Tuesday, May 6, 2025
Blog Page 437

OPINION: Another BBC Controversy, Maitlis Under the Spotlight

0

If you thought a steadily rising death toll, a crisis in our care homes, and growing calls for the PM to sack his chief aide might finally give us a break from the age-old debate about BBC impartiality, you were wrong. It’s back – and this time it’s Newsnight presenter Emily Maitlis who has taken the hit.

Following complaints that last Tuesday night’s show had featured ‘biased’ views, the BBC made a statement saying that the programme had not met their standards of impartiality. Despite showcasing “fair, reasonable and rigorous journalism,” they said, the team should have done more to “make clear the introduction was a summary of the questions [they] would examine, with all the accompanying evidence, in the rest of the programme.”

Watchers of Newsnight might well wonder: when is this not the case on the programme? Lead presenter Emily Maitlis is one of the BBC’s most prominent journalists, and has been widely praised for rigorous interviews such as last year’s Prince Andrew Newsnight appearance, when she tore apart the prince’s description of Jeffrey Epstein’s behaviour as “unbecoming” – “unbecoming? He was a sex offender.”

Around a month into lockdown, she made headlines again with a powerful opening in which she dispelled the infuriating claim that ‘we are all in this together’ – “they tell us coronavirus is the great leveller. It’s not. It’s much, much harder if you’re poor.” Not only is this indisputably true, but, at the time, it felt like something that needed to be said; something the government was not taking into account. The clip went viral, and Maitlis was hailed as a voice of reason, a perfect example of what responsible journalism can look like.

When she opened last Tuesday night’s show, however, which was dedicated to an in-depth analysis of the Dominic Cummings debacle, she was accused of going too far. What changed? She said of Cummings’s breach of lockdown, to which he had pretty much admitted without apology in that already-infamous press conference the day before, that: “he made those who struggled to keep to the rules feel like fools, and has allowed many more to assume they can now flout them. The Prime Minister knows all this and has chosen to ignore it.” Lack of nuance there may be here, but can it really be described as biased?

A J.L. Partners poll for the Daily Mail published on Wednesday shows that 80% of people believe Cummings broke lockdown rules; 66% believe he should resign. James Johnson, co-founder of J.L. Partners, called it: “the most consistently one-sided political topic I have ever run a poll on. I expected nuance, there was no nuance.” Impossibly for the UK public, he called them: “completely united in their views.”

Whether or not you agree with the decision to reprimand Maitlis for her introduction, it does raise the question of what we expect from our journalists, not just in times of crisis, but always. It is particularly interesting when you consider that Maitlis presents a current-affairs programme, not the headlines. This is a significant distinction. Newsnight is not the news, it does not broadcast the headlines, it probes them and tries to make sense of them for the public. Those defending Maitlis would argue that her introductions are the whole point of journalism – like her dismissal of the “great leveller” claim, which we all know to be false, she cuts into the news and buzz-words of the moment with a commitment towards revealing what they really mean. One tweet about the whole thing stuck with me the most, shared by the Chief Political Correspondent of the FT: ‘Apocryphal quote about journalism: “If someone says it’s raining & another person says it’s dry, it’s not your job to quote them both. Your job is to look out of the window and find out which is true.”’

The question of BBC bias will probably never really go away, and, in part, it is a justified debate to have about a corporation funded by license fees. It is, truly, important that they broadcast content that is: “impartial, high-quality and distinctive,” as their website states, because that is what the public pays for. But to criticise a current-affairs anchor for potentially missing the mark on her perception of the public mood, despite the fact that the polls say otherwise, when Cummings himself has faced no such consequences for a provable breach of lockdown rules? That feels less justified. Would Jeremy Paxman or Andrew Neil have been treated the way Maitlis has? Again, questionable.

What it comes down to is what we expect from news anchors like Maitlis. Do we want them to quote two conflicting weather reports, or just look outside and see if it is raining? Of course, this is easier said than done, and not every single viewer will always have the same opinion. But when the polls show it, and newspapers with opposing ideological stances have almost identical headlines, I think you can be fairly certain of the public mood, and gauging it shouldn’t make you biased, it should make us value your journalism even more.

Songs of a Pride Cancelled

0

Pride 2020, which was supposed to be a celebration of our place in the world looking forward to liberation for even more LGBT+ people around the world, will instead pass by, largely unnoticed by the masses. Does that mean we as queer people should roll over and dampen our pride? No: now more than ever we need to let the world know we are still here, we are still queer. Whether it be with Instagram live streams of our unabashed dancing or wearing our best Pride fits in lockdown, we can still show the world who we are and just what it means to be LGBT+. 

A personal tragedy of the effective cancellation of Pride 2020 is the lack of a month-long party, bopping to some of the best hits known to humankind. So, to remedy that… here are six songs that I was personally looking forward to celebrating pride with.

‘Rain On Me’ – Lady Gaga, Ariana Grande: At the time of writing this song has not been out a full 48 hours. And yet somehow it feels just like all good Pride songs do, as if it has been playing in our heads for the past 20 years. With many already proclaiming it the Pride anthem of the generation, I’ll hold off that particular accolade, for now. Nevertheless, this song is sure to be heard across the world every June, all month long, for many years to come.

‘Dont Start Now’ – Dua Lipa: Despite not making it to the top of the charts when it released October last year (criminal, in my opinion), this song may just be one of the best songs released in the past five years. Dua is loved in the community, and it’s not hard to picture everyone, myself included, turning 360 degrees as Dua tells us she’s done ‘a full 180’. Having saved the early part of our quarantine with the entirety of her Future Nostalgia album, Dua deserved to be the Queen of Pride this year.

La Vita Nuova’ – Christine and the Queens, Caroline PolacheckWith its slow thumping beat and angelic vocals, this is pop at its best. Openly pansexual and genderqueer, Christine and the Queens is one of the most dynamic queer acts out there, and as we move into a new decade, it is the performers from the community that deserves to be highlighted and celebrated at Pride. 

‘Savage Remix’ – Megan Thee Stallion, Beyoncé: Beyoncé singing about only fans? That’s gay culture right there, and I won’t hear any different. Queen B shows she is a woman of the people. Moreover, this remix is just really bloody good—and with the kind of lyrics many in the LGBT+ community cherish, with emphasis on owning your own sexuality, this is certain to be a mainstay at pride this year. Hopefully come June 2021 we will all be able to sing about how we’re all savage.

‘Always’ – Waze & Odyssey, George Michael, Mary J Blige, Tommy Theo: Dance beats? Check. A remix of a classic by one of the best-selling gay musicians of all time? Check. A drag queen redux music video? Check. This song is still being market towards a Pride season that isn’t physically taking place. It’s fun and upbeat, and I would seriously suggest checking out the original song. As if you haven’t already…

‘Never Really Over’ – Katy Perry: Katy seems to have an interesting relationship with the community. Is she really a gay icon? No one can seem to agree on the answer to that question. She’s been quite the outspoken ally, but until recently, she still seemed to struggle to gain everyone’s support. Arguably this release has changed a lot of that with a great beat. ‘Never Really Over’ was the perfect comeback song, and we all love a good comeback—after all, Cher’s made her entire career off it!

As we move through and navigate a virtual Pride season it’s worth remembering that those of us who can celebrate from the comfort of our homes are especially lucky. There will be many members of our community at uni who simply can’t be themselves when at home. If you do one thing this Pride season, remember to check on your LGBT+ friends. Outside of university life, many people around the world still can’t safely be themselves either, and Pride season should first and foremost serve to highlight and campaign against their struggles. All the tunes set aside, Pride started as a revolution, and it should stay that way. 

Stay alert. Stay safe. Stay savage.

Check out Joseph’s playlist, ‘pride in quarantine‘, on Cherwell Spotify (@cherwellmusic).

Christ Church Dean row reignited amid calls for dismissal

0

Academics have called for the Dean of Christ Church to be dismissed, accusing him of “unsound judgement” and “consistent lack of moral compass”.

In a letter seen by The Telegraph, members of the college’s Governing Body have called on the Charity Commission to help remove the Very Rev Prof Martyn Percy from the Board of Trustees.

The letter claims he has “hampered the day to-day-day operations of the institution” and that “he is not fit to remain a trustee”.

Signed by 41 out of the 65 members of the Christ Church Governing Body, the letter accuses Percy of breaching his duty of confidence to the College and his duties under the Conflict of Interest Policy and the Harassment Code. It also claims he has disclosed “confidential material to the press.”

“There is also now an established and well-documented pattern of behaviour which we believe shows the Dean to be sacrificing the best interest of Christ Church to his own,” the letter adds.

A source also tells The Telegraph that Percy has been offered £1 million to resign his position, however, Christ Church states that this claim is inaccurate.

In December 2019, the Dean lost a no-confidence vote by 38 votes to two. However, as he was appointed by a Letters Patent, only the Queen and the Archbishop of Canterbury can request his resignation.

The Telegraph also reports that the Governing Body has asked the Charity Com-mission to “step in”, as “scope within our statutes to replace the Dean is very limited. A failure to act now will oblige Christ Church to spend more money on attempts to resolve an unsustainable situation.”

The letter reignites the ongoing row amongst the college’s Governing Body.

The dispute is thought to have started in 2017 when Percy complained that his salary was insufficient and below the median for Oxford heads of colleges. Percy was subsequently suspended after being accused of “immoral, scandalous, or disgraceful conduct” but was reinstated last year, according to the Guardian.

The Dean’s current salary is just under £95k and he and his family have rent-free use of the 12-bedroom deanery.

The College hired former high court judge Sir Andrew Smith to conduct an internal tribunal, who dismissed the complaints against Percy. The tribunal’s full judgement has not been published. Speaking to the Financial Times, one member of the Governing Body claimed the college was “virtually ungovernable”.

Percy has launched an employment tribunal against the college, claiming he has been victimised. He retains the support of some members of the Governing Body and alumni, including former cabinet minister Jonathan Aitken. Aitken told Cherwell: “The letter is a foolish own goal by the Governing Body. It is full of windy assertions attempting to denigrate the Dean which are unsupported by any evidence.”

“This letter will cut no ice with the Charity Commission. It has been well briefed by many other sources who are angry about the continuing failures of governance and the recklessly extravagant expenditure of charitable funds by this bitterly divided Governing Body. Last week the respected and hitherto neutral Christ Church Association Committee (CCAC) which represents 9,000 alumni wrote to the Charity Commission saying that it had lost confidence in the Governing Body and the Censors.”

He went to say: “As for the future I believe the Charity Commission will soon intervene to impose an independent inquiry and its own interim management.”

In a statement, Christ Church said: “We are aware that over 40 trustees and members of Christ Church Oxford’s Governing Body have appealed to the Charity Commission to intervene in the current dispute with the Dean. Christ Church is fully committed to achieving a solution through independent mediation, to avoid the considerable cost that will otherwise be incurred through responding to the Dean’s Employment Tribunal claim against Christ Church.”

“The Dean has suspended the mediation process, but Christ Church remains ready, open and willing to restart it whenever he wishes. The Charity Commission may be able to help bring him back to the negotiating table. The sooner the Dean’s Employment Tribunal claim can be resolved, the sooner Christ Church will be able to undertake the independently-chaired Governance Review it is commissioning in consultation with the Charity Commission.”

Image credit to charlemagne/ Pixabay

Rent increases spark uncertainty for graduate students

0

Graduate housing tenants have complained that University rent increases put them under increased financial pressure. A change in Oxford City Council policy also means they will have to pay more council tax.

These changes could add 15% to living costs for graduate students in University accommodation. The imposition of a 4.57% rent increase by the university follows a total 23% increase since 2015. 

A formal complaint was filed against the University in April this year, requesting a suspension of the decision on rent due to the onset of the COVID-19 pandemic and rises in council tax. 

The Graduate Accommodation office has refused to suspend rent increases, encouraging students to apply for hardship funds. This decision was upheld at a Property Management Sub-Committee meeting. Only one representative from the Student Union was present at the meeting.

This seems to have affected students’ desire to stay in their accommodation. In a survey of 69 student tenants, 81.3% reported they were considering leaving due to this policy and 64% said the increase will mean spending 60% of their household income on living costs.

The University describes its graduate accommodation as “affordable”, although according to the CIH and National Housing Federation, an “affordable rent” should consume less than 30% of household income.

Cherwell has received comments from several tenants on the issue, all of whom wish to remain anonymous. 

“As a parent to a toddler I already face extremely high expenses on childcare here in Oxford”, said one tenant. 

“We already pay £2,210 only for accommodation and childcare each month. This is while most stipends are only around £1,200 per month. Many couples and families have already left Oxford because of the University’s policy.”

Another tenant added: “I am reticent to draw on the hardship funds, as although the rent increase may push me out of University housing, I fully understand that each and every one of my neighbours faces a similar situation. This is a crisis that all of us must face and which cannot be solved by individual appeals for extra funding alone.”

A third tenant told Cherwell: “Due to the COVID-19 pandemic my course (medicine) has been completely suspended until further notice. I have received no financial advice from the university concerning how this unspecified length of time with no opportunity to study will affect my ability to receive a student loan or sustain myself. I am currently living off savings with no concrete information to help me plan financially for the future.”

Graphic by Charlotte Bunney

In response to these claims, the University said: “The wellbeing of students is a key priority for the University, particularly in the current exceptional circumstances.

“Council tax policy remains a decision for Oxford City Council. However, we have listened and responded to the concerns of our graduate students in respect of council tax changes. We have engaged with Oxford City Council on our tenants’ behalf, and as a result a decision not to apply the charges during the current tenancy period has been agreed. This change in exemptions by the council only applies to households where one or more resident is not in full time education and no other exemptions apply.”

“The recommendation for rent increases in 2020/21 was decided at University committee level in September 2019. Affordability was a key issue in the decision and student interests were represented by Oxford Student Union. These increases are part of a longer-term plan, agreed in consultation, after a period of historically low rents.

“In light of Covid-19, a review of the decision was carried out by the committee in May 2020. Once again student interests were represented by the Student Union, and the rent increase was upheld as reasonable.

“Graduate accommodation rents, when compared with equivalent properties in Oxford for size and amenities, still remain below the open market rates.

“The University takes the impact of current circumstances very seriously. If students have a licence or tenancy agreement for University or College accommodation this term, but are not in residence, they will not be charged rent. In light of the current crisis, the University is also making available additional hardship funding to support students needing help.

The Council said: “Oxford City Council reviewed its student property portfolio during the last financial year. Some self-contained flats belonging to the University of Oxford and to Oxford Brookes University had been made exempt from Council Tax charges under the Halls of Residence regulations for a number of years. This was incorrect and the exemption had to be removed.

“The Council agreed with the University of Oxford and Brookes, in January 2020, that the exemption would remain in place until the occupiers’ tenancy agreements came to an end, guaranteeing the current tenants would remain exempt from Council Tax until their current lease expired. Anyone signing up to a new lease would have to apply for a student exemption class N or a student-related discount and the qualifying criteria applied.

“If the properties are leased to a mixture of qualifying student and non-student occupiers then the student occupier would be disregarded and the remaining resident will be liable for a discounted Council Tax charge.

“The changes correct a misinterpretation of the regulations that was applied solely to Oxford University and Brookes properties. The student occupiers of other self-contained accommodation within the City already conform to the regulations.

“Anyone remaining and signing a new tenancy agreement was advised of the changes to the policy and how it would affect them by the Oxford University Accommodation Unit on the 19 February. A similar arrangement was reached with Brookes.

“Our actions will impact on those households where the partner is not a full time student, is able to work or has access to public funds.

“The City Council’s actions will restore equity to the way we treat students in self-contained accommodation. It does not deprive the student, or qualifying dependant, of the opportunity to apply for an exemption or disregard. If their partners work and or claim benefits, they will have access to support through the Council Tax Reduction scheme or to apply for assistance under the hardship regulations.

“The University has received 248 requests for renewals or extensions. A percentage of these will be subject to a charge.”

Meanwhile, graduate students at Balliol College have been told to leave accommodation if they wish to complete voluntary work with the NHS.

In emails seen by Cherwell, the College has told a student wishing to volunteer with the NHS that they would have to vacate their room during the lockdown. 

A student at Balliol, who wished to remain anonymous, told Cherwell: “I was told by the Profectus and the Dean that I would have to leave if I wanted to do any kind of volunteer work. Initially they said I would not be able to come back until the pandemic was over and would have to pay rent still as my room would be full of my stuff. 

“After I pushed back on this they said I could come get my possessions but still would not be able to live in my room for the duration of my NHS work.” 

The College’s decision was based on safety concerns for other residents in graduate accommodation. The University has been contacted for comment on this issue.

Cover Graphic by Isabella Lill.

Good Vibrations: Hertford and Merton raffle sex toy vouchers for charity

0

Hertford and Merton JCRs are raising funds for charity by organising raffles in which the prizes included £20 vouchers for Lovehoney.

At Hertford, Rory Saitch offered participants “that warm fuzzy feeling”, although this was in reference to the action of donating money to frontline workers through the purchase of £1 tickets. In the space of a week, the JCR raised £320. The sum was Gift-Aided and donated to NHS charities after two lucky participants won £20 vouchers in the draw made to the college at a virtual JCR meeting.

One uncredited message reposted by Saitch said, “who knew Hertford was so horny?” as the college promoted a different form of Sighs to the bridge with which it is usually associated.

Merton’s JCR has since followed suit. In a raffle to coincide with Welfare Week, a £20 Love Honey voucher was one of four prizes, although winners will be able to select a Cadbury’s chocolate hamper instead if the money to spend at the popular sex toy company is “not your cup of tea”.

In the caption of the online raffle, Merton JCR President Lucy Buxton wrote: “If you are looking to ~spice~ up your sex life in whatever way suits you, this is the perfect prize!” as she offered an unconventional and perhaps more literal solution to the problem of isolation “getting you down”.

Other potential prizes included a bottle of gin made with natural products from the Oxford Botanical Gardens, a specially commissioned portrait of the college, and the chance to adopt a tiger for a year with the WWF.

Tickets are also priced at £1 each. With over fifty sold on the first day alone, Mertonians will surely hope to rival the generosity of their fellow students at Hertford before the draw on Friday 5th June. Proceeds will go towards Oxfordshire Homelessness, BEAT, Oxfordshire Mind and Reducing the Risk Oxford.

Image credit to Morderska/ Wikimedia Commons.

Oriel College Provost Neil Mendoza becomes UK’s first Culture Commissioner

0

The Provost of Oriel College, Neil Mendoza has been appointed as the UK’s first Culture Commissioner as part of efforts to aid the sector’s recovery following the Coronavirus Pandemic.

The announcement was made by the Culture Secretary, Oliver Dowden CBE. With the sector struggling due to the financial effects of closures as a result of the pandemic, Mendoza’s role will be to provide expert, independent advice to the UK government on the necessary steps needed for its recovery. This is with the added difficulty of social distancing measures needing to be in place across all cultural venues when they reopen.

As Culture Commissioner he will also be responsible for gathering innovative ideas and initiatives to help renew the sector and will ensure that The Arts Council England, The National Lottery Heritage Fund, Historic England and other organisations in the culture sector work together to develop and deliver support.

Mendoza is experienced in this sector, as the Chair of the Landmark Trust and the Illuminated River Foundation, and as the non-Executive Director of Department for Digital, Culture, Media and Sport (DCMS) since 2016. He also led ‘The Mendoza Review’, an independent review of museums in England, in 2017. 

Mendoza said in a statement: “Our culture holds us together. Arts, music, theatre, museums and heritage and culture in all its other forms are a vital part of people’s lives up and down the country. Our outstanding creativity and arts excellence sets an example for the world. The people that work in cultural sectors want to work, to help continue to support and inspire their communities.” 

“DCMS intends to help them do just that through this pandemic and be ready for renewal once social distancing is over.”

The Culture Secretary, Oliver Dowden said: “Our local, regional and national institutions have been trailblazers in coming up with innovative ways to reach audiences during the lockdown. Our focus now turns to paving the way for the reopening of the country’s cultural hubs including theatres, galleries, museums and entertainment venues, when it is safe to do so.”

“Neil’s appointment as Commissioner for Cultural Recovery and Renewal and the creation of a new task-force is all part of the government’s commitment to help get the cultural and creative sectors back up and running.”

Sir Nicholas Serota, Chair, Arts Council England also added: “Neil Mendoza has been a champion of art and culture throughout his career and I am delighted that he will bring his extensive experience in the creative, heritage and business sectors to his appointment as Commissioner for Cultural Recovery and Renewal. Culture and creativity will be vital to rebuilding communities across the country and in sustaining our international standing as a creative nation. Helping the sector to reopen is a priority for the Arts Council and I very much look forward to working with Neil in support of the aims of the Taskforce.”

Image credit to Alf/ Wikimedia Commons.

Oxford student stars in lockdown music video

0

Andy Vaic, a student at Oxford, has released a humorous music video about lockdown to his song ‘Why, Why, Why’. His original music video has over 40 000 views on YouTube and the song got through to the second televised round of Eurovision in Lithuania.

In the music video, Andy visits the sights of Oxford looking for love. Finding everywhere empty, he befriends the local cows. Andy told Cherwell: “I was just alone in a house since the lockdown started and was getting rather bored. So I decided to do something fun and amusing to entertain myself.”

Andy has played in a number of colleges and the song has been played at multiple college bops. He has held concerts in the Bullingdon and Freud, at which he combines many instruments such as the guitar, bass, keyboards, drums and even spoons, by recording loops.

Oxford study finds belief in COVID-19 conspiracy theories leads to reduced compliance with lockdown measures

0

CW: Islamophobia, anti-Semitism, racism

Oxford study finds belief in COVID-19 Conspiracy theories leads to reduced compliance with lockdown measures

A study from the University of Oxford published on Friday shows that half of the English population hold Coronavirus conspiracy beliefs. These include the belief that the virus is a Chinese bioweapon, was created by Jews or is being spread by Muslims as an attack on Western values. Those who hold such beliefs are less likely to comply with social distancing, the study shows. 

The Oxford Coronavirus Explanations, Attitudes, and Narratives Survey (OCEANS), published in the Psychological Medicine journal, indicates that 60% of English adults believe that the government is misleading the public about the cause of the virus. 

Almost half of respondents believe at least “a little” that the “Coronavirus is a bioweapon developed by China to destroy the West”. One in five respondents believes to some extent that “Jews have created the virus to collapse the economy for financial gain”. One in five also believes that “Muslims are spreading the virus as an attack on Western values”. 

The study finds that those who believe in conspiracy theories are less likely to follow official guidelines of staying home, not meeting with people outside their household, or complying with social distancing when outside. They also tend to state that they would be more likely to dissuade family and friends from having a COVID-19 vaccination. 

Speaking to Cherwell, Professor Daniel Freeman, Professor of Clinical Psychology and study lead said: “The coronavirus pandemic has created almost perfect conditions for conspiracy beliefs to flourish. An invisible threat has visibly altered the world. There is sustained physical, psychological, and financial threat. Governments and key institutions have had to develop and implement decisive responses to the danger posed by the coronavirus pandemic. Everyday life has changed dramatically, with top-down imposition of explanations and required responses enforceable by law […] Conspiracy beliefs will arise from the heady brew of inescapable threat, enforced change, uncertainty, isolation, and social media.”

Adam Bernstein, President of the Oxford Jewish Society, told Cherwell: “We are disappointed to hear reports of antisemitism and other prejudices linked to Corona. Oxford J-Soc remains determined to stand up to antisemitism and we stress the importance of combating conspiracy theories through education”. 

Chengkai Xie, Brasenose College student and producer of the podcast Leicester Square Tales, which aims to capture the voices of the British Chinese diaspora community, said: “It was sickening to hear Chinese businesses and families in the UK experiencing vandalism and racist remarks when racial hate incidents are surging across the nation. People who suffer from discrimination, especially those in the BAME community, should exercise their legal rights to protect themselves. Public figures should play a decisive role in guiding the public away from ignorance and bigotry”.

The Oxford University Islamic Society and the Oxford University Chinese Society have been contacted for comment.

Cover Image by Ellie Wilkins

Hertford President advocates a National Youth Corps

0

In an open letter published by The Guardian, Herford College President Will Huttton has called for the establishment of a National Youth Corps to guarantee job opportunities for current students and school-leavers across the country.

Organised by Hutton, the letter has been co-signed by, among others, MP Rushanara Ali, Sarah Atkinson of the Social Mobility Foundation and Kirsty McHugh of the Mayor’s Fund for London. It calls for a government-funded programme to create work and training opportunities for 16-25 year-olds, guaranteeing at least minimum wage, to run until the end of 2021.

Terming this generation of students “Generation ‘Covid’”, Hutton writes that “through no fault of their own, [they] face having their lives altered as no other generation since the war, with scars that will last their entire lives. Our national conversation must now incorporate how we act to turn this looming disaster into an opportunity.”

This generation of graduates, he notes, is facing the toughest labour market for 75 years, with 30% of university students having lost a job or job offer. Many are being affected permanently – a report from think-tank Resolution Foundation warned last week that younger workers risk their pay being affected for years to come and that more than a third of 18-24 year-olds are currently earning less than they did at the start of the year.

Crucial to the programme will be a personal mentoring facility, through which members of the Youth Corps can be helped to adapt to the changing conditions of the labour market. The plan calls for employers based in the UK to pledge a variety of job opportunities, which should include offers from the government, the NHS, apprenticeships, voluntary organisations, community leadership academies, and many more. These job offers would then distributed to National Youth Corps centres across the country, as well as being accessible to members via an app.

The letter urges the government to announce its intent to follow this plan as soon as possible, with the necessary funding pledged at a similar time. In order for it to be successful, it would have to be up and running before the end of the academic year in July. If the government should choose to run the scheme, it is estimated that up to one million 16-25 year-olds would apply to be part of it.

The letter concludes that “the Youth Corps has the potential to be a crucial building block in getting the whole of Britain back to work, both in providing opportunities for young people at a crucial moment in their lives and in creating an army of workers who can help propel a faster economic recovery than would otherwise be the case. It is a moral and economic imperative.”

Image credit to Paul Gillett.

Eating disorders – the elephant in the room

0

TW/CW: Body Dysmorphia, Eating Disorders, Trauma

This article contains explicit mentions of harmful behaviour. 

Please consult the resources under the article if you or anyone you know is struggling with an eating disorder.

Seeing anonymous confessions about body dysmorphia or the fear of eventually falling victim to disordered eating, and not doing anything about it hurts more than dabbling in the pain of my past ever could. 

Is this who I really am? The short answer is no. The disgust, the disappointment, and the cringe that comes with ED realisations is an insight into normalcy. Your mind is a field under occupation — feels as though no longer yours, but you yearn for the eventual independence. The enemy has planted its poisonous seeds, but it is not you. Rationality itself seems to be rationed at times like these. But how can you reflect on the situation that has been so imperceptibly inflicted on you, without spiralling into self-blame? 

There is a common misconception which aligns eating disorders with contempt for food. In reality, the fixation mostly has its source in our love for it; love which, unfortunately, does not agree with the feelings that come with body dysmorphia. And so we succumb to the latter, ignore the former — we become more restrictive, find justifications for saying goodbye to things. In an attempt to hide from the constant bombardment with questions, my younger self took refuge in supposedly healthy diets. The freedom that came with having to cook for myself in a carnivorous household allowed me to wean myself off food that my paranoid tastes perceived as fattening. Not long until food was off the table almost completely — and two crackers had to suffice for lunch — even teachers made me into a joke. Me and my “bird food” were the best comedy of them all. I began creating rituals, restrictions, and rules for food, heaven forbid I should ever enjoy it. 

Nobody knew what went on behind the scenes, and so the compliments were always innocent. I managed to subvert any comment, and find weight as its ulterior motive. A person I haven’t seen for a few years — “Wow! You look great!”, which I translated to “Wow! You lost weight since I last saw you, you look great!”. This translator, a really bad one, kept me hooked on self-destructive behaviours. Vicarious reinforcement was as influential as direct communication. What message does the media put across by labelling Adele’s (divorce trauma induced) weight loss as her “greatest achievement” — greater than 120 million records, 15 Grammys, 18 Billboard Awards, 5 AMAs, an Oscar, a Golden Globe, and the fastest selling album in iTunes history? This value placed on the body image may lead us to believe that whatever we do, our achievement can only be appreciated when we reach the “ideal”. 

It goes without saying that disordered eating revolves around an ideal body image, the one which we imprint on our minds and worship daily. Is this icon — this photograph of an ideal body we strive to become — an entirely abstract matter? Turns out that Instagram provides a physical shrine for the eating disorder to gather its images. Pandora’s Box, filled with both dopamine and misery. In order to appear normal, I must perform a self-loving ritual on social media — and so I post with exaggerated confidence. Felt cute, will delete later. For a few days the photo functions as a reliable source of gratification: likes, likes, likes. Are they real? — Or do my followers pity me, but still admire the swiftly exuded confidence? And will I ever know? After approximately three days, the post is old news, the activity dies out. I am extinct. No longer validated by strangers, only misery remains in the box — I am left with a photo that punctures the balloon of my inflated ego — a painful process, the source of which must be deleted immediately. Over the years I have archived ninety-four pictures of myself, the perception now sober from the initial zeal of excitement that came with the post. I dare not open the archived folder lest I realise that I have posted something which now presents itself as ugly; that people saw and remembered.

Even after having reflected upon the idea of body image for so long, I cannot describe how it manifests itself visually. Whatever appears in the mirror, it feels less like a Renaissance nude and more like a surrealist take on the homunculus. I have a mental museum of body images — and what a cunning exhibition it is — every image different than the other, certain parts accentuated here but not there. Which is the real one? Which one do I trust?  Do other people see me as exhibit A, or B? And when attraction is involved — would I be a marble statue, or an antique leather armchair? Either way, as with any traditional museum, touch is a no go. Knowing that mirrors are deceptive, I have hidden them all; but the gaze seeks images out: forced resemblances to strangers, public mirrors, window reflections, cutlery — danse macabre of carnivalesque faces and oblong limbs.

The times are difficult now. With the lockdown forcing our lives and their stresses into a claustrophobic space, the eating disorders are feasting. There are less places to hide, you come face to face with problems which, no matter how small, have managed to outgrow you. It may feel as though you are failing at anything and everything you do. Self-punishment or forging a sense of control is a reflexive response of a disordered mind. I remember this response all too well — this nonsensical cycle of grasping for an illusion of stability and control. 

My definitions of ‘normal’ were self-destructive, my perception of self a delusional mirage. Talking to a friend, I complained— “you can’t even see my ribs anymore”. I thought this was normal too. Weight gain, after all, was a universal concern after the first term of university. My friend’s morbid reaction was a reality check — they cried, fearful that soon I would starve myself to death. I was a bag of bones. How did I take it to such extremes? Whatever you are going through, may this be your moment of sobriety. Don’t turn yourself into a corpse. Seek help. Speak up. Speak out. 

Organisations which can offer information and support for eating disorders:

Anorexia & Bulimia Care (ABC)
www.anorexiabulimiacare.org.uk
03000 11 12 13

BEAT (UK Eating Disorder Charity)

www.beateatingdisorders.org.uk

Helpline (adult) – 0808 801 0677
Studentline – 0808 801 0811
Youthline – 0808 801 0711 

British Nutrition Foundation
www.nutrition.org.uk

020 7557 7930