Wednesday, May 7, 2025
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Boat Races cancelled due to COVID-19

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The traditional boat races between Oxford and Cambridge scheduled for 29th March have been cancelled due to Coronavirus. The race’s organisers announced in a statement today that the event will no longer take place out of “concern for the welfare of our crews, our spectators, our staff and volunteers”

This is the first time the men’s event has been cancelled since the Second World War, whilst the women’s race has taken place every year since its inception in 1977. The decision comes after the government issued new guidance advising against large public gatherings.

Robert Gillespie, Chairman of the Boat Race Company Limited, said: “Given the unprecedented situation our country and each of us as individuals faces, the public good far outweighs all other considerations. Cancellation of The Boat Race is therefore clearly the correct decision.”

“Our thoughts are very much with the athletes who have worked so hard and made immense sacrifices to represent their University and are now unable to do so. To cancel is not an easy decision and we realise this news will undoubtedly disappoint all those who look forward to the Race each year.”

“We would like to thank our partners, fans, the local businesses and community for their continued support.”

The Oxford University Boat Club announced it was “bitterly disappointed” by the cancellation via their Facebook page. Its post continued: “The team has been spending its last days together before we go our separate ways. We would like to thank our alumni and all our dark blue fans for their support this year.”

Review: For Sama

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It is 2016, in Aleppo, Syria, and Waad al-Kateab is filming the world that unfolds around her, with a handheld film camera. This world is one of relentless airstrikes, of destroyed buildings and homes, of death, fear and suffering on a scale so extensive that it is difficult to comprehend. What she captures is a nothing short of a horror film – yet one which is undeniably real.

For Sama is a documentary film about the Syrian War which began in 2011, sparked by the Arab Spring protests, and became the battle between Assad’s ruthless, Russian-backed regime and Syrians fighting for their freedom. It is a personal story of one woman’s journey of growing up, getting married and having a child during the conflict.  

At eighteen Waad moved to Aleppo to study at the city’s university and met her husband Hamza. Unrest escalated and together they went to the protests; Hamza to help the injured as a doctor, Waad with her camera. This became their life and mission, and where the story starts. Years later, at the end of 2016, eight out of nine of Aleppo’s hospitals had been destroyed as the conflict intensified. The hospital Hamza set up was the only one left, as Assad bombed most of the city to submission and targeted hospitals, squeezing the rebels into a smaller and smaller pocket of Aleppo.  

Waad documents all of this, with scenes from the hospital that are so horrific and tragic it is difficult to watch. The floors are smeared in blood, injured and dead bodies are everywhere, the sound of screaming is drowned out by that of falling bombs and explosions. And all the while she is recording. At one point a woman runs to her, screaming desperately, asking “are you filming?”. For a second it seems that she is questioning her choice, perplexed as to why she would film in such a crisis. But she is angry; she tells Waad to film this, to tell them to help us. And this is what For Sama is: a cry of protest telling the world to look and to notice the suffering of Syria.  

It is also a dedication to her daughter, who was born into the conflict; born into war but also into so much love. She films so that Sama will see the city that is their home, and the freedom and humanity that her parents fought for. Yet in her voiceover she wonders whether Sama will forgive her for bringing her into this world. It is a heart-breakingly understandable question. 

For Sama is not just a film about the Syrian War. It is not just about death, but about life. You see friends laughing together as bombs fall around them, you see a doctor working tirelessly to counteract the violence inflicted on those around him, you see deep love between Waad and Hamza, and for their daughter. In just under two hours you feel both physical sickness at the reality of the evil and violence that we are capable of as humans, and a swell of warmth and hope because of their courage and compassion. It is a complete juxtaposition. What Waad has captured is a reflection of humanity itself; it exposes all that we are, in the truest light. 

As a piece of film documentary, regardless of any context, it is impressive and gripping. Waad films instinctively and intuitively, piecing together a real story of the Syrian conflict that has not been cut to fit our perspective and framework of news headlines or articles. However, the state of the world that it has been released into is what makes this documentary so powerful. The context of 2016 and now the context of 2020 makes it perhaps the most important and relevant film you will ever see.  

It is horrifying and deeply distressing, but it is also so inspiring; it is a film about hope in the darkest of times, and fighting for humanity and against oppression. And it urges all of those watching to do the same. Because Syria is still gripped by war. Idlib is now facing the same monstrosity that Aleppo did in 2016, and the world still looks away. But For Sama changes this: it turns our gaze towards what we need to see.  

‘High-Value’ Paintings Stolen From Christ Church Picture Gallery

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Three historic paintings, among them a work by Flemish master Anthony Van Dyck, have been stolen from Christ Church Picture Gallery on Saturday.

At around 23:00 PM GMT on Saturday, March 12, three paintings were taken from Christ Church Picture Gallery on St. Aldates. The most valuable among them is A Soldier On Horseback (c. 1616) by 17th-century court painting Anthony Van Dyck, a Flemish artist who worked for King Charles I’s court in Stuart England. The other two works stolen are A Boy Drinking (c. 1580) by Annibale Caracci and A Rock Coast, With Soldiers Studying a Plan (late 1640s) by Salvator Rosa, both noted Italian Baroque pieces.

A Boy Drinking, Annibale Caracci

No one was injured during the burglary. The three works are worth around £10 million in total. Art experts told The Times that burglars are likely to seek a ransom payout from insurers instead of stealing “to order”.

A Christ Church spokesman told the BBC that the Picture Gallery will be “closed until further notice”, and according to Detective Chief Inspector Jon Capps there will be “increased police presence” around the St Aldates area. Capps told the BBC that the paintings stolen are “high-value pieces”, and that though the artworks are yet to be recovered Thames Valley Police is committed to “bring those responsible to justice”. Thames Valley Police is in the process of a “thorough investigation”, and are actively encouraging witnesses and anyone with CCTV footage to come forwards and get in touch. The public can either call the non-emergency number 111 or make a report online using the reference number 43200087031, and should they wish to remain anonymous they should contact the independent charity Crimestoppers.

A Soldier on Horseback, Anthony van Dyck

This information was updated on Monday. The new statement from Thames Valley Police states:

“This is just a hypothesis at this time, but we would like to hear from anyone who has had their boat stolen recently or has noticed any unusual activity around where their boats are docked. We are initially asking people with boats based on the River Cherwell or the River Thames near Oxford to get in touch if you have noticed any unusual activity. If you saw anything unusual on these rivers on Saturday night, we would also ask you to get in touch. Also, please make a report if you find any abandoned boats which have appeared since the early hours of Sunday morning.”

This theft adds challenge to an already complicated week at Christ Church, with the recent discovery that valuable cases of wine worth £1000-2000 have been disappearing from its cellar.

Christ Church originally acquired its notable art collection from the bequest of General John Guise in 1756, allowing the college to introduce art education into the Oxford curriculum without the need for travel. The collection was reinforced by various subsequent private bequests, and in 1968 the purpose-built Picture Gallery was opened to permanently house some 300 paintings and almost 2000 drawings.

Today it is one of the most important private collections of Old Master drawings in the UK and has a particularly strong Italian art selection.

Cherwell has reached out to Christ Church Picture Gallery and Thames Valley Police for comments.

This article was updated to reflect the new statement from Thames Valley Police.

Colleges announce vac res policy

Colleges have altered their policies on vacation residence in response to cases of Covid-19 at the University.

Christ Church and Hertford have both informed UK-based undergraduates that they should vacate their accomodation at the end of eighth week, including those who had expected to stay. Magdalen has informed all undergraduates to return home. Merton have informed undergraduates to return home, and are asking all students to clear their rooms of their belongings.

An email from Christ Church’s administration says that this move is an attempt to “ensure that our students and staff remain as healthy as possible while protecting academic need”.

The email added that “the view of the Dean and Censors is that a break from college is emphatically not detrimental to examination performance.”

Some colleges are allowing vacation residence, but are not providing complete funding, including St Hugh’s. 

By contrast, New College has agreed to provide free vacation residence. 

Merton

Merton has asked all undergraduates to vacate college. Exceptions include “those from Category 1 countries and those sitting examinations in Oxford during 9th week”. Merton are asking students to leave by noon on Tuesday. They are also requiring students “to clear your room and take your belongings home”.

Hertford

Hertford stated in an email to their undergraduates that UK based students would be “required to return home at the end of 8th week”. Exceptions will be made for some students, including those with “exams or submission deadlines in 9th or 10th week”, Students “engaged in approved course lab work” and students with an “exceptional welfare need”. Any students with other circumstances could contact the Accommodation Office. Hertford will allow students to leave belongings in their room, and have allowed students an extra day to move out.

Christ Church

Christ Church “strongly recommend that all UK undergraduates return home at the end of 8th week”. Exceptions will be made for some student students, including those with “8th and 9th week exams”, those with extended terms who are requested to “not remain in residence outside these dates”, and those who “have identified themselves to the Academic Office”. Those with other circumstances could contact the college.

St. Hugh’s

St Hugh’s stated in an email that they were “unfortunately not in a financial position to provide [free vacation residence] for free to all students impacted [by Covid-19], but we have been advising students who might be in need of financial support to go through the usual processes that are available.”

Magdalen 

Magdalen College stated in an email to students that: “Unless you have University examinations or required course submissions next week, are unable to travel overseas, or have an urgent need to stay in College, we strongly advise those of you who have previously been granted permission to reside in College accommodation over the Easter Vacation to return home this weekend”. 

New College 

New College’s JCR President announced in a JCR meeting earlier this term that the college will provide “for people who may have had to travel home in vac [to] get free vac res to stay in college”, according to the JCR minutes. 

Cherwell have contacted the colleges for comment. We will update this story as we get more information. 

This article was updated at 11:37 on Friday 13 of March to contain information about Merton’s policies.

Interview with the previous leader of the Scottish Conservatives, Ruth Davidson

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“I’ve previously joked it’s much harder to come out as a Tory at the BBC, than it is to come out as gay,” Ruth joked when I asked her about her struggles with her sexuality. As the previous leader of the Scottish Conservatives and journalist for the BBC, Ruth Davidson throughout her life and career has been open about coming to terms with her sexual orientation. Being LGBTQ+ has not always been easy, but she knows that Scotland has come a long way.

When she was growing up, “it was still illegal to be in a same-sex loving relationship when I was born,” she revealed, but over the forty years of her life things have changed dramatically. Having been a part of that journey during her leadership years, I could tell brought her pride, as she “was one of the group of politicians in Scotland who passed the law that said those same-sex couples, those same people that could have been prosecuted, can now marry.” When she was elected in 2011, Davidson was the first openly gay elected Scottish parliamentarian for the Conservatives whether that was MP, MEP or MSP. Although she said that may feel like a long time ago for young university students, she retorted that “2011, that’s not ancient history.”

Scotland was one of the last places in the UK to decriminalise homosexuality, and Ruth’s contribution on that journey of acceptance is once she is honoured by: “I’d like to think that my leadership has been a huge part of that,” she says. Personally of course, this was a victory which allowed her partnership with Jen Wilson and the welcoming of their son, but also was part of a UK-wide effort by the Conservative Party to diversify.

Davidson spoke fondly of David Cameron and his work, such as his apology for section 28 and his move in making the Party more diverse. “In terms of the road the UK Conservatives were on,” Ruth continues, “that started before I was a member, [and when] you look at some of the things that David Cameron was saying when he was running for the leadership in 2005,” the process had begun then. Cameron’s cabinets and prominent figures in the party such as David Mundell and Justine Greening indicate that “I think, and I certainly feel like the party has changed hugely,” in those years.

I asked Ruth about the relationship between being a mother and being a political leader, and if that work-life-balance can ever be achieved in a job of such intense responsibility. I could tell that her answer to my question was one which she had been thinking about for a while now, as she revealed the self-questioning of whether you’re doing a good job at either. “As you miss another birthday, or as you miss another wedding that you can’t go to because you’ve got something else on,” you begin to question “whether you’re giving enough of yourself to the people in your life that you love,” she begins.

Ruth was quick however to reveal that this pressure was completely self-imposed and although “people are very forgiving,” she believes, “there comes a point where you just feel like you’re not giving enough of yourself to anything, while giving too much of yourself to everything.” Her expectations and motivation for her position as Scottish Conservative leader meant that she could not give one hundred per cent to either, and so you “have to make a decision, so I made a decision,” she said. That doesn’t mean that she has any guarantee that she’s made the right choice this time, she says “don’t get me wrong there have been times since August,” when she wished she “was still the person in the room that was making the decisions, but I know that I couldn’t do it as well as I’ve done it before with my responsibilities as a mother.”

The problem of gaining that balance for women, and men, is not simply confined to politics, Ruth suggested, that as more and more women become primary earners and primary carers the question will continue.

“There was absolutely no pressure from the party for me to resign or hang up the boots, in fact, quite the opposite, they wanted me to stay on,” she revealed, thinking perhaps that I didn’t agree with her decision. She reassured that “they were offering help in other ways in my life to try and make sure I could do both.” I asked her about the modern myth of ‘doing-it-all,’ a common way in which many women are shamed for their decision either to prioritise work or their career. “I’m quite impressed with the generations younger than me who make decisions [about]…work-life-balance or making decisions about the sort of life they want to lead and the sort of person that they want to be,” she retorted. Mental health, of course, plays a huge factor for Ruth: “I think it’s really healthy for people to be aware of their mental health and mental wellbeing, making sure that they have balance and stress-relief in their life as well,” instead of trying to “work their way up the greasy pole or going for the dream job and knocking their pan in do it at the expense of all else.” She thought that perhaps killing the notion that in your lifetime you can do anything was “disparaging” for 20-something-year-old university students, but I thought it was refreshing.

A couple of years ago there were wild claims about Ruth running for the Conservative leadership in Westminster, although she was quick at the time to discourage it, she emphasises how it is “physically impossible” because she has never been an MP. As someone concerned about mental health she urged people to understand how “unbelievably lonely” the position at Number 10 is, revealing, “the decisions that get to you when you are in that sort of office are the 49 to 51% decisions and you will never know if you will get the right, and you’ve got to trust your gut.” Although “leadership is not easy” and “it’s not designed to be easy” she qualifies, she believes we are in a particularly damaging period of politics. She says, “we judge people extremely harshly and we prejudge their motives without ever listening to why they made the decision,” we’re in a period she continues where compromise and across-party discussion is never on the table, but she hopes we will return to a “kinder politics.”

I asked if this change was the result of social media in her opinion: “it changes the way people consume information, and if you’re consuming information from 180 characters, the nuance doesn’t feature anymore,” continuing that “you don’t get the luxury of telling people in a paragraph something that they can read, from reading a sentence with three exclamation marks and an emoji!” While at the moment she laughs, “we’re all just standing on Twitter screaming at each other” she reveals the politics of today is exhausting and it’s not “the kind of politics of hope.” She chuckles again, “sorry, that was really Obama-esque,” she jokes.

Politics of division is something everyone understands to have been at least heightened by the Brexit referendum, but “in Scotland, we’ve had these two constitutional referendums so we were a couple of years ahead of the rest of the UK,” Ruth suggests. The “level of fractiousness in Scotland [was] pretty high and the warning that I had been giving people around 2016…was that Scotland got more divided after the referendum than it was before.” Although Ruth was famous for her speeches supporting the Remain campaign, now she moves on to accepting the decision and thinking “what do we then choose a post-Brexit Britain to look like?”

Her ideal Britain, as I was expecting, was one of community: “personally, I want to demonstrate to countries and allies that we still shoulder a burden that we want the things we’ve done before,” she says, “we need to demonstrate that we’re not isolationists, were still good neighbours and part of that leadership group of nations that understand that the size of our economy means we have a responsibility to others who perhaps can’t do that for themselves.” While this may have hints of paternalist Tory responsibility, her liberal views on immigration and free movement, completely go against the rhetoric of the UK Conservatives at the moment.

She openly discussed how beneficial and how personally she loved the system as it was, partly due to having an Irish wife and son now, but also being part of something bigger. She recognises that may not be how the rest of the UK feel: “if that’s no longer the case then let’s start from first principles of what it is that we need.” In terms of the labour market, having less than 4% unemployment is “getting close to full employment,” and there are gaps which cannot necessarily be filled by citizens coming out of UK schools because “the profile won’t necessarily fit.”

Ruth’s views on immigration have been seen as progressive Conservativism since her campaigning in 2016 over the referendum: “people who do something as brave as pick up all their belongings and families and travel half-way around the world to try make a better life for themselves, are exactly the sort of people who will improve our country and improve our society.” She continues, and “it shows a motivation…that frankly,” she whispers, “might be considered Conservative!”

Talking about Theresa May’s party conference speech the “‘citizen of everywhere, citizen of nowhere’” one, Ruth recalled comically saying “‘lads this is the most conservative thing ever’ it’s picking up everything that you have and trusting yourself to be able to go someplace, work hard and build a better life.” Having heard John Major speak on immigration many times she reiterated, “we should be supporting this,” and, “I don’t know where the party moved away from that idea.”

I asked Ruth whether she had changed her mind on a second Scottish referendum, now that there was the possibility her country could re-join the EU after independence. Talking about the SNP, she says they are trying to argue something almost impossible: “[that] leaving one union of nations, the EU, is so terribly damaging that the only option that we have is to leave another union of nations that we’ve been a member of for much longer, that we trade more with.” In essence, she believes “they’re basically saying the only answer to losing a toe is to chop off your whole leg.”

Although she understands this is an emotional and national debate, there are so many practical reasons for why this would be a bad decision, she believes. Scotland would have to lower their deficit to under 3%, they have no central bank, and they would have to take on the Euro which could mean a floating currency for some years. She also noted that over 1 million Scottish people did vote to leave the EU, many of which were indeed SNP voters: “it’s a much more mixed picture than necessarily Nicola Sturgeon and the SNP would project on a UK-wide stage, which is fair enough because they’re trying to build an argument.”

Ruth belongs to an ilk of Tories which in the present political climate we had all but forgotten existed, while she was speaking, I almost wished we could return to the happy days of the 2010s. I jokily asked her if she felt sometimes, that she wasn’t a Tory?

“Oh, I know I’m a Tory,” she quickly came back, the Party, “operates at its best when it recognises people from all different backgrounds and thought-strains within it.” Ruth joined the party when her particular strain of Conservativism was popular, but “it’s nonsense to think your particular strain in the party will always be in the ascendency.” The way in which a Party operates effectively she believes is by having different strains and different voices, so “it just means those of us who aren’t in the ascendency need to keep our nagging voices going.”

Speaking about the position of Labour at the moment, she was praising of the party in the Blair years and some of their achievements, as Blair and Prescott “between them they demonstrate the breadth of the Labour Party as was,” the issue she believes is that, “the Labour Party finds itself in now, is it went down a route where you either agree with the party doctrine or you were an outcast.” She warned: “you only have to look at the election we’ve just had to know what a warning that should be for parties.”

Going back to a period of political cohesion and a community working together, she believes that “most people out there in the real world want the same things, they want their kids to have a better life than they did, they want to be able to buy a house, they want to have a job. They want to feel as if they’re been treated and rewarded fairly for the work that they do, and they want to think the next generation coming along will have things better than them.” The way in which she thinks politics operates well is when steps are made to make things just a little bit better, there is justice and people feel like there is progress.

I think back to when Ruth exclaimed that “leadership is not easy” but Scotland and the Conservatives lost a great leader and voice in August. I felt like saying, I hope your predictions for a kinder, progressive and inclusive politics are prophetic and extend to the Conservative government at the moment.

Beyond the Bullingdon: A closer look into Oxford’s Secret Societies

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A group of hand-picked male undergraduate Oxford students in smoking jackets and matching bow ties sit in a candlelit dark wood-panelled room. Dinner has been served and port glasses clink as the guests raise a toast to their patron. Sitting alongside them are some of the college’s most distinguished fellows. Conspicuous by their absence to this invite-only dinner are women and anyone who didn’t attend public school. It sounds like a scene straight out of Brideshead Revisited. Except it wasn’t last century. It was last year at Oriel College, Oxford.

Although you may think that exclusive drinking societies are an outdated, out-of-fashion relic of the past, the reality is very different. Cherwell takes an exclusive look into the culture of Oxford’s elite. Drinking societies are not independent, disconnected, harmless bodies of posh-boy fun. They are not just student societies – college staff support and maintain their existence. Women may still be a novelty, but tutors are not. The clandestine world still thrives behind closed doors at Oxford. Drinking societies are intrinsically woven into the fabric of Oxford life. 

Of course, when you think of drinking societies in Oxford, one name springs to mind: the Bullingdon is perhaps the most infamous secret society in Britain. Its name conjures up images of raucous public schoolboys smashing up restaurants and throwing money at the owners to pay their way out of trouble. At a minimum of £3,500 for the bespoke tailcoats alone, the Bullingdon has become a byword for the elitist privilege that taints Oxford’s reputation.

Despite its notoriety, it has provided no obstacle to the success of the most high-profile British politicians of the past decade. Its influence permeates British political life. David Cameron may have admitted that he was “deeply embarrassed” by his involvement, but he did manage to appoint three of his Bullingdon pals as ministers. While George Osborne and Jeremy Hunt held two of the highest positions in government, Jo Johnson was in charge of the Number 10 Policy Unit and reported directly to his old Bully mate. Boris Johnson confessed that he may still greet former members with an affectionate ‘Buller Buller Buller’ – of course, only “satirically”.

The Bullingdon – far from abolished – thrives in heightened secrecy. Details of its membership are fiercely guarded from even those closest to the alleged members. But reports of its exploits do occasionally surface in public, most recently when two Bullingdon members were caught on camera after Oxford University Conservative Association’s ‘Port and Policy’ chanting “I’ve got a better castle than you” and that they would “buy the families” of the people who refused to serve them more drinks. Bullingdon members were also marched out of Christ Church by porters while trying to take their annual photo in 2017. Rumoured initiation rites in recent years have included branding a B with hot wax onto new members’ arms. Two years ago, one alleged member spent a week in hospital receiving a skin graft after a branding went spectacularly wrong. 

The Bullingdon is only the beginning of the desire for exclusive elitism that prevails at Oxford. Public school Oxford undergraduates nowadays prefer the more sophisticated environs of Oxford’s foremost private members’ club, the Gridiron. The Grid was founded in 1884 and also boasts a hallowed political past, with David Cameron serving as President in 1988. Grid members consistently vetoed the acceptance of women until they were eventually allowed to join in 2016. 

Cherwell can now reveal at least three other current politicians were members. We discovered the existence of annual Gridiron photos, and British politics’ big players don’t shy away from the camera.  An unsmiling Jacob Rees-Mogg is captured in a double-breasted suit in 1990 (second row from the bottom, far left). Two years later, George Osborne can be found grinning in the bottom left corner in the 1992 photo. London Mayoral candidate Rory Stewart stands out in the 1995 photo amongst a sea of men in blazers (bottom right corner) in front of Christ Church’s library. 

An unsmiling Jacob Rees-Mogg is captured in a double-breasted suit in 1990. Two years later, George Osborne can be found grinning in the 1992 photo. London Mayoral candidate Rory Stewart stands out in the 1995 photo amongst a sea of men in blazers in front of Christ Church’s library. 

Nowadays, you’ll find Grid members safely ensconced upstairs at St Aldate’s Tavern in a privately hired room. Affectionately termed ‘Christ Church Second Hall’, members pay £15 a month for the privilege of not having to mix with the hoi polloi, with extra charges for termly dinners. Dinners often end with members indulging in snuff for some light after-dinner entertainment reminiscent of the 18th century. Grid members enjoy reciprocal access to the Pitt Club and Hawks’ Club in Cambridge as well as two private members’ clubs in London, extending their network far beyond Oxford.

If this sounds enticing, the membership application process is simple. Provided you are installed in an appropriate social group, an existing Grid member must write your name in the nomination book. Other members can sign their name next to yours – get enough signatures, and you’ll be invited to be a member (after the committee have discussed your credentials, of course). Woe betide the prospective members who receive a black dot, marking you as effectively blackballed from the society. 

The more adventurous are drawn to the other prominent face of contemporary drinking societies: the Piers Gaveston. Named after the alleged lover of King Edward II, this former dining society is perhaps best known for Hugh Grant’s attendance and an infamous incident with David Cameron and a dead pig’s head. 

We do know that Piers Gav has transformed in the last few years into something resembling the 21st century, with a twelve-person committee that includes women and LGBTQ+ students. Last year, the committee even started selling reduced-price access tickets. There truly is no excuse for anyone else: Oxford’s commitment to outreach has now reached even secret societies. 

But, Piers Gav is still an invite-only club. The identities of individual committee members are not widely known. Infamous  Summer Gav parties features at least one sex tent, a members-only tent, a live sex performance to start the night and several shady looking men selling hard drugs to Oxford’s finest young minds. Not everyone engages in sex; many people are just looking for a liberated night out in a field with unlimited vodka at just £90 a ticket.

The Bullingdon may have taken a backseat in the contemporary world of Oxford’s drinking societies – but the age old Public-School-Boys-Club traditions are still rife, and growing, within college drinking societies.  Their names do not elicit the same recognition as the Bullingdon and Piers Gav, but they can be just as controversial.

…age old Public-School-Boys-Club traditions are still rife, and growing, within college drinking societies.  Their names do not elicit the same recognition as the Bullingdon and Piers Gav, but they can be just as controversial.

Some college societies have met their demise in recent years, as reports from those state. Hertford’s former all-male drinking society The Penguins were  banned in 2010 amidst reports that they invited a tutor’s daughter to a crew date. In 2015, the all-male Corpus Christi dining society, The Abbotts, disbanded after an incident when members removed a LGBTQ+ pride flag from the JCR. Most notoriously, St Hugh’s banned the Black Cygnets in 2013 after national coverage of a ‘fox hunt’ social which encouraged selected female freshers to ‘evade a mauling’ by male members as ‘huntsmen in pursuit’. 

Outside of the university-wide clubs, Oxford today has over 20 active college drinking societies. These are not an abstract group of old Etonians with too much money to spend – their presence seeps into everyday college life.

The existence of New College’s all-male dining society, The Dinos, is an open secret amongst New students. The club, named after  a nineteenth-century German noblewoman, the Duchess of Dino, has its hand-picked members convene for regular invite-only black tie dinners. The president, conferred the title of Triceratops, leads toasts to the Duchess during dinners, accompanied by readings of selected extracts from her memoirs. The memoirs evoke a real sense of occasion: the Duchess relates a story of one dinner; ‘when the ladies had gone, the grossness of [King William IV’s] conversation was beyond belief’. 

The Dinos’ influence used to extend far beyond its dinners. Upon arrival at New College’s 2016 Commemoration Ball, guests were greeted by several life-sized animatronic dinosaurs. Until just two years ago, The Dinos were automatically elected as the ball committee at New. Elaborate jokes in the form of dinosaur-themed decoration don’t come cheap; just one animatronic dinosaur costs at least £2,000 to rent for the night.

Acceptance into a college drinking society normally requires surviving brutal initiations. The all-male L’Ancien Régime, made up of students at Merton tapes its new recruits’ hands to a two litre bottle of cider that is followed by lethal amounts of vodka – to top it off, a pack of Ryvita is a mandatory dessert.  As one Mertonian tells us, college rooms are inevitably left “swimming in sick”. At F&F, made up of Christ Church female students, one student testified to being challenged to turn up in just underwear in a room of a selected male student and told to offer to strip for him.  Not all initiations are created equal. After consuming large quantities of wine, The Dinos simply task each new member with the requirement of coming up with a suitable dinosaur name for themselves.

College drinking societies create issues for many reasons. But the most problematic feature involvement or some degree of endorsement from staff or fellows.

Oriel College is one such case. It boasts at least three active drinking societies including The Ran Dan Club, The Millers and The Musketeers. Oriel College JCR has been vocally opposed to the all-male Ran Dan dining society for several years. In 2018, the JCR passed a motion banning male-only clubs and societies from using college facilities. But the college later decided that this policy did not apply to Ran Dan and granted the group an exemption from the ban.

College drinking societies create issues for many reasons. But the most problematic feature involvement or some degree of endorsement from staff or fellows.

The Ran Dan continues to hold events in college. It is difficult to imagine this would be the case without the tutors who are active members. The College Treasurer was widely alleged to be involved and in attendance at Ran Dan events. The importance of tutors in pastoral life at college sits uneasily with their involvement in secretive and exclusive drinking societies. 

Such stories are more than just a one-off. Christ Church’s exclusive dining society, The P Club, was recently banned from holding any activities on college premises. The Christ Church Senior Censor (who sits on the Governing Body and oversees all college academic affairs) at the time, Brian Young, was one of a number of tutors who actively participated in P Club dinners. Professor Young has stepped down Senior Censor – but as the recent Times investigation shows, Senior Censors retain significant influence on college affairs after they step down. 

The P Club operated under the facade of a debating society. But its opaque selection criteria seemed to yield a suspiciously exclusive and privileged cohort of members. Unregistered clubs are not allowed to book rooms at Christ Church. The P Club was always unregistered, but tutors would regularly use their room booking privileges to book college rooms to hold the termly dinner. In this way, The P Club could bypass the Junior Censor and the need to adhere to college policy. During dinners, members toast the queen and enjoy post-dinner entertainment of charades in Ancient Greek. Christ Church commented: “Christ Church has a zero-tolerance approach to drinking societies. It requires any club or society that wishes to use the College name or hold events on College premises to be registered in advance and to adhere to all College policies, including those related to behaviour and Equality legislation.” 

“The College actively encourages the responsible use of alcohol amongst its students. It also promotes non-drinking options, for instance by requiring all events held in College to provide non-alcoholic beverages and by offering free, non-alcoholic drinks every evening during Freshers’ Week in the JCR”

“Christ Church is unable to police students who may decide to join extra-collegiate societies. Because such societies are not registered with the College, Christ Church is unable to provide any comments or information about such groups.”

In 2014, where student journalists reported that the Trinity College Estates bursar (and former aide to the royal household), Kevin Knott, was the Senior Member of the Claret Club drinking society. Knott was accused of affording The Claret Club preferential access to the Trinity lawns for invite-only parties.

Perhaps the best example is at St John’s: the all-male drinking society King Charles was bankrolled by its Honorary President, night-club mogul Peter Stringfellow, until his death in 2018. Stringfellow boasted about hosting students for lavish dinners with unlimited champagne; he believed in the very real possibility “that one of these boys is a future Prime Minister”.

There is a clear pattern of college staff involvement in some of the most elitist societies. Tutors enable exclusive groups of undergraduates to benefit from privileges not afforded to other college members. These tutors continue to have an important role in college life, with some even being selected for positions with significant pastoral responsibility. 

Tutors enable exclusive groups of undergraduates to benefit from privileges not afforded to other college members. These tutors continue to have an important role in college life, with some even being selected for positions with significant pastoral responsibility. 

Knowledge of the existence of such drinking societies is normally an open secret. JCRs are typically united in protest against exclusive and secretive societies. Multiple colleges have passed motions to ban JCR committee members from also being members of a college drinking society. Christ Church JCR decried the P Club as ‘intrinsically elitist’. Invite-only all-male groups contravene University and college-wide commitments to equality and diversity.  So why do colleges continue to tolerate tutors and students participating in all-male drinking societies? 

One factor may be that colleges are reluctant to alienate alumni and their donations. Any student who has endured college telethons can tell you that alumni reminisce about their fond memories of membership of a college drinking society. This harks back to a time when drinking societies were widely accepted – and even celebrated – in college life. Christ Church Development Office only stopped selling drinking society merchandise last year. A senior fellow at Lincoln College wrote a glowing report on the centenary celebration of the all-male Goblins drinking society in the college’s annual report in 2002, highlighting its ‘loyal’ association with college. The fellow still teaches at Lincoln today. In 2013, the Oriel Society (Oriel’s alumni network) helped to organise a dinner for former members of the Ran Dan Club. 

But times have changed. Women are now accepted at all Oxford colleges. The university has committed itself to improving access efforts and attracting students from a diverse range of backgrounds. 

The continued existence of college drinking societies tells us something important about endemic institutional elitism at Oxford. This is not just a story about a few groups of high-spirited students. Fellows who sit on Governing Bodies and oversee admissions are members of all-male drinking societies. It seems difficult to disentangle such sexism and elitism from the glacial progress Oxford makes in improving access and diversity.

Fellows who sit on Governing Bodies and oversee admissions are members of all-male drinking societies. It seems difficult to disentangle such sexism and elitism from the glacial progress Oxford makes in improving access and diversity.


College complicity and drinking society culture are not separate issues. The two worlds collided in spectacular fashion at Merton College just last year. Colleges typically reject applications for social events in Trinity to avoid disturbing students sitting exams. Yet, one day in Trinity Term, first-year students revising in their rooms in Rose Lane looked out to see a large group of students in blazers and matching ties enjoying themselves in Rose Lane Quad.

How did anyone manage to organise a drinks party at Merton smack bang in the middle of Prelims? 

At this point, you may be able to guess. A senior fellow at Merton is also the Senior Member of the exclusive Gridiron Club. By exercising his room-booking privileges to circumvent college policy, the fellow afforded the Grid a privilege that no normal Merton student could enjoy. Grid members enjoyed a brief afternoon of Prosecco and canapés amidst complaints from enraged first-year Merton students. When contacted for comment, Merton said: “The Fellow facilitated hosting of the Gridiron Club at Merton last Trinity term in Fellow’s Garden. To be clear this was not against College policy. Due to the weather being suspect it was moved to another venue within the College. As it turned out the weather was fine and staff allowed members to move outside onto the adjacent lawn. This caused some unanticipated noise and the College and staff have noted the issue and apologised to the affected students in the area.”

Drinking societies do not exist in isolation – they are not simply the product of a few rich boys who come to Oxford with more money than sense. They are part of a murky web of favouritism and privilege which reflects the institutional elitism that still seems rife in Oxford today. 

All persons mentioned in this article have been contacted for comment.

Cherwell Statement on Covid-19

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We have been made aware of a number of cases of misinformation and speculation in relation to the spread of Covid-19 at Oxford. A number of sites have, either intentionally or unintentionally, published information relating to the extent of the spread at the University which has been proven to be misleading or untrue. Consequently, we would like to publicly clarify our reporting policy on this incredibly sensitive issue.

Initially, we had intended only to cover news which concerned the University as a whole. However, the prevalence of information being revealed without verification or confirmation on anonymous submission websites has led us to reconsider this policy. Following discussions with the senior editorial team, we will now be sharing news relating to specific college and university responses, and will share information on the disruption that the virus appears to be causing to the University’s social and academic scene. All updates, as Cherwell is made aware of them, will be published on a dedicated page on our website. All information released on the website will be independently verified by a member of Cherwell’s editorial team, so that we can be certain of its accuracy.

We will not be covering or releasing any information relating to the individual students directly affected by the virus, such as the college attended or subject studied. We do not believe that the release of such information will prove useful, and it would likely contribute to an unproductive culture of hysteria around the issue as a whole. Colleges are taking measures necessary to control the spread of the virus as far as possible, and we believe that releasing information relating to affected students will not grant unaffected students any extra agency to avoid the virus.

We are conscious of the fact that many students are concerned about the spread of Covid-19 at Oxford, but the release of misinformation is not a constructive way to combat the virus. Our policy is to provide students and members of the Oxford community with accurate information to enable them to better understand the situation, without relying on fear mongering.

We encourage all students to refer to the University’s official advice for information relating to the coronavirus.

  • Cherwell Editors

UBI: The Universal Solution?

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Intro

When researching and writing this article I kept asking myself: why should an Oxford student care about Universal Basic Income (UBI)? After all, my main arguments below are that parts of  the welfare state as currently conceived are broken and perverse and that there are certain types of assets (like land or oil) which are being unfairly exploited for the benefit of a minority to the detriment of the majority and of future generations.

On the balance of probability, Oxford graduates are less likely to ever come into contact with the welfare state; and more likely to be part of that minority that benefits from the current state of affairs.

They are, however, also more likely to be in positions of power and responsibility in the future and having to make decisions that affect all of us. And, therefore, just the group I want to convince that there may be other ways of creating a fairer society.

What is Universal Basic Income (UBI)?

At its core, it is based on the principle that every individual should always have a minimum (basic) income floor that ensures survival. UBI proposes to achieve this by implementing a regular cash transfer to all qualifying citizens/residents. But for any transfer scheme to properly be considered UBI, it has to be:

  • Unconditional: It could vary with age, but there would be no other conditions: so everyone of the same age would receive the same amount, whatever their gender, employment status, family structure, contribution to society, housing costs, or anything else.
  • Automatic: Paid weekly or monthly, automatically.
  • Nonwithdrawable: Could not be means-tested. If someone’s earnings or wealth increased, then their UBI payment amount would not change.
  • Individual: Paid on an individual basis, and not on the basis of a couple or household.
  • As a right of citizenship: Everybody legally and continually resident in the country would receive it.

(http://citizensincome.org/citizens-income/what-is-it/)

Most of the current forms of state assistance do not meet the above criteria. Nevertheless, it is worth pointing out at this stage that UBI is not proposed as an across the board replacement to the welfare state. However, if implemented, it would probably lift a large number of people above the thresholds for many current means-tested programmes which, as I argue below, can only be a good thing!

Why now?

The idea of a Basic Income is not new. The spirit of what is currently being proposed in places as diverse as the US, the UK, India and some African countries, can be traced back to political theorist Thomas Paine, who at the end of the 18th century posited the idea that land was the common property of humanity and that landowners did not actually “own” it; they were merely “renting” it from the rest of us and therefore owe us a fee for exploiting it:

“It is a position not to be controverted that the earth, in its natural, uncultivated state was, and ever would have continued to be, the common property of the human race.” As the land gets cultivated, he goes on, “it is the value of the improvement, only, and not the earth itself, that is in individual property. Every proprietor, therefore, of cultivated lands, owes to the community a ground-rent (for I know of no better term to express the idea) for the land which he holds; and it is from this ground-rent that the fund proposed in this plan is to issue.”

 (https://basicincome.org/basic-income/history/)

Over the following 200 years the concept and its popularity have ebbed and flowed, as have the reasons that justify giving everyone a regular income. But the core of the Basic Income idea, that there are certain of the earth’s resources (the land, the oil, the electromagnetic spectrum) which can never be owned and are forever the patrimony of all current and future generations, has remained largely unchanged. If, as Thomas Paine points above, the land was there and all our ancestors roamed it freely, then the first people who put a fence around chunks of it engaged in an act of theft from the others. And that unjust act has been formalised and preserved, but remains unjust.

UBI has also picked up a number of influential adherents from all walks of life, from Martin Luther King, to philosopher Bertrand Russell, to the Economics Nobel Laureate Milton Friedman, whose proposal for a Negative Income Tax is very close to UBI. And many more: https://vocal.media/theSwamp/eleven-nobel-laureates-who-have-endorsed-universal-basic-income

And before you come to the conclusion that UBI is some extreme communist fantasy, the capitalist United States is a shining beacon of UBI use cases. The country came close to implementing a UBI scheme during the presidency of a Republican, Richard Nixon, but the project foundered at the last hurdles in the Senate.

The state of Alaska, also deeply Republican (it gave us Sarah Palin after all!), created the Alaska Permanent Fund in 1976 (https://en.wikipedia.org/wiki/Alaska_Permanent_Fund), which is funded by the oil revenues of the state and has paid out a yearly dividend to every Alaska resident ever since. The fund explicitly recognises that the oil belongs to future as well as current generations.

And UBI has resurfaced in the 2020 presidential election, in the hands of Democratic candidate Andrew Yang, who has made UBI (under the name of “Freedom Dividend”) the centerpiece of his campaign for his party’s nomination.  Yang, an entrepreneur with no previous political experience, argues that automation is leading to a wholesale destruction of jobs that are unlikely to be replaced fast enough either in quality or numbers by the new emerging economy. As a result, “a third of all working Americans will lose their jobs to automation in the next 12 years”. So, enter the Freedom Dividend as a means of redistributing wealth and ensuring that everyone can participate in the economy and, more generally, in society.

(https://www.yang2020.com/what-is-freedom-dividend-faq/)

It’s the redistribution, stupid!

Andrew Yang eventually dropped out of the race after the New Hampshire primary. But his message clearly resonated: he finished with 3% of the vote, raised tens of millions of dollars for his campaign and landed a spot in all but one of the party debates. No mean achievements for someone with zero political experience when he entered the race.

Yang’s  argument is the distillation of a generalised sense that the world is becoming more and more unequal, that money (and power) are getting more and more concentrated in fewer and fewer hands, and that the time has come to explore other, perhaps more radical, forms of wealth redistribution.

But even if radical, UBI is evolution, not revolution. All advanced economies have for the last hundred years at least incorporated elements of wealth redistribution and state assistance into their economies. They have used the tax and benefit system to take from some people and give to others.

Work or bust!

But it doesn’t always pan out the way it was intended. The modern welfare state is largely built on the assumption that work is the pathway out of poverty and so everyone of working age should be working. Those who are unable to do so (the unemployed) are then given help, mostly but not entirely in the form of money, until such a time as they can get back to work. This may sound entirely reasonable but, on closer inspection, is very flawed for a number of reasons.

Firstly, there is no clear correlation between work and poverty. There are plenty of people who do not work but are not poor (think of anyone who inherits a fortune, for example). And there is an even larger number of people in modern Britain who work and are STILL poor (and so have to go back to the state for more help). However, there is a direct correlation between money and poverty: everyone who is poor has no money. This may sound obvious but it is worth stating. In that light, giving people work so that they can get money, when what they need is just money, is at worst perverse, and at best a weirdly roundabout way of solving the problem. Why not just give them the money directly?

Secondly, because the assumption is that people should be working, those who are not are immediately suspected of shirking. Therefore they have to explain themselves: why are they not working? Is it because they are ill? Or because they have the wrong skills? Or maybe they are just lazy? So the modern welfare state has spawned a whole army of people whose job is to question those who are not working and make sure that they can “justify” this anomalous state of affairs. In other words, these “gatekeepers” are there to separate the “deserving” poor from the “undeserving” poor. This is made worse by the fact that the welfare state apparatus is generally incentivised to keep the numbers of claimants low, because this stuff is expensive. As a result, we have all become familiar with the heartbreaking stories of people having their benefits withdrawn because they are deemed “not disabled enough” or “not trying hard enough to get a job”.

For those who come into contact with the welfare state, proving that you are “deserving” of help is a humiliating and demeaning experience (and it leads to plenty of people who would qualify for help not seeking it). It cannot be much fun for those having to administer such a system either.

Thirdly, as a result of the above, the current welfare system creates a massive disincentive for people to do what it wants them to do: get work. It is so hard to claim benefits that once in the system it is best not to do anything that jeopardises your weekly cheque, like changing your circumstances by getting a bit of part-time work. It is an acknowledged fact that if you are on benefits, the marginal rate of income tax can be as high as 75% if you start earning money (https://fullfact.org/economy/do-you-pay-higher-tax-rate-millionaire/) . It makes more sense (it is actually more rational from the individual’s standpoint) to remain unemployed and continue drawing the money from the state.

What is so special about work anyway?

On a more fundamental level, the obsession with paid work (the only type that the counts in the welfare system) as a sign of virtue or utility doesn’t stand up to much scrutiny either. There is plenty of work that gets done which does not attract a monetary reward but is of great value. Think of the amount of work that parents (mainly, but not entirely, mothers) put into raising their children to be good citizens and good human beings. Or the work done by those caring for sick or disabled relatives or friends. Or the millions of hours of work people do voluntarily helping in their local communities. Conversely, there is a lot of paid work of very dubious value to anyone. According to David Graeber’s very entertaining book “Bullshit Jobs” (https://www.amazon.co.uk/Bullshit-Jobs-Theory-David-Graeber/dp/0241263883/) more than a third of people surveyed in the UK  thought that their jobs did not ‘make a meaningful contribution to the world’. In other words, a third of people in paid employment think they are doing a bullshit job.

Fetishing work seems to originate in notions of Christian ethics: if work is holy, then it could be argued that those who get rich do so by doing something pleasing to God. Therefore wealth was a sign of God’s pleasure with you. The corollary to that, which is perhaps even more insidious, is that poverty is therefore somehow immoral. Looked at in this way, poverty is not just a lack of money, it is a lack of character. This suits the rich, who can not only enjoy their wealth, but also their moral superiority for having it. But again, this does not stand up to much scrutiny. There is plenty of evidence to suggest that where we start in life (an event of pure randomness as far as each individual is concerned) largely determines where we end up in life (see, for example, https://hub.jhu.edu/2014/06/02/karl-alexander-long-shadow-research/ ). That is why social mobility is such a hard nut to crack. And as Dutch historian Rutger Bregman points out in this fascinating TED talk (https://www.ted.com/talks/rutger_bregman_poverty_isn_t_a_lack_of_character_it_s_a_lack_of_cash), poor people make stupid decisions because they are poor, not because they are stupid. If you were to find yourself poor, you would also start making stupid decisions, regardless of how much expensive Oxford education you had received.

Regardless of its origins, the obsession with paid work as the underpinning of access to welfare appears dubious and self-defeating. What UBI is saying is: don’t give people work, just give them money and they will figure out the rest.

So if it is that simple, why isn’t it happening?

The objections to UBI appear to fall into two categories: its effect on humans and its effects on the economy.

Isn’t UBI bad for humans?

An immediate objection to the idea is that “people will just spend the money on fags and alcohol”, or that “people will stop doing anything useful and become layabouts”. But if you think about what you would do with $1,000 per month (that is Andrew Yang’s proposal in the US), you don’t think about cigarettes, alcohol and a life in front of the telly. You probably think of going back to university to finish that degree, or getting that job that you really wanted to do but couldn’t because it did not pay enough money. Or, yes, working less, but not in order to watch telly but in order to spend more time with your infant children. So who are those mythical “other” people who are waiting for the opportunity to get drunk and watch TV all day? If they are not you, or the people you know, where are they?

It turns out that you are not so special. In fact, most people are like you –that is why we get things like, say, car insurance: insurers can analyze and predict the behaviour of large numbers of people and use the normal (most people don’t crash most of the time) to cover the abnormal (paying out when someone crashes). So it makes more sense to assume that if you think and act one way, most other people will think and act in a similar way.

And the data bears this out. For example, this Harvard/MIT study of cash transfer programmes in different countries found no evidence to suggest that they negatively impacted people’s willingness to work. https://economics.mit.edu/files/12488

People also object to the idea of giving money to people who don’t need it: why not target scarce resources at the poor instead of giving money to Oxford graduates with cushy jobs in management consultancies? Well, it turns out that once you create and fund the vast edifice of bureaucracy needed to figure out who is poor enough and who is not, you might as well just give everyone a bit of money and let them get on with it. This is explained in this very entertaining article by US UBI campaigner Scott Santens http://www.scottsantens.com/the-water-room-analogy-why-giving-basic-income-to-even-the-richest-makes-sense

Arguably, universal services are not also more cost effective but lead to more social cohesion. If everyone has a stake, then everyone has an interest in the system working well, and there is no stigma attached to receiving it. If welfare is “for the poor” then everyone who is not poor now has no interest in the system at all, even if there is no system to go to if and when they find themselves in need. Which partly explains why the NHS (universal) is much more popular and politically sacred than Universal Credit (means-tested).

Will UBI destroy the economy?

Another objection is the idea that giving everyone money will bankrupt the economy or lead to rampant inflation, or both.

This is a harder issue to unpack because the argument, to some degree, depends on the detail of how the scheme would be implemented. But suffice it to say that Andrew Yang’s UBI scheme of giving $1,000 per month to every American is predicated on introducing a VAT of 10%, a risible amount of VAT for us Europeans.

And in the UK, the Citizen’s Basic Income Trust recently ran a simulation that showed that you could give everyone in the country a UBI of £65 per week by abolishing the personal tax allowance and raising income taxes by 3%, while keeping the rest of the  tax and benefits system largely unchanged (http://citizensincome.org/news/microsimulation-research-results-for-2019/). So yes, modest tax increases, but hardly the stuff of economic collapse or societal apocalypse.

There is also the more general issue of where money comes from and how it makes its way into society. After all, it is not like the Government is shy about just printing money. The cryptically-labelled Quantitative Easing programme that followed the financial crash of 2008 involved the printing of over £400 billion to inject “liquidity” (i.e. money) into the UK economy (https://www.theguardian.com/business/2019/mar/08/the-verdict-on-10-years-of-quantitative-easing).  It just so happened that the money was given to the banks, who in turn gave it to us in the form of loans.

This is not the place to go into the pros and cons of this, but suffice it to say that there is plenty of evidence to suggest that even if this is good for the banks, it is not necessarily good for the people and there are definitely other ways of going about it (see, for example, https://positivemoney.org/videos/introduction/). Again, if the state wants to make money available to the people, why not give it to the people instead of giving it to the banks in the hope that it eventually makes its way to the people?

There is also evidence to suggest that giving people an unconditional income actually helps the economy by, for example, reducing people’s health problems, like those associated with the mental health impacts of the stress of poverty

(https://www.psychologytoday.com/us/blog/short-history-mental-health/201911/universal-basic-income-and-mental-health or https://academic.oup.com/jpubhealth/article/40/1/3/2966187 ). At a time when the NHS is under severe strain these are arguments that need to be explored.

There are other ways

So UBI is not as new or as radical a concept as you might think. It is based on centuries of thinking about how to create a fairer society and how to share in the bounties of the earth. It recognises that we cannot “own” a thing like the land we farm and build our houses, or the oil we extract from the ground. They belong to all of us (present and future) and a way needs to be found to recognise and deliver on that for everyone’s benefit. This doesn’t mean abolishing private property or capitalism, but it does require a shift in how we think about the resources of our nation and our responsibilities to future generations, as well as our own.

And UBI challenges some very basic assumptions about the way we, as a society, go about doing things, what we think is important and why. Why do we make people “prove” that they are poor and deserving of help? Why does paid work signal virtue, even if it is pointless?

This article only barely touches the edges of the issue. There are plenty more arguments for (and against!) UBI and I hope it will encourage you to explore them.

Mostly we do things today because that is the way we did them yesterday and inertia is a powerful force. But this does not mean that what we are doing is right or good, and ideas like UBI force us to question some of the things we are doing and either justify them afresh or find a better way. It is time for a better way.

In conversation: Chase Rice

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US Country singer-songwriter Chase Rice has gone Platinum multiple times, co-written a Diamond-certified hit, and last year reached No. 1 with his single ‘Eyes On You’. Off the back of his latest project, The Album Pt. 1, he tells Maxim Mower why he feels like he’s just getting started…

Hi Chase! Thanks so much for taking the time out to chat today. So, I think it’s fair to say you haven’t gone down the traditional route to becoming a chart-topping Country artist. You’ve been a football linebacker, a NASCAR pit crew member, and a reality TV star. Did you always know in your heart you wanted to be a Country singer-songwriter, or was it a passion you discovered over time?

No, not at all – it was definitely discovered. I was 21 when I learnt to play the guitar. I remember my college roommate saying I should be a Country singer, and it felt like he’d just told me to be an astronaut! That’s how far from reality it felt. I wrote my first song in 2008 after my dad died, and I really enjoyed the process of it. It still wasn’t a focus, I just enjoyed doing it. Then in 2012, I’m one of the writers on Florida Georgia Line’s ‘Cruise’, and it was then that I realised it’s something I’m pretty good at, and something I could make money doing. It’s evolved a lot, and I’ve become a much better writer, producer and singer. It feels like The Album Pt. 1 is the beginning of my career, which sounds crazy because I’ve been doing this for ten years!

You mentioned your co-write on the smash hit ‘Cruise’ – a historic 24-week No. 1, and one of the best selling Country songs of the 2010s – and this came very early on in your career. Did this instant success spur you on in your songwriting, or did it add a whole lot of pressure to try and recreate the success of ‘Cruise’?

It was definitely before my time of really earning it. I was coming off ‘Cruise’ into ‘Ready Set Roll’ [Chase’s 2014 hit single], and I was thrown into a fire that I didn’t know how to handle. I didn’t enjoy it, and I didn’t appreciate it for what it was. I remember talking to Garth Brooks, and I said out loud, ‘Music is the easiest thing I’ve ever done’, and it was, it was so easy. But then everyone at my label got fired, I left the label, got re-signed, and that brought me back down to reality. It’s made me work my ass off so much harder, but the product is so much better because of it.

Talking of Country legend Garth Brooks, you recently opened up for him in front of over 70,000 fans in Detroit, and I read that the first concert you ever went to as a child was a Garth Brooks concert. What do you think baby Chase Rice would have said at that concert, if you’d told him he’d one day be up on that stage opening for Garth?

Nah, he wouldn’t have believed it! And that’s why I think this time around the success that’s happened, this success compared to the ‘Ready Set Roll’ days, it’s so much more fun because I can sit back and enjoy it. But now this time it’s deserved, we’ve earned it. We’re at a place now where we belong. Whether it’s our crowd or not, we’re going to make sure to bust our ass to make sure it is our crowd next time around. I never expected it as a kid, but it’s cool to be in a place where Garth is not just a mentor, and obviously a huge inspiration for me, because now this is a guy that I actually work with and make music with. To work with a guy like him, that’s earned, and I’m appreciative of this opportunity.

In your latest music video for ‘Lonely If You Are’, you and your band get replaced by childhood ‘mini-me’ versions. You’re at the top of the Country game right now, and there’s going to be a lot of people looking up to you. As a role model, what’s the main message you want to get across through your music to young Country fans across the world?

For every song I put out, that it’s me, and I’m not trying to be anyone else or another artist. That’s the best place to be at, when you finally realise ‘this is what I do best’, and you just try and own it. Another artist does what they do way better than I ever would, but nobody else can be me, and I’m just owning what I’m putting out and enjoying where I am with the music. That’s what I’d say to anyone getting into this – figure out the music you want to make, and be the best you can be.

What made you want to release The Album in parts, and how many can we expect?

That’s a good question. To me it’s the way people consume music these days – some people buy it, some stream it, some only listen to singles and not albums. I feel like giving less music more often gives the songs more of an opportunity to have the life they deserve. If you drop fifteen at one time, you just choose three or four to listen to and never hear the rest. But with only seven at once, you have the opportunity to listen to all of them. I’m not just releasing a single or two with five fillers, either – I wanted every song to be worthy of a single. That’s a big focus for me for The Album Pt. 2, and we’ve all just been talking about it right now. It’ll probably drop around April or May, and it’ll probably be less than seven songs. But it’ll be the same in that I want every song to be good enough to be a single. And to answer your second question, I don’t know when it’ll stop. There could be three, four, maybe even seven parts!

You’ve said that you feel The Album Pt. 1 is your best body of work to date. What makes this album particularly special for you?

I just think the singing, the production, and the writing is much better. Music is my life right now, and it wasn’t always a priority. At first, I enjoyed the partying aspect of it to be honest, and now that’s not my focus at all – my focus is on the music. I’m focussing hard on making the best music I’ve ever made, and I think that really shows on The Album Pt. 1. I think ‘Eyes On You’ kicked it off, and that could’ve easily been on Pt. 1. Also songs like ‘Forever To Go’ and ‘Messy’, they really encapsulate who I am as an artist.

There are a lot of different genres and styles infused into the mix on this project. ‘Everywhere’, for example, wouldn’t sound out of place on an Imagine Dragons record. When making an album, is it always a goal of yours to try and surprise people and explore different sounds?

I definitely want to explore different sounds, but I don’t really try to make it a point to surprise people, as that would make it different for me. Every song needs to have its own identity. For example, ‘Saved Me’ and ‘Lions’ [from 2017 album Lambs & Lions] are two completely different songs, but they’re still me. ‘Messy’ and ‘Everywhere’ are completely different, but again they’re still me. I love exploring these different sounds, and they don’t need to all sound the same.

I read somewhere that the entire album is about one person. Do you ever get nervous when you’re about to release quite personal songs about an ex, about how they’re going to take it?

Yeah, that’s the tough part. I do this for a living, but she doesn’t have a way to defend herself, and I’m mindful of that. I’m not going to say too much that she wouldn’t want people to know. She’s heard it, and I’ve talked to her since, and she’s good with everything. You want to be real, but not throw her under the bus.

You recently toured around the UK, and you take a keen interest in UK culture, more-so than most other US Country artists. You’re a big Manchester City fan, for example, and your song 25 Wexford Street is all about Dublin. What is it that draws you to the UK?

I think it’s just how you guys have taken me in with open arms. The first time I played there, we pretty much sold out every show, and it was just me and a guitar. We decided to go there before Country2Country [Europe’s biggest Country music festival] had started up, to build our own foundations, before I brought the band over. We built from the ground up, and you guys have treated me so well from the beginning. It’s like I’m coming home every time I go over there, I could even see myself coming over there and writing. I just love the people, and that’s why I put out 25 Wexford Street, and did a UK version of ‘On Tonight’ [from Lambs & Lions], because that’s how the crowd in London sang it. You guys have been amazing to me.

You’re known for your anthems, and these translate especially well to live performances. How big a part do the live shows play in your mind when you’re creating an album?

Yeah it’s huge, because our live shows have been the day one thing for us, before we ever had anything mainstream. Whether it was media, articles, radio play – before we had anything, we had a live show. I want the songs to help us keep the energy of the live show. But that doesn’t always mean high energy, for example ‘Forever To Go’ is just me and a guitar. I always want to pay respect to our live shows, and right now I do feel like we’re missing something from the setlist, so I’m going to make sure there’s a real high energy song on Pt. 2.

Which other artists are inspiring you right now?

That’s a great question! It’s funny you mentioned Imagine Dragons earlier, because I listened to them this morning. I respect the hell out of Eric Church for being who he is, I’ve always respected and loved his music. I listen to a lot of Garth Brooks, and hearing some live recordings of his stuff is definitely inspiring. I just did an acoustic thing with Kyle Cook from Matchbox Twenty, he’s created a sound that hasn’t been done before, and they’ve paved their own path. I’m all over the map, I love so many different artists.

I saw on Instagram you hit up Ed Sheeran asking for a potential collab. Has he come through yet, and could this be something to look forward to on The Album Pt. 2…?

I think it would be too soon for Pt. 2 to be honest, but I hope it’ll happen soon! I got to hang with him at the O2 – he’s obviously on top of the world, and I’d love to write a song with him and sing it together. I would definitely say it’s a possibility for the future.

Music is such a special medium through which artists can really help listeners when they’re going through something. If you could pick just one song that you’d want listeners to pay especially close attention to, the lyrics of which you feel can help people the most, which song would it be?

There’s a lot. ‘Eyes On You’ is probably my favourite to play loud because of the crowds. But if I could only sing one more song, it would be ‘Jack Daniels and Jesus’ [from 2014 album Ignite the Night]. That for me is a real song, it has a great story and lesson behind it. It’s probably one of my favourite songs I’ve ever written.

Are you planning on returning to play in the UK anytime soon?

100% – that’s a given. We’ll be coming back bigger and better with our live show, and I want to work our way into arenas. And we’ll hopefully be bringing Pt. 2 and maybe even Pt. 3 over with us!

Chase Rice’s latest project, The Album Pt. 1, is out now on all streaming services. Check out his music video for ‘Lonely If You Are’ here.

Review: Diary of a Murderer and Other Stories by Kim Young-Ha

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‘It’s been twenty-five years since I last murdered someone, or has it been twenty-six?’

A serial killer suffering from Alzheimer’s attempts to protect his daughter after a new spate of deaths in the village. But might the murderer be himself?

This thrilling premise is – excuse the pun – executed with great aplomb by South Korean writer Kim Young-ha’s Diary of a Murderer (2019). If you love morbid jokes though, you may well align yourself with this elderly and increasingly forgetful anti-hero, Kim Byeongsu.

Kim Byeongu is likeable in that special way reserved for fictional serial-killers: he’s personable, knowing, with a penchant for dark humour, poetry-writing, and erudite allusions (albeit the unlikely mix of Buddhist sutra and Nietzsche). Childhood abuse too, offers a familiar access-point for sympathy. And there is similar familiarity perhaps, for Kim Byeongsu to recall brutal murders in terms of the modern emphasis on capitalist productivity, as with his lazy observation ‘I was very diligent back then.’

What is psychologically striking is the contrast between ‘back then’ and now, his apparently peaceful village life with his adopted daughter. One might be tempted to see a touch of Silas Marner in old Kim Byeongsu – the solitary bleak man transformed by a child. Kim Byeongsu divides his life into before and after he found Eunhui, worrying clumsily about the impact bullying had on her mental health, as well as the suitability of her suspicious-looking fiancé. Fearful of forgetting his daughter’s face, he wears her photo in a pendant around his neck. 

Yet Eunhui is no Eppie. Emotionally distant, preferring plants to human beings, Eunhui is evidently a product of Kim’s Byeongsu’s inadequate parenting and rightly suspicious in turn. Kim Young-ha’s rather cynical approach to realism is echoed elsewhere in the collection, notably with the disappointing return of an abducted boy to his parents in Missing Child. It’s a pity that the other three stories fall short after the brilliance of the first, with their simpler, greyer, more predictable storylines. Here in Diary of a Murderer however, realism is qualified by Kim Byeongsu’s unreliability. And is this only because of Alzheimer’s or, as Eunhui accuses, because he is ‘purposely making things difficult’ and ‘pretending not to know’?

Kim Young-ha skilfully draws out our capacity for compassion in disturbing ways. In the emotional poignancy of his taut prose, tracking Kim Byeongsu’s futile efforts to grasp memories using post-it notes and voice recordings, Diary of a Murderer has unexpected echoes of Emma Healey’s compelling novel Elizabeth is Missing in which Maude, while struggling with Alzheimer’s, erratically pieces together the mystery of her sister’s disappearance. Glenda Jackson’s harrowing performance of Maude in last year’s BBC adaptation, fully realized the awful vulnerability and loss of control evoked in Healey’s powerful story. But our sympathy for Kim Byeongsu cannot be given freely; it must be qualified. He is not only playing fatherly detective but plotting one last murder – or, as the blurb rather quaintly puts it, he’s coming ‘out of retirement one last time’. 

This collection of stories by Kim Young-ha emerges as part of a fantastic surge in translated fiction from Asia, which early this year has seen Bae Suah’s Untold Night and Day and Cho Nam-joo’s ‘#MeToo bestseller’ Kim Jiyoung, Born 1982, among many others. Kim, however, is already well-established in South Korea as a leading writer, known for such dark themes as with his 1996 debut novel I Have the Right to Destroy Myself. 

The rise of Hallyu – Korean popular culture, notably K-pop and K-drama – signals tremendous potential for greater cultural exchange between East and West. This must continue being expanded to include, and enrich, our literature. The recent success of the film Parasite was frustrating as much as it was wonderful – as its director Bong Joon-ho noted, it stepped over a ‘one-inch tall barrier of subtitles’. What impressed me was the newness with which it was regarded, the appeal of its ‘flavour’, ‘local roots’, or ‘otherness’. Having grown up watching subtitled Korean, Japanese, Chinese, and Taiwanese dramas, I wanted childishly to throw it all up crying that there are so, so many more stories which you haven’t found yet but are so very near! So, I proffer forth this Diary of a Murderer.

But then, whenever I go striding with great anticipation into Blackwell’s, I too fall dumb. Just as I was unfamiliar with the glimpses of Korea’s troubled history depicted in Kim’s book, I could not recognise the rising shelves of names before me. Few bookshops present so wide and wonderful a range as Blackwell’s, and I cannot leave this space without also gesturing (slightly frantically) to Wu Ming-Yi’s The Stolen Bicycle and Han Kang’s Human Acts. 

So many stories! So much to find!