Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject
A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup everyday' on his New Year's...
It is ironic that Netflix, the reason for the film’s rapid popularity, might also be the reason why it’s not as memorable a film as it could have been.
Emilie Rapport Munro discusses whether Netflix overdid its latest hit
The convention which now seems part-and-parcel of theatre wasn’t always there – indoor venues and developments in lighting provided new staging opportunities. But what is the theatrical blackout for?