The event also featured a diverse array of ways of observing space. Attendees were provided with the opportunity to use the Roswitha Wetton telescope, located on the Denys Wilkinson Building’s roof, in order to find neutral hydrogen in the Milky Way. Later, tours of the night sky were hosted in the planetarium for visitors. For seasoned amateur star-gazers or those who wanted to give it a go for the first time, hints and tips about viewing the universe were given in workshops from local experts from Oxfordshire’s amateur astronomy groups, as well as from members of the Department. 

Aside from observation, plenty of opportunities were provided to explore the department and its work. Astronomers were on hand to answer questions on space in the “Science Café”. Games were hosted in the lecture theatre, and a series of astronomy-themed craft activities were run. These “Astrocrafts” were newly themed this year around the theme of upcycling and the transformation of old cereal packets and CDs into spectrographs. 

The University Physics Department was unavailable to comment on the night’s success, but with now nine years under its belt, it’s likely the event will continue in future. 

Research England funds Oxford Creative Destruction Lab

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The Creative Destructive Lab (CDL), a new business centre which opened in the Saïd Business School, will be funded by Research England and promises to create 4,000 UK jobs and raise £1 billion in private finance. Oxford CDL will support hundreds of science-based early-stage startups, with a specific focus on artificial intelligence, healthy ageing, alternative energy, and quantum technologies.

According to the CDL website, the program “is an objectives-based program for massively scalable, seed-stage science- and technology-based companies.” 

Research England, a part of UK Research and Innovation, claims the project will support 225 UK businesses and aims to raise £225 million in capital in addition to generating £900 million in equity value. 

“The scheme will help transform some of the UK’s pioneering research ideas into viable products, improving the UK’s entrepreneurial and finance ecosystem, and build on international best practice,” states Research England.

Oxford CDL aims to bring the best international practices for creating and supporting startups to the UK. The program brings a Silicon-valley mindset and approach to funding and encouraging startups. The startups are paired with successful mentors, including entrepreneurs, investors, scientists and business professors – including Google’s former Chief Financial Officer, Patrick Pichette; Elizabeth Caley, Chief of Staff at the Chan Zuckerberg Initiative; and Shivon Zilis, Project Director at Elon Musk’s Neuralink.

Chris Skidmore, UK Science and Innovation minister, said the Research England investment “draws in Silicon Valley expertise and business knowledge to inspire the next generation of UK entrepreneurs to create the technologies of the future.”

Skidmore said, “This innovation Hub – the first in Europe – will help our start-ups get the support they need to take their ideas to market and scale up their businesses.”

Referencing the success of the postgraduates who created Google, Skidmore said he hoped CDL would foster the same ingenuity and success among world-class UK researchers.

Of the collaboration with Research England, Patrick Pichette of Inovia Capital, Google’s former Chief Financial Officer, and Founding Partner of CDL-Oxford, said, “The CDL is a fantastic transition point for UK scientists, academics and developers coming out of the university setting. Productising research can be hard — so it’s really rewarding to help with mentoring and funding their first steps in the business world. Research England will be a great partner in helping build a new generation of tech leadership here in England.”

According to a recent report published by Research England, the UK is a world leader in research commercialization. Research England states that Oxford CDL will build upon this success through cooperation between university researchers and commercial startups.

The Oxford location for CDL allows the centre to be in close proximity to innovation hubs in London. Research England said “The University of Oxford is an important leader and convenor for CDL in the UK given its international brand necessary and capacity attract high quality North American partners, and it has developed its own highly dynamic entrepreneurial ecosystem. The university has formed more spin-out companies than any other UK university and now has over 160.”

Oxford CDL is the first European location for the lab. CDL has also run successful programs in the United States and Canada. Since its establishment in 2012, companies that have participated in CDL programs have created over £2 billion in equity value. Such companies include North (Waterloo), Atomwise (San Francisco), Deep Genomics (Toronto), Automat (Montreal), Kyndi (Palo Alto) and Heuritech (Paris).

The first cohort of businesses began the program in September 2019 and a second cohort session took place on January 24.

Council strengthens focus on private housing

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Oxford City Council is planning “the largest change to rules around private rented accommodation in Oxford for a decade,” as it seeks to improve safety standards across the sector.

Subject to government approval and a public consultation in the summer, the Council aims to expand its current licensing scheme to incorporate all 20,000 rented homes in Oxford in order to maintain a minimum standard. If all goes to plan, the Council hope that the scheme will be enacted by the end of the year or the start of 2021.

Landlords will have to provide proof that their properties have the legally-required gas, electrical and fire safety certificates. The license will also seek to establish that every landlord is a “fit and proper” person, namely that they have not committed any housing-related offences or crimes involving fraud, violence, drugs and certain sexual offences.

Last week, the council received £71,000 from the Ministry of Housing, Communities and Local Government to fund the implementation of the plans. The money will go towards the development of an algorithm that will be used to identify unlicensed properties, as well as a solicitor who will work for 3 months on a guide for enforcement officers to successfully retrieve money from fine-dodging landlords.

The proposal comes after inspections carried out by the Council uncovered rogue landlords renting out garden sheds as rooms and placing toilets in showers, among a broad range of clear infringements of safety standards. 

Deputy Council Leader Linda Smith said that the Council “have found countless examples across Oxford of homes where even the most basic of standards have not been met and vulnerable tenants have been left in illegal and dangerous conditions.” Of the 243 inspections undertaken in 2018/19, 32 per cent were given notices warning of unsafe condition.

However, there are fears that the proposals could in fact have a negative impact on Oxford tenants living in the city’s most precarious situations. Gavin Dick, a local authority policy officer for the National Landlords Association, warned: “The reality is Oxford will become more expensive and push the most vulnerable out again as we’ve seen before.”

Under the current plans, all landlords will have to apply for a license costing approximately £600 over five years, and will also be liable for further miscellaneous costs, costs that could be passed on to renters.

Pro-EU candlelit vigil held on Brexit Day

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A ‘Proud to be European’ event will be held by pro-European Oxford groups this Friday, to mark the date of the UK’s exit from the European Union.  

Oxford for Europe, Oxford European Association, and European Movement (Oxford region) are organising the event to “celebrate nearly 50 years of EU membership, and to reaffirm our European identity and future.”

A candlelit vigil will be held on the steps of the Town Hall at 6:45pm, followed by a public ‘Proud to be European’ meeting in the Town Hall. This will be opened by the Lord Mayor, Cllr. Craig Simmons and Oxford MPs and MEPs will also contribute.

At 11pm, when the UK officially leaves the EU, there will be a “final vigil by torch and phone light.”

The next day, a street stall will offer croissants on Cornmarket and the Town Hall will fly the EU flag over the weekend. 

During the first week of February, the Town Hall will also be flying the flag of twin city Grenoble, and vice versa. 

Organisers of the event said: “The pro-EU movement will not just fade away. Oxford is and will remain a European city, open, welcoming, and supportive of our fellow Europeans.

“We want the light from Oxford to be a sign of our hopes for the future as a genuinely international city.”

The controversial referendum result in Oxford three years ago was 70% Remain, with a 72% turnout. Since the referendum in 2016, Oxford for Europe has organised many major public events and street stalls. 

Review: The Pillowman

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Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast.

I coughed, continuously, throughout Tom Fisher’s production of The Pillowman; it would be fair to say I had a coughing fit, the kind where your eyes stream. The kind where you are scared to swallow, to clear your throat, for fear that even the smallest movement of the mouth might set off another bout. The last time I can remember having had such a fit of coughs was when sitting my eleven plus exam (the standard in Northern Ireland). Long division questions speckled with phlegm. I had to be removed from the examination room and placed in a nearby box room in which I could not distract the other kids. Almost ten years later and the throat fiend was back to tickle my larynx, during a play I was reviewing no less. A particularly intense play. A play full of quiet moments, distressing moments, moments when coughing loudly, repeatedly is not acceptable. But there I was, completely enthralled and somewhat embarrassed, holding my breath and my pen and my leaking nose, occasionally breaking into ill-timed rounds of barking.

It must be a stress thing, the coughing, like a stress-induced nose bleed. I don’t have a cold and haven’t coughed once since leaving The Pilch Studio. I suppose my outburst was a visceral, physical reaction to the sickening stories being graphically narrated and enacted on stage in Fisher’s production of Martin McDonagh’s The Pillowman.

The blackest of comedies, this play sees good fun and bad taste merge, both delighting and molesting its audience. A table and three chairs sit on stage set against a backdrop of child-like drawings; strange, nightmarish visions communicated in colouring pencil. A figure, their head covered with a black cloth bag, takes the central chair. Another cast member enters through the audience, shining a torch at the anonymous figure and skimming the drawings arranged at the edges of the far wall, framing an empty black space in the centre. The hooded figure is revealed to be our protagonist, Katurian, a writer under investigation by two detectives working for a totalitarian state government. Some of Katurian’s twisted short stories bear striking resemble to recent child murders. When Katurian hears that his cognitively disabled brother Michal is also being held in police custody and has confessed to the murders, implicating him, he resigns himself to being executed and spends his final hours attempting to save his stories from destruction. 

Several of these macabre modern fairytales, all linked by their focus on extravagant, torturous violence inflicted upon children, arere-enacted throughout the course of Tom Fisher’s production. It is these re-enactments that really bring the production into full colour (a lot of peachy pinks and baby blues spattered with deep reds and fleshy tones). Marionettes, shadow puppets, masks, music and choreography are all employed by to great effect. They work well to dramatize the depraved tales turned all-too-real horrors. The most affecting storytelling device used is a great big, pink Pillowman puppet. Resembling a creepy-yet-cute Tim Burton creation, the gentle spectre gestures, tilts his head and glides around the room mounted on actors’ arms. The spectacle is deeply moving. While most of Katurian’s storiesdisturb, that of The Pillowman blows the heart open. 

Our emotions pulled the fore, we are all the more susceptible to the play’s numerous laugh-out-loud moments. Some dreadfully funny lines are delivered expertly.  Gavin Fleming’s magnetic and more than slightly psychopathic‘good cop’, Tupolski, is a prime culprit in this respect. Repulsive little chuckles embellish his every sentence, even the most threatening of which are delivered with a perverse buoyancy and unplaceable grin. Ariel, the resident ‘bad cop’, brought to life by Jake Rich, appears at first a totem of unbridled rage, impatient to raise a fist and brandish the electrodes. However, as the play progresses, Rich is able to explore his character’s vulnerabilities and shows some great humanity. For much of the play the detective duo leer and quiz and quarrel at opposite ends of the interrogation table, sandwiching Katurian. As her positioning on stage suggests Marianne James’ Katurian is central to the success of the production. The emotional journey James unfolds is compelling. In both tender moments and when in despair her performance is consistently strong. With a confident, controlled voice, she leads us through grim scenarios like a true storyteller. 

Stepan Mysko von Schultzeis, perhaps, the stand-out member of this skilled ensemble. His performance as Michal is as hilarious as it is heart-breaking. Each of his lines arrive like a fresh thought. Idiosyncratic behaviours and speech patterns are used to convey Michal’s cognitive disability but, crucially, are not overplayed.His relationship with his brother Katurian is made entirely believably by their natural, witty back and forth. This provides a welcome break from the intensity of the interrogation scenes. This break is, however, cut short when, without warning and in his usual light-hearted and playful tone, Michal confesses to the murder of the children.: “I thought I’d hidden it [the body] really well”. Chilling.

The Pillowman is a play that ponders the relationship between an artist, their works and their audience. The power of storytelling is a theme encoded within the play’s text but it is also a notion reinforced by Tom Fisher’s masterfully crafted production. When the house lights turned on I, like everyone else, applauded enthusiastically. But, in my opinion, my coughs were my real show of appreciation, evidence of how much I was affected by the play. Each one a testament to the play’s intensity. I left the Pilch with wide eyes, dazed, enlivened by what I had seen. I hope you will too. I recommend you bring Strepsils.

Cherwell profiles the Labour leadership candidates

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Following December’s devastating election defeat, Jeremy Corbyn has announced his resignation and the leadership race to replace him has begun in earnest.

The current candidates are Keir Starmer, Rebecca Long-Bailey, Lisa Nandy and Emily Thornberry. Clive Lewis and Jess Phillips have already dropped out of the race.

Though all the candidates have committed to maintaining the Party’s policy platform created under Corbyn, Long-Bailey remains the candidate of the Left; the other three candidates are on the soft left of the Party.

Provided they receive the requisite nominations from Trade Unions and Constituency Labour Parties (which may not happen for Thornberry), the candidates will proceed to a membership vote, in which they will be ranked in order of preference. The candidate with the least number of first placed votes will be eliminated in each round, with their votes redistributed to the candidate ranked second on each ballot. This process will continue until a candidate receives a majority of the vote.

Starmer and Long-Bailey are the most likely victors, polling showing both having a significant chance of winning.

Labour is also undergoing an election for Deputy Leader after Tom Watson opted not to stand for reelection in 2019. The candidates include the frontrunner Angela Rayner, along with Rosena Allin-Khan, Richard Burgon, Dawn Butler and Ian Murray.

Voting will commence on February 21, before the results of the election are announced on April 4.

Here, Cherwell profiles the major candidates, their strengths and weaknesses.

Keir Starmer

The Shadow Brexit Secretary is widely seen as the frontrunner in the race, appearing as a ‘safe pair of hands’ to Party members who have experienced four consecutive election defeats.

The MP for Holborn and St Pancras received the most nominations from MPs with 88; his closest challenger was Long-Bailey on 33. Among his supporters is the Anneliese Dodds, the MP for Oxford East, who hosted him in Oxford a fortnight ago. 

His left-wing credentials have been questioned by some within the Party. He backed Owen Smith “100%” during his failed attempt to defeat Jeremy Corbyn in 2016, and has since employed a number of Smith staffers on his leadership campaign.

Still, he stressed in his launch piece for The Sunday Mirror that Labour “must not lose sight of our values” and has pledged to unite all factions of the Party. More damaging may be his role in crafting the Party’s Brexit policy, widely seen as pivotal to December’s defeat, though attacks have yet to land. 

Emily Thornberry

Thornberry may be the candidate Boris Johnson most fears facing over the dispatch box at PMQs, ably deputising for Corbyn over the last few years in questioning both Johnson and Theresa May. She has been notably loyal to Corbyn, despite not standing politically on the left of the Party. One of the few who did not resign from the Shadow Cabinet in 2016, Thornberry served as both Shadow Foreign Secretary and Shadow Brexit Secretary for several months.

Nonetheless, she has been repeatedly dogged by claims of being the candidate of a liberal metropolitan elite. She was forced to resign as Shadow Attorney General in 2014 after she tweeted a picture of a house adorned with three flags of St George in Rochester and Strood. Thornberry has also been a key figure in the pro-European wing of the Party, wearing a necklace made of the EU stars at Party Conference last year.

Thornberry scraped into the next round with 23 MP nominations, and has largely failed to gain traction in the campaign.

Lisa Nandy

The Wigan MP represents perhaps the Party’s best chance at unifying its various factions. Nandy has a solidly left-wing voting record in Parliament, though is not seen as a Corbynite after she resigned from the Shadow Cabinet in 2016.

Nandy was one of the few Labour MPs to argue against a second Brexit referendum, and has based her campaign in attempting to reconnect with Labour’s traditional voters outside of metropolitan areas, many of whom were lost in the election.

After Clive Lewis failed to secure the necessary parliamentary nominations to proceed to the next round, Nandy is the only BAME candidate for Leader, though Dawn Butler and Rosena Allin-Khan are standing for Deputy.

Unlike the other three candidates, Nandy remains a largely unknown quantity, and could pose a potent challenge to Starmer and Long-Bailey as the campaign continues.

Rebecca Long-Bailey

Cherwell met with, and interviewed, Long-Bailey last week. Our profile of her can be found here.

https://cherwell.org/2020/02/01/rebecca-long-bailey-on-aspiration-and-going-further-left/


The Place of Regional Theatre

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The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity which has been masked for too long. The threat facing regional theatre is therefore even more surprising. As its funding is being cut, it is not mere entertainment for the coffee-table-book-owning middle class which is fading, but the creation and evocation of voices which finally speak to individuals, in all their diverse glory.

Theatre was created to entertain all groups of society. Crowds were certainly divided by wealth and class (money would obviously buy the best seats), but plays were intended for the entertainment of all. Examples of this can be found right from the dawn of theatre with the Greeks and Romans, into the early modern period. National theatre boomed in the 19thCentury due to wide-scale social upheaval across the continent. However, a by-product of this was the increasingly limited focus on the middle-class audience; theatre was suddenly for the few, not the many. 

Enter regional theatre. Regional theatre gained huge significance as it was the only way for many to see a performance on stage. The exclusivity of national theatre is slowly being reversed but for many, regional theatre still fills that gap; many local theatres are non-for-profit organisations which allows them to keep costs as low as possible, thus reducing the financial burden for the audience.

London-centricity also presents a problem; regional theatre has been vital for facilitating the existence of the theatre outside of the capital. The West End undoubtedly remains the centre of the UK’s theatre industry; the annual Edinburgh Festival Fringe is possibly the only thing that comes close. Yet there is a vast distance between these two, which means significant costs are inevitably incurred for visits to these theatre scenes. Accommodation and travel bump up the cost of a trip to the theatre drastically but having a local theatre within 30 minutes eliminates the need for overspending. 

To claim that the regional theatre of Manchester was the sole drive behind my ambition to work in theatre in the future would be conveniently twee. However, it has certainly had an invaluable impact on my life and perspective. Even things as simple as hearing my own accent in its rough, unaffected form have had an astounding resonance. Here in Oxford, I’m constantly reminded that my accent sticks out like a sore thumb amongst most students and performers; the number of times I’ve been asked in auditions whether I’m ‘putting the accent on’ attests to how underrepresented regional identities are in the general body of theatre in its southern existence. At home, however, instead of hearing another rendition of ‘To be or not to be’ in a Cumberbatch-esque accent, the Mancunian Hamlet draws upon the voices which have surrounded me throughout my life. There’s a shared experience between the audience and actors on the stage; they speak as we do, which makes the characters seem just that little bit more relatable. Back in 2018, Bryony Shanahan directed the play Queens of the Coal Age, written by Bolton born Maxine Peake. It followed the true story of four women who fought against the Colliery pit closure in the early 1990s. There were no Shakespearean sword fights in it, but the play’s power came from the honesty in its identity. It was a piece of writing about the north, created by the northern, for the northern. 

The Royal Exchange is the most renowned creator of original regional theatre in Manchester. The theatre has staged over 125 world premiers and works exceptionally hard to represent the region’s vast diversity in it’s work. Both The Young Company (for people aged 14-21) and Elder’s Company are just a couple of ways the theatre involves many unique identities. The company pitch themselves as a theatre where everyone is equal and heard, even down to the beautiful round-shaped auditorium, which the company themselves describe as ‘powerfully democratic, a space where audiences and performers meet as equals, entering and exiting through the same doors’. The Local Exchange is a scheme which creates three-year residencies in communities across Greater Manchester, building relationships with local partners such as housing association, libraries and food banks. This just shows how regional theatre can woven right into the fabric of communities, its impact extending far beyond the auditorium.

With a desire to explore the root of a region’s identity and flourish in its uniqueness, regional theatre has the potential to redefine theatre. The Royal Exchange’s Young Company moved from the confines of their physical stage to give a promenade performance in a network of Victorian tunnels beneath the theatre, exploring the underground nature of Manchester’s gay culture, both past and present. This just goes to show the power of the theatre to voice the parts of our cultural identity which are too often silenced.

The development and sustainment of regional theatre is predominantly reliant on funding. In 2000, the Boyden report under the then Labour government promised £25 million to regional theatre. In 2018 the government established a £20 million Cultural Development Fund with Arts Council England which allows areas to bid for up to £7 million to fund projects in specific areas (rather than specific venues or art forms). The fund is based of Hull’s 2017 City of Culture initiative, which saw theatre and performance venues experience a 30% increase in audiences in its first year, with 95% of the city’s residents engaging in at least one arts activity. Holistic approaches such as this are highly beneficial as they encourage thorough cultural and regional developments which engage with people on a greater range of levels.

Yet some companies are still at risk; non-for-profit producing houses like the Royal Exchange have had their funding cut under government reforms, forcing them to become even more reliant on charitable funding from both organisations and the general public. Inadequate funding also leads to rising ticket prices to meet the demanding costs of running a theatre. These increased prices contradict the entire purpose of regional theatre and the creation of that rich identity. Theatre returns to being accessible for those who can afford it, and its elitist reputation is sadly reinforced rather than deconstructed. 

Theatres must alter to accommodate these cuts; for the Royal Exchange, this means moving many rehearsals and a significant amount of its work to London. Is this an indicator that regional theatre will be forced to give up its regional status to migrate back to London, where greater investment makes it more sustainable? Certainly, much regional theatre has a metropolitical focus; local theatre does exist, but funding naturally gravitates to the larger-scale theatre in the city. Perhaps this demonstrates the necessity for continued funding to extend the influence of regional theatre out of the city and make it even more local.

Under the current strain on funding in the education sector, emphasis is being placed on the Ebacc, which leaves the arts trailing behind. A January 2018 BBC study found 90% of secondary schools had made cuts to at least one creative arts subject. With fewer opportunities to promote the arts in schools, a significant mode of cultivating interest in the future generation is threatened. If young people aren’t exposed to the arts, including theatre, then it will appear inaccessible and there will be little motive to explore the regional theatre right on the doorstep.

The threat to regional theatre isn’t one which will be magically fixed by HS2, but it can be tackled through the protection of funding and a belief from those of all walks of life that their voice is relevant. The theatres’ continued dedication to accessibility and the public’s active desire for engagement with theatre are both vital for ensuring regional theatre remains viable. Peake’s motivation for writing Queens of the Coal Age seems apt to summarise the vital role of regional theatre: ‘We need to show them that we are still here. We still have a fight in us and we won’t roll over’. It’s this brazen determination to champion local identities which gives the theatre its ability to liberate universal meaning in the way regional theatre deserves.

Rebecca Long-Bailey on aspiration and going “further” left

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I meet Rebecca Long-Bailey in her latest makeshift office, a slightly grubby kitchen in Blackbird Leys Community Centre, one of the poorest areas of Oxford. She made this the latest stop of her campaign for the leadership on Monday evening, as she attempts to maintain the Left’s control over the Labour Party.

Long-Bailey is a woman of great modesty, raised the daughter of a Salford docker and trade union representative, I get the sense from our surroundings that socialism is not merely a vocation for her, but a calling. Her main rival for the leadership is Keir Starmer, who, when he was here in Oxford a fortnight ago, held his event in Wesley Memorial Hall. The contrast could not be more obvious.

I start on the much-hyped idea of the ‘Red Wall,’ the northern seats which Labour lost so heavily in December. Given that across Europe social democratic parties have lost their industrial heartlands and failed to win them back, I ask, is Labour is barking up the wrong tree in trying to win them back?

Long-Bailey is unchastened: “I think we need to win those seats back but we’ve also got to win the seats that we need to win a general election and that means appealing to all cross sections of the United Kingdom. It’s important to focus on the reasons why we lost so-called seats in the ‘Red Wall’ and we lost them for a variety of reasons. Brexit, and our position, the compromise that we out forward angered both leavers and remainers, and came across as quite confusing on the doorstep, certainly our activists reported that. I think the facts that our election campaign didn’t offer an overarching narrative or a message which resonated with communities and spoke to life improvement and aspiration was a huge thing. Many people didn’t understand that the Labour Party’s role was to improve their lives and they saw us as a Party sometimes of handouts rather than of aspiration. So I think it’s important to rebrand ourselves and focus a lot on the message going forward.”

Pressed on her definition of “aspiration,” an ideal most commonly associated with the Left’s most hated Labour leader, Tony Blair, Long-Bailey outlines her view of socialist aspiration.

“It’s aspiration but it’s real realisation of aspiration and it’s not just realising the aspiration of somebody who might be lucky enough to climb the ladder and achieve success like I did. It’s about making sure that no matter where you’re from, whatever community you’re from, no matter how wealthy your parents are, we all rise up together. And that only happens with a government that is ready to invest in the economy, to collaborate with businesses, to provide the critical infrastructure that we need to spur on investment and growth. To make sure that we’ve got an education system that’s fit for purpose, it skills up our people for the future, particularly with the fourth industrial revolution and automation presenting another huge challenge. So it runs right through everything. The Green Industrial Revolution is another one where it’s about aspiration, and again it’s not just aspiration of individuals to do better, it’s aspiration about what kind of world we want to live in and what our place in the world should be.”

Moving to parliamentary politics, Long-Bailey has recently come out in favour of mandatory reselection, meaning no Labour MP would be automatically reselected as a parliamentary candidate in each general election. Labour MPs have been notoriously difficult to deal with under the leadership of Jeremy Corbyn. What’s their reaction been to mandatory reselection, I ask Long-Bailey, and how would you deal with the PLP over the next 4-5 years if you were to win the leadership?

“The important point about open selection is that firstly no MP should ever feel that they’ve got a job for life, and most don’t if I’m honest, they realise that they’ve got to be accountable to their members,” Long-Bailey responds. “But the process that we’ve got within the Party at the moment was a bit of a fudge. We wanted to make the Party more democratic; Jeremy did a democracy review, and it resulted in our trigger ballot system being such that branches themselves had to actively campaign against a sitting MP if they wanted to have an open selection. So it’s very negative and it didn’t allow any new candidates to emerge without the stigma of being the person who tried to unseat the relevant MP. Now I think we need to have a discussion within the Party about how we can have a fair and open selection process that also recognises the hard work of MPs, and they shouldn’t have anything to worry about if I’m honest if they’re hardworking and they’re accountable to the local members then they should be welcomed with open arms in terms of going forward in that open selection process. But it also needs to be a system that allows for women to progress through the Party, for black and ethnic minorities to progress through the Party. So we need to have that frank discussion and I understand the concerns because on the other side of the fence there are concerns that if we have an open selection process then that might allow individuals with lots of wealth and means to campaign behind them, to suddenly install themselves in a constituency and actively campaign because they know that an open selection is coming up. But I don’t think we should be frightened about that because we’re supposed to be a democratic Party and we can’t democratise the economy if we’re not even able to democratise ourselves.”

Long-Bailey is the hope of Labour’s left in this election. If she loses, the consequences to the socialist revival that has occurred in the Party may well be dire, something which Long-Bailey seems aware of.

She finishes the interview with an appeal to socialist values and a rejection that Labour lost last year by going too far left, implying to could go even further.

“I think this leadership election is important and I know all of the candidates have talked about sticking to our values and not deviating. But I think I’m certainly the candidate that has spent the last four years working on many of the policies that were contained within our manifesto that would have helped us realise our vision of improving our communities lives. And I think the fundamental point and one of the particular reasons why I stood in this election was that, not because I’m personally ambitious, I’ve always been a worker in the background, developing the ideas and the policies, but I’m ambitious for my community and worry because we heard this after the general election that people were complaining about the policies. It was the policies that needed to change rather than the message, and the leader etc etc. And what I would say was that it wasn’t the policies, most of our policies were broadly popular and when you polled them independently without attaching them to the Labour Party, they did very very well. So it’s not the policies, it’s the way we packaged them and in fact I think we could go further than where we are at the moment in terms of our policy offering.”

Oxford City Council says “no” to nuclear weapons

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Oxford City Council has called on the British Government to sign the International Treaty to Prohibit Nuclear Weapons (TPNW).

The resolution, proposed by Councillor John Tanner, was agreed “overwhelmingly” by the City Council on Monday.

Before backing the Treaty, the City Council want the UK government to renounce its use of nuclear weapons and end the renewal of Trident.

Cllr Tanner said: “Replacing Trident missiles is costing Britain a huge £205 billion, twice the cost of the high-speed rail line, HS2.

“Nuclear weapons are costly, outdated and ineffective. Most countries, including Ireland, Germany and Japan, manage perfectly well without them.”

“I’m thrilled that Oxford is backing this treaty to begin scrapping these weapons of mass-destruction. If there was ever a nuclear war the world would be plunged into perpetual winter and the survivors would all starve to death,” he added after the meeting.

Cllr Maryn Rush, who seconded the resolution, said: “I am concerned about the huge cost to the taxpayers of nuclear weapons, the risk posed by the regular transport of nuclear weapons on Oxfordshire’s roads and the continuing threat of nuclear war.”

Britain has four nuclear-armed submarines, each with eight missiles, each of which carries five independent nuclear warheads. Each warhead is eight times more destructive than the bombs that were dropped on Hiroshima and Nagasaki in 1945.

Mr Nigel Day, representing Ox- ford’s Campaign for Nuclear Disarmament (CND), spoke to councillors before the resolution was debated. He said: “Trident warhead convoys regularly travel past Oxford on the A34, supporting the UK nuclear weapons system. We are that close to nuclear weapons.”

The resolution, which had been proposed in September 2019, focused on the City Council’s long-standing commitment to disarmament. It reads: “Oxford City Council has been a long-standing member of the Nuclear Free Local Authorities (NFLA) which has been working for over three decades to promote multilateral nuclear disarmament.

“Oxford City Council is particularly concerned about the huge cost to the taxpayer of nuclear weapons, the risk posed by the regular transport of nuclear weapons on Oxfordshire’s roads and the continuing threat of nuclear war.

“NFLA has worked with Mayors for Peace and the International Campaign to Abolish Nuclear Weapons (ICAN) to promote the International Treaty to Prohibit Nuclear Weapons (TPNW). Over two thirds (122) of United Nations member states have agreed the TPNW.

“Council regrets that the Governments of the existing nuclear-weapon states, including the UK, refuse to support the Treaty. Council fully supports the TPNW as one of the most effective ways to bring about long-term and verifiable multilateral nuclear disarmament.”

With 122 nations supporting the treaty, Paris, Berlin, Sydney and Los Angeles are among the other cities supporting the TPNW. More locally, Manchester, Edinburgh and Norwich have passed similar resolutions to Oxford.